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This final volume in John Nichols's acclaimed New Mexico trilogy, (“Gentle, funny, transcendent.” —New York Times Book Review). Like its predecessors, The Nirvana Blues is a lusty, visionary novel that blends comedy and tragedy, reality and fantasy, tenderness and bite, to illuminate some very troubling truths about America—truths no less pointed and accurate today than they were decades ago. The seventies are over. All across America, the overgrown kids of the middle class are getting their acts together—and getting older. The once-tight Chicano community of Chamisaville is long gone, and the Anglo power brokers control almost everything. Joe Miniver—faithful husband, loving father, and all-around good guy—is about to sink roots. To buy the land he wants, he dreams up a coke scam that will net him the necessary bread. Joe is also about to embark on a series of erotic adventures with three headstrong women, bringing him face-to-face with the terrors (and absurdity) of the modern man-woman scene. The Nirvana Blues is part of John Nichols's New Mexico trilogy, which includes The Milagro Beanfield War and The Magic Journey
In '70s California three friends chase idealistic visions in their quest for love, truth and the California Dream. Sometimes heartbreaking, often humorous, Nirvana Blues is about the quest for love, truth and the California Dream where sometimes you need to lose everything to find your real self.
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" Chacun de nous avait perdu l'autre dans un jeu qui pourtant, à ses débuts, comportait une grandeur et un amour véritables, comme celui d'un couple divin qui dans ses ébats recrée sans fin le cosmos. Monique, comme toute femme qui possède d'instinct l'art d'aimer, plus que mon corps avait embrassé mes rêves, et c'est d'eux qu'elle tirait un charme dont la force me paraissait irrésistible. Mais à la source opiacée de ma chair et de mon sang s'entremêlait un philtre désenchanteur qui nourrirait ses pulsions crépusculaires... " Gabriel est un jeune artiste qui voudrait se tailler une place dans le monde. Et pourtant le hante la nostalgie d'un absolu dont il croit découvrir la trace dans sa relation avec Monique. Gerry, demi-frère de Monique, ne s'embarrasse pas de scrupules. Saura-t-il entraîner Gabriel dans une chute définitive ? Histoire d'amour, intrigue politique, quête métaphysique, Nirvana Blues est le roman d'une initiation aux sommets et aux gouffres de l'expérience humaine. Dans une première oeuvre remarquable, Le Fil de fer, Frédéric Gagnon avait déjà interrogé les limites bouleversantes de la condition humaine.
Spanning forty years, the second book in John Nichols's New Mexico trilogy, The Magic Journey, tells the tale of how relentless progress transformed a rural backwater into a boomtown. Boom times came to the forgotten little southwestern town of Chamisaville just as the rest of America was in the Great Depression. They came when a rattletrap bus loaded with stolen dynamite blew sky-high, leaving behind a giant gushing hot spring. Within minutes, the town's wheeler-dealers had organized, and within a year, Chamisaville was flooded with tourists and pilgrims, and the wheeler-dealers were rich. At first, it was a magic time for Chamisaville—almost as if every day were a holiday. But the euphoria gradually dissipated, and the land-hungry developers, speculators, and interlopers moved in. Finally, the day came when Chamisaville's people found themselves all but displaced, their children no longer heirs to their land or their tradition. With mounting intensity, The Magic Journey reaches a climax that is tragically foreordained. A sensitive, vital, and honest chronicle of life in America's Southwest, it is also an incisive commentary on what America has become on its road to progress. The Magic Journey is part of John Nichols's New Mexico trilogy, which includes The Milagro Beanfield War and The Nirvana Blues.
"Western writers," says Thomas J. Lyon in his epilogue to Updating the Literary West, "have grown up with the frontier myth but now find themselves in the early stages of creating a new western myth." The editors of the Literary History of the American West (TCU Press, 1987) hoped that the first volume would begin, not conclude, their exploration of the West's literary heritage. Out of this hope comes Updating the Literary West, a comprehensive reference anthology including essays by over one hundred scholars. A selected bibliography is included with each piece. In the ten years since publication of LHAW, western writing has developed a significantly larger presence in the national literary stream. A variety of cultural viewpoints have developed, along with new tactics for literary study. New authors have risen to prominence, and the range of subjects has changed and widened. Updating the Literary West looks at topics ranging from western classics to cowboys and Cadillacs and considers children's literature, ethnicity, environmental writing, gender issues and other topics in which change has been rapid since publication of LHAW. This volume again affirms the West's literary legitimacy--status hard earned by the Western Literary Association--and the lasting place of popular western writing as part of the growing and changing literary--and American--experience. An excellent reference for a wide range of readers and an invaluable resource for scholars and libraries. Selected list of contributors: James Maguire Fred Erisman Susan J. Rosowski Gerald Haslam Tom Pilkington A. Carl Bredahl Richard Slotkin John G. Cawelti Robert F. Gish Ann Ronald Mick McAllister