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The first formally organized educational institution in Russia was established in 1685 by two Greek hieromonks, Ioannikios and Sophronios Leichoudes. Like many of their Greek contemporaries in the seventeenth century, the brothers acquired part of their schooling in colleges of post-Renaissance Italy under a precise copy of the Jesuit curriculum. When they created a school in Moscow, known as the Slavo-Greco-Latin Academy, they emulated the structural characteristics, pedagogical methods, and program of studies of Jesuit prototypes. In this original work, Nikolaos A. Chrissidis analyzes the academy's impact on Russian educational practice and situates it in the contexts of Russian-Greek cultural relations and increased contact between Russia and Western Europe in the seventeenth century. Chrissidis demonstrates that Greek academic and cultural influences on Russia in the second half of the seventeenth century were Western in character, though Orthodox in doctrinal terms. He also shows that Russian and Greek educational enterprises were part of the larger European pattern of Jesuit academic activities that impacted Roman Catholic and Eastern Orthodox educational establishments and curricular choices. An Academy at the Court of the Tsars is the first study of the Slavo-Greco-Latin Academy in English and the only one based on primary sources in Russian, Church Slavonic, Greek, and Latin. It will interest scholars and students of early modern Russian and Greek history, of early modern European intellectual history and the history of science, of Jesuit education, and of Eastern Orthodox history and culture.
This volume addresses the question of ‘identity’ in East-Central Europe. It engages with a specific definition of ‘sub-cultures’ over the period from c. 1900 to the present and proposes novel ways in which the term can be used with the purpose of understanding identities that do not conform to the fixed, standard categories imposed from the top down, such as ‘ethnic group’, ‘majority’ or ‘minority’. Instead, a ‘sub-culture’ is an identity that sits between these categories. It may blend languages, e.g. dialect forms, cultural practices, ethnic and social identifications, or religious affiliations as well as concepts of race and biology that, similarly, sit outside national projects.
Details of all the Contests from 1956 to 2011, the performers, composers & writers. Full details of voting histories for each country, analysis of best and worst countries, who favours who and who doesn't, and the best position in the running order to perform. Includes details of the qualification process for each nation's entry and lots more.
Independent Guide to the history of the Eurovision Song Contest. Details of all the Contests from 1956 to 2009, the performers, composers & writers. Statistics on voting patterns for each country, analysis of best and worst countries, closest friends, best starting position etc.
The 2008 Edition of the Complete & Independent Guide was the first edition of the book and now ten years on, a fully revised and updated second edition is now available, containing 242 pages packed with statistical details and analysis. It now includes many of the statistics used in the later editions as well as all new facts and figures. The book has an expanded section on the national qualification competitions for 2008 as well as the usual in-depth section on the entire voting history of each country.
Salvador Sobral won the 2017 Eurovision Song Contest in Kiev for Portugal, his country's first win after 53 years of trying and in doing so smashed all the points records. The 2017 Edition of the Complete & Independent Guide is the 10th edition of this book and as usual it's packed with statistical details of every Contest since 1956 along with plenty of new analysis, over 326 pages, our biggest edition ever. The book looks at the national qualification competitions for 2017 and has an in-depth section on the entire voting history of each country, along with new sections for this year, including which semi-final is the kiss of death for certain countries, the biggest disagreements between juries and the their public, how some countries receive overwhelmingly more points from juries than the public & vice versa.
The 2019 Edition of the Complete & Independent Guide to the Eurovision Song Contest is the 12th edition of this book and as usual it is packed with statistical details of every Contest since 1956 along with plenty of analysis, over 348 pages, our biggest edition ever. The book looks at the national qualification competitions for 2019 and has an in-depth section on the entire voting history of each country, along with dozens of facts and statistics on this year's Contest in Tel Aviv and historical trends, including jury/public differences, bloc voting and analysis of where best to perform in the running order.
Nationalism in the Troubled Triangle is the first systematic study of nationalism in Cyprus, Greece and Turkey from a comparative perspective. Bringing scholars from Greece, Turkey and both sides of Cyprus (and beyond) together, the book provides a critical account of nation-building processes and nationalist politics in all three countries.
Salvador Sobral won the 2017 Eurovision Song Contest in Kiev for Portugal, his country's first win after 53 years of trying and in doing so smashed all the points records. The 2017 Edition of the Complete & Independent Guide is the 10th edition of this book and as usual it's packed with statistical details of every Contest since 1956 along with plenty of new analysis, over 326 pages, our biggest edition ever. The book looks at the national qualification competitions for 2017 and has an in-depth section on the entire voting history of each country, along with new sections for this year, including which semi-final is the kiss of death for certain countries, the biggest disagreements between juries and the their public, how some countries receive overwhelmingly more points from juries than the public & vice versa.