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The main aim of this book is to discuss various modes of studying and defining the medieval self, based on a wide span of sources from medieval Western Scandinavia, c. 800-1500, such as archeological evidence, architecture and art, documents, literature, and runic inscriptions. The book engages with major theoretical discussions within the humanities and social sciences, such as cultural theory, practice theory, and cognitive theory. The authors investigate how the various approaches to the self influence our own scholarly mindsets and horizons, and how they condition what aspects of the medieval self are 'visible' to us. Utilizing this insight, we aim to propose a more syncretic approach towards the medieval self, not in order to substitute excellent models already in existence, but in order to foreground the flexibility and the complementarity of the current theories, when these are seen in relationship to each other. The self and how it relates to its surrounding world and history is a main concern of humanities and social sciences. Focusing on the theoretical and methodological flexibility when approaching the medieval self has the potential to raise our awareness of our own position and agency in various social spaces today.
Njals saga is universally recognised as the greatest and most complex of all the sagas of Icelanders (Islendingasogur). The originality with which the writer composed his narrative has led to its being likened to a novel created by an author who certainly used sources, although identifying which parts of the saga descend from oral and which from written sources has proved difficult. The 'Christian background' of the title of this study refers to the ecclesiastical texts (including Scripture and its exegesis, church liturgy and the liturgical year, and hagiographical and apocryphal writings) which, it is argued, were used by the author of Njals saga as he both created a bipartite structure, using familiar Christian metaphors to help unify the work; and developed his central thematic concern: that good legal judgement depends upon justice and mercy acting together, as in divine judgement. It is this which finally redeems Skarphedinn Njalsson.
This book provocatively argues that much of what English writers of the seventeenth, eighteenth and nineteenth centuries remembered about medieval English geography, history, religion and literature, they remembered by means of medieval and modern Scandinavia. These memories, in turn, figured in something even broader. Protestant and fundamentally monarchical, the Nordic countries constituted a politically kindred spirit in contrast with France, Italy and Spain. Along with the so-called Celtic fringe and overseas colonies, Scandinavia became one of the external reference points for the forging of the United Kingdom. Subject to the continual refashioning of memory, the region became at once an image of Britain’s noble past and an affirmation of its current global status, rendering trips there rides on a time machine.
With full-page maps and supplementary photos, this encyclopedia covers every aspect of Scandinavia during the Middle Ages, including rulers and saints, overviews of the countries, religion, education, politics and law, culture and material life, history, literature, and art.
An extensive analysis of the supernatural in Icelandic sagas.