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An illustrated encyclopedia with 1000 photos of over 700 nineteenth century French sculptors including Rodin, Barye, d'Angers and Carpeaux, with biographies, listings of works (with size and foundry when known), museum pieces in France and elsewhere, and recent sales. Also provides an overview of 19th century bronze sculpture, the foundries that cast the bronzes, and methods used to cast works.
Traces the history of sculpture from 1776 to 1905 and examines the impact of social changes on the art of sculpture.
Originally published twenty years ago, "Nineteenth Century Art, Second Edition "remains true to the original, with its superior survey of Western painting and sculpture presented in four historical parts, beginning in 1776 and ending with the dawn of the new century. This book draws on the historical documentation of the period, tracing the dynamics of the making and viewing of art, and examining the reciprocal influences of art and technology, art and politics, art and literature, art and music. For nineteenth century art enthusiasts.
"From the Renaissance and Mannerism to impressionism and Post-Impressionism, from the Gothic Revival to the Arts and Crafts Movement, and Art Nouveau, the history of Western Art is here narrated through more than 180 articles on its most significant styles and movements. Covering all forms of the visual arts - architecture and decorative arts as well as painting and sculpture, each survey discusses the origins, characteristics, leading players, and influence of the most important movements in European. North American, and Latin American art. With articles written in clear, straightforward language and with selective bibliographies, this extensive guide is an essential introduction for anyone with an interest in art and the arts in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne, poems, plays, and novels by Wilde and W. S. Gilbert, and paintings by Burne-Jones, Leighton, Rossetti, Solomon, Whistler, and Watts. With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies.
A beautiful and comprehensive study of fine, international bronze statuary of the 19th and early 20th centuries. Over 1100 illustrations, 200 in color, and carefully researched text with relevant marks, inscriptions, artist signatures, dates, and foundry stamps. Over 450 artists are represented.
Whitney Walton approaches the nineteenth-century French industrial development from a new perspective—that of consumption. She analyzes the French performance at the Crystal Palace Exhibition of 1851 to illustrate how bourgeois consumers influenced France's distinctive pattern of industrial development. She also demonstrates the importance of consumption and gender in class formation and reveals how women influenced industry in their role as consumers. Walton examines important consumer goods industries that have been rarely studied by historians, such as the manufacture of wallpaper, furniture, and bronze statues. Using archival sources on household possessions of the Parisian bourgeoisie as well as published works, she shows how consumers' taste for fashionable, artistic, well-made furnishings and apparel promoted a specialization unique to nineteenth-century France.
This volume provides an in-depth study of tribal life in the Near East in the 19th century, exploring how tribes shaped society, economy and politics in the desert, as well as in villages and towns. Until the First World War Near Eastern society was tribally organized. Particularly in the Levant and the Arabian peninsula, where the Ottoman empire was weak, large and powerful tribes such as Anaze, Beni Sakhr and Shammar interacted and competed for control of the land, the people and the economy. The main sources for this study are travel accounts of 19th century adventurers and explorers. Their travels, on horseback, on camel or on foot opened a fascinating window on a world with an ideology that was fundamentally different from their own, often Victorian background. One chapter is dedicated to oral traditions in the region, from heroic epics to short poems, which lets the tribes and tribe members themselves speak, giving a voice to the tribal frame of mind. Evidence of tribal organization as a driving force in society can be found in documents and sometimes in the archaeological record from the Bronze Age onwards. While a straight comparison between ancient and subrecent tribal communities is fraught with difficulties and must be treated with caution, a better understanding of 19th century tribal ethics and customs provides useful insights into the history and the power relations of a more distant past. At the same time it may help us understand some of the underlying causes for the present conflicts afflicting the region.