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The winner of the Andre Norton Award for Young Adult Science Fiction and Fantasy from the author of Flora Segunda and Flora’s Fury. Flora Fyrdraaca wants nothing more than to be a ranger, and for that she must master the magickal—and dangerous—language of Gramatica. But before she can find the ideal teacher, her aspirations are put to the test. Would a true ranger be intimidated by a tentacle that reaches for her from the depths of a toilet? Be daunted by her best friend’s transformation into a notorious outlaw, thanks to a pair of sparkly stolen boots? Be cowed by the revelation that only she can rescue the city of Califa from the violent earthquakes that threaten its survival? Never. Saving her city and her best friend are the least a Girl of Spirit can do—yet what Flora doesn’t expect are the life-altering revelations she learns about her family and herself. This ebook features a teaser chapter from the third Flora book, Flora’s Fury. “This fresh and funky setting is rich with glorious costumes, innovative language and tantalizing glimpses of history.” —Kirkus Reviews, starred review “Wilce creates a fantastic and unique world . . . Guaranteed thrills, chills, and amazing revelations.” —Voice of Youth Advocates (VOYA) “The author had me firmly in her grip and I followed Flora’s magical mishaps, her accidental time travels and the big showdown with great pleasure.” —SFF Book Reviews “Fast moving and fun . . . The action is nonstop, and the characters enchanting.” —SF Site
Determined to find her true mother, Flora Fyrdraaca, accompanied by her red dog, embarks on a journey filled with magical encounters, pirate battles, and unexpected romance.
The Getty Museum building recreates an ancient Roman villa on the shores of the Pacific Ocean, where guests can feel that they are visiting the Villa dei Papiri before it was buried by the eruption of Mount Vesuvius in AD 79. The climate of southern California has made it possible to plant the gardens with dozens of herbs, flowers, and fruit trees known to the Greeks and Romans. In classical times they were practical as well as beautiful, providing color, perfume, home medicines, and flavorings for food and drink. Martha Breen Bredemeyer, a San Francisco Bay area artist, was inspired to paint two dozen of the garden's herbs. Her watercolor gouaches combine vibrant color with the fragile delicacy of these short-lived plants while her pen-and-ink drawings share their wiry grace. Jeanne D'Andrea discusses twenty-one of the herbs in detail after presenting their place in myth, medicine, and home in the introduction.
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Originally published in 1889, this work's protagonist Andrea Sperelli introduced the Italian culture to aestheticism and a taste for decadence. The young count seeks beauty, despises the bourgeois world, and rejects the basic rules of morality and social interaction. His corruption is evident in his sadistic superimposing of two women.
A Certain Age is an unconventional, evocative work of history and a moving reflection on memory, modernity, space, time, and the limitations of traditional historical narratives. Rudolf Mrázek visited Indonesia throughout the 1990s, recording lengthy interviews with elderly intellectuals in and around Jakarta. With few exceptions, they were part of an urban elite born under colonial rule and educated at Dutch schools. From the early twentieth century, through the late colonial era, the national revolution, and well into independence after 1945, these intellectuals injected their ideas of modernity, progress, and freedom into local and national discussion. When Mrázek began his interviews, he expected to discuss phenomena such as the transition from colonialism to postcolonialism. His interviewees, however, wanted to share more personal recollections. Mrázek illuminates their stories of the past with evocative depictions of their late-twentieth-century surroundings. He brings to bear insights from thinkers including Walter Benjamin, Bertold Brecht, Le Corbusier, and Marcel Proust, and from his youth in Prague, another metropolis with its own experience of passages and revolution. Architectural and spatial tropes organize the book. Thresholds, windowsills, and sidewalks come to seem more apt as descriptors of historical transitions than colonial and postcolonial, or modern and postmodern. Asphalt roads, homes, classrooms, fences, and windows organize movement, perceptions, and selves in relation to others. A Certain Age is a portal into questions about how the past informs the present and how historical accounts are inevitably partial and incomplete.
Exhibition includes approximately 2% of the acquisitions made during the 1990s.
This is the tragic story of Janusz Korczak (as featured in the major motion picture The Zookeeper's Wife) who chose to perish in Treblinka rather than abandon the Jewish orphans in his care. Korczak comes alive in this acclaimed biography by Betty Jean Lifton as the first known advocate of children's rights in Poland, and the man known as a savior of hundreds of orphans in the Warsaw ghetto. A pediatrician, educator, and Polish Jew, Janusz Korczak introduced progressive orphanages, serving both Jewish and Catholic children, in Warsaw. Determined to shield children from the injustices of the adult world, he built orphanages into 'just communities' complete with parliaments and courts. Korczak also founded the first national children's newspaper, testified on behalf of children in juvenile courts, and, through his writings, provided teachers and parents with a moral education. Known throughout Europe as a Pied Piper of destitute children prior to the onslaught of World War II, he assumed legendary status when on August 6, 1942, after refusing offers for his own safety, he defiantly led the orphans under his care in the Warsaw Ghetto to the trains that would take them to Treblinka. Introductions by Elie Wiesel, Curren Warf and Allison A. Eddy [Subject: Biography, Holocaust Studies, Jewish Studies, WWII, Children's Rights]