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Nina Dolgoy leads her neighbours on a campaign to renovate the community pool, but the only way she can think to raise money is to rob a bank. Unfortunately, she isn’t very good at it. In a part of town so beaten down that even prostitutes and drug dealers have written if off, Nina Dolgoy imagines that if the local pool wasn’t boarded up, her little daughters could use it to burn off their wayward energy and avoid falling into utter degradation. So the bitterly self-proclaimed "welfare queen" leads her neighbours on a fundraising, pool-fixing community-improvement campaign that proves the sad old adage that no good deed ever goes unpunished. The only way Nina can think to raise money herself is by robbing a bank. Unfortunately, she isn’t very good at it. Coincidentally, her brother, Frank, gets out of jail and robs one. The explosive events that are unleashed force Nina and the girls to flee for their lives, but their escape turns into a sublimely bizarre chase during which Nina somehow needs to pull the wool over everybody’s eyes.
Nina, self-proclaimed "welfare queen," wants to fix up the community pool, but cannot think of a way to raise money aside from robbing a bank; her brother Frank does rob a bank leading her and her daughters to go on the run.
Mort Halbman is the prime suspect in an arson investigation when his family home burns down, and he feels compelled to continually return to the ruins and to the memories the place still holds for him. Haunted by the memories of his former home and life, Mort Halbman risks everything in a daring attempt at a last shot at redemption. Halbman is a crotchety, divorced, 65-year-old garment manufacturer, who laments losing the one true love of his life, the Montreal Expos. Now the dream home he built in the late 1960s in the exclusive Montreal suburb of Hampstead, where he lived with his family for 20 years, has burned down under mysterious circumstances, andMort finds himself the prime suspect in an arson investigation. Meanwhile, his estranged gay son, Jacob, has announced that he’s getting married and wants Mort to participate in the rabbi-officiated same-sex ceremony along with his ex-wife, Mona, and her insufferable boyfriend, Gordon, Canada’s book reviewer extraordinaire. It’s the last thing Mort wants to do. He feels compelled to continually return in his Jaguar to the burned-out ruin of his former home, and to the memories the place still holds for him. With pathos and humour, Halbman Steals Home tells the story of Mort’s daring attempt to risk everything for a last shot at redemption.
Comprising 91 A–Z entries, this encyclopedia provides a broad and comprehensive introduction to the topic of religion within film. Technology has enabled films to reach much wider audiences, enabling today's viewers to access a dizzying number of films that employ diverse symbolism and communicate a vast array of viewpoints. Encyclopedia of Religion and Film will provide such an audience with the tools to begin their own exploration of the deeper meanings of these films and grasp the religious significance within. Organized alphabetically, this encyclopedia provides more than 90 entries on the larger religious traditions, the major film-producing regions of the globe, the films that have stirred controversy, the most significant religious symbols, and the more important filmmakers. The included topics provide substantially more information on the intersection of religion and film than any of the similar volumes currently available. While the emphasis is on the English-speaking world and the films produced therein, there is also substantial representation of non-English, non-Western film and filmmakers, providing significant intercultural coverage to the topic.