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Beginning in Tijuana during Prohibition, influenced by Hollywood studios, and continuing past its hosting of the U.S. Navy's Pacific Fleet during WWII, San Diego became an incubator for the nation's obsession with all things Tiki. Hundreds of thousands of peoplepassed through San Diego's military bases, and many stayed to open up their own personal visions of a Polynesian island paradise. Over 70 nautical, island, Tiki and American-Chinese bars and restaurants are presented in this historical survey, with stories and recipes from the people who made them, hundreds of vintage photos, ephemera and graphic art, many never-before-published.
Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history - to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions about the way museum collections have evolved over time and through space. By foregrounding questions of circulation, the chapters in Mobile Museums collectively represent a fundamental shift in the understanding of the history and future uses of museum collections. The book addresses a variety of different types of collection, including the botanical, the ethnographic, the economic and the archaeological. Its perspective is truly global, with case studies drawn from South America, West Africa, Oceania, Australia, the United States, Europe and the UK. Mobile Museums helps us to understand why the mobility of museum collections was a fundamental aspect of their history and why it continues to matter today. Praise for Mobile Museums 'This book advances a paradigm shift in studies of museums and collections. A distinguished group of contributors reveal that collections are not dead assemblages. The nineteenth and twentieth centuries were marked by vigorous international traffic in ethnography and natural history specimens that tell us much about colonialism, travel and the history of knowledge – and have implications for the remobilisation of museums in the future.’ – Nicholas Thomas, University of Cambridge 'The first major work to examine the implications and consequences of the migration of materials from one scientific or cultural milieu to another, it highlights the need for a more nuanced understanding of collections and offers insights into their potential for future re-mobilisation.' – Arthur MacGregor
In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.
This unique transdisciplinary publication is the result of collaboration between UNESCO's Local and Indigenous Knowledge Systems (LINKS) programme, the United Nations University's Traditional Knowledge Initiative, the IPCC, and other organisations
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
The Art of Tiki is a passionate study of the Tiki idol as an art form. For the first time, contemporary Tiki art is united and presented equally with what inspired it, original mid-century Polynesian pop. Author Sven Kirsten combines his first-hand experiences in exploring the birth of Tiki style with his intimate knowledge of the Tiki Revival, painting a vivid, visually arresting portrait of a unique, always new art genre.
Agroforestry in Sustainable Agricultural Systems examines the environmental and social conditions that affect the roles and performance of trees in field- and forest-based agricultural production systems. Various types of ecological settings for agroforestry are analyzed within temperate and tropical regions. The roles of soil, water, light, nutrient and pest management in mixed, annual, woody perennial and livestock systems are discussed. Important new case studies from around the world offer innovative strategies that have been used successfully in raising forests and tree products on a sustainable basis for commercial harvesting and for providing other environmental services in land conservation and watershed management.
A young music prodigy goes missing from a hotel room that was the site of an infamous murder-suicide fifteen years earlier, renewing trauma for a bridesmaid who witnessed the first crime and rallying an eccentric cast of characters during a snowstorm that traps everyone on the grounds.
Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their disp.
Following his English edition of Alma Mahler-Werfel's Diaries 1898-1902, Antony Beaumont presents both the first comprehensive biography of the composer and conductor Alexander Zemlinsky (1871-1942) and a critical assessment of his works. "Zemlinsky--all hail to you!" wrote the young Alma. "All hail to you and your art." When she first met him, Zemlinsky was the most promising Viennese composer of his generation. In 1901, when Alma abruptly ended their passionate love affair in order to marry Gustav Mahler, the crisis served to transform Zemlinsky's talent into mastery. Only long after his death, however, did his music begin to receive its due. Zemlinsky was central to the musical life of Vienna and Central Europe, and this brilliant biography illuminates a social and cultural milieu that disappeared forever with the triumph of Hitler's Reich. The author details the composer's early years as a protégé of Brahms and Mahler, his complex friendship with his brother-in-law Arnold Schoenberg, the influence of his teaching on the boy-prodigy Erich Korngold, his kindly and helpful attitude toward the hypersensitive Anton Webern, and his heartfelt friendship with Alban Berg. Zemlinsky was one of the leading conductors of the interwar period, considered by both Schoenberg and Stravinsky the finest they had ever heard. The author charts Zemlinsky's career from Vienna to Berlin, St. Petersburg, and Prague, providing insight into his Catholic-Sephardic background and investigating his keen interest in esoteric aspects of music, including color symbolism and numerology. The author's analyses of Zemlinsky's major scores are accessible and fully contextualized.