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A fast-paced, darkly ironic novella from one of Japan’s contemporary luminaries—and the husband of Mieko Kawakami—making his English language debut A teenager gripped by obsession seeks to free endangered birds in this darkly funny study of solitude and toxic masculinity set in modern-day Tokyo Perfect for fans of Earthlings by Sayaka Murata and Kawakami’s Breasts and Eggs Isolated in his Tokyo apartment, 17-year-old Haruo spends all his time online, researching the plight of the endangered Japanese crested ibis, Nipponia Nippon. Living on an allowance from his parents, he drops ever further into a fantasy world in which he alone shares a special connection with the last of these noble birds, held at a conservation centre on the island of Sado. His conclusion is simple: it is his destiny to free the birds from a society that does not appreciate them, by whatever means necessary. With his emotional state becoming ever more erratic, he begins sourcing weapons and preparing for a reckoning in this darkly ironic study of toxic masculinity.
This enormous undertaking, which, according to one of the prefaces, professes to be a complete list of every bird known at the time of publication, kept growing even as it was being written. The Museum added eagerly to their already vast collections during the decades of publication, acquiring by gift the great collections of A.O. Hume on Asian birds, and those of Sclater and Salvin and Godwin on Neotropical birds, so that the size of the collection nearly tripled between 1874 and 1888. Sharpe originally intended to do all the work himself, but others were called in when this became clearly impossible. The plates are all of birds not previously illustrated. In the decades following its publication this catalogue was universally acclaimed as the most important work on systematic ornithology that has ever been published. (Zimmer, p. 96). And even after one hundred years it remains an essential reference for the serious ornithologist, as it underpins a great deal of modern bird classification. With 387 plates, most hand-coloured lithographs, some chromolithographs, by William Hart, J.G. Keulemans, Joseph and Peter Smit.