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There are two common ways of writing about Africa, says Célestin Monga. One way blames Africa’s ills on the continent’s history of exploitation and oppression. The other way blames Africans themselves for failing to rise above poisonous national prejudices and resentments. But patronizing caricatures that reduce Africans to either victims or slackers do not get us very far in understanding the complexities and paradoxes of Africa today. A searching, often searing, meditation on ways of living in modern Africa, Nihilism and Negritude dispels the stereotypes that cloud how outsiders view the continent—and how Africans sometimes view themselves. In the role of a traveler-philosopher, Monga seeks to register “the picturesque absurdity of daily life” in his native Cameroon and across the continent. Whether navigating the chaotic choreography of street traffic or discoursing on the philosophy of café menus, he illuminates the patterns of reasoning behind everyday behaviors and offers new interpretations of what some observers have misunderstood as Africans’ resigned acceptance of suffering and violence. Monga does not wish to revive Negritude, the once-influential movement that sought to identify and celebrate allegedly unique African values. Rather, he seeks to show how daily life and thought—witnessed in dance and music, sensual pleasure and bodily experience, faith and mourning—reflect a form of nihilism developed to cope with chaos, poverty, and oppression. This is not the nihilism of despair, Monga insists, but the determination to find meaning and even joy in a life that would otherwise seem absurd.
Describes and analyzes the present "black condition" in the African context. Recreates the imaginaries of present-day Africa, from the picturesque absurdity of daily life to the political economics of marriage, from the philosophy of menus and table manners to the uses of the body
This is an innovative work in Africana philosophical thought that links the phenomenon of nihilism in black America, in particular black American youth, to modern traditions of Western philosophy. Black Nihilism and Antiblack Racism engages defining themes of black existential life by offering a framework for considering the relationships between antiblack racism, pessimism, nihilism, weakness, strength, maturity, freedom, and hope in the 21st century. This book readdresses themes popularly raised by Cornel West in 1994 regarding the nature, causes, evaluations, diagnoses, and prognoses of what has been called, “nihilism in black America.” Black Nihilism and Antiblack Racism seeks to recontextualize discussions of nihilism and its possibilities for American cultural life. As a result, this book bears important questions, offers unique analyses, and suggests radical responses that are relevant for studies of black life and theories of justice in twenty-first century America.
Black Paris documents the struggles and successes of three generations of African writers as they strive to establish their artistic, literary, and cultural identities in France. Based on long-term ethnographic, archival, and historical research, the work is enriched by interviews with many writers of the new generation. Bennetta Jules-Rosette explores African writing and identity in France from the early n gritude movement and the founding of the Pr sence Africaine publishing house in 1947 to the mid-1990s. Examining the relationship between African writing and French anthropology as well as the emergence of new styles and discourses, Jules-Rosette covers French Pan-Africanism and the revolutionary writing of the 1960s and 1970s. She also discusses the new generation of African writers who appeared in Paris during the 1980s and 1990s.
Thinking in Public provides a probing and provocative meditation on the intellectual life and legacy of Jacques Roumain. As a work of intellectual history, the book investigates the intersections of religious ideas, secular humanism, and development within the framework of Roumain's public intellectualism and cultural criticism embodied in his prolific writings. The book provides a reconceptualization of Roumain's intellectual itineraries against the backdrop of two public spheres: a national public sphere (Haiti) and a transnational public sphere (the global world). Second, it remaps and reframes Roumain's intellectual circuits and his critical engagements within a wide range of intellectual traditions, cultural and political movements, and philosophical and religious systems. Third, the book argues that Roumain's perspective on religion, social development, and his critiques of religion in general and of institutionalized Christianity in particular were substantially influenced by a Marxist philosophy of history and secular humanist approach to faith and human progress. Finally, the book advances the idea that Roumain's concept of development is linked to the theories of democratic socialism, relational anthropology, distributive justice, and communitarianism. Ultimately, this work demonstrates that Roumain believed that only through effective human solidarity and collaboration can serious social transformation and real human emancipation take place.
Literary Black Power in the Caribbean focuses on the Black Power movement in the anglophone Caribbean as represented and critically debated in literary texts, music and film. This volume is groundbreaking in its focus on the creative arts and artists in their evaluations of, and insights on, the relevance of the Black Power message across the region. The author takes a cultural studies approach to bring together the political with the aesthetic, enriching an already fertile debate on the era and the subject of Black Power in the Caribbean region. The chapters discuss various aspects of Black Power in the Caribbean: on the pages of journals and magazines, at contemporary conferences that radicalized academia to join forces with communities, in fiction and essays by writers and intellectuals, in calypso and reggae music, and in the first films produced in the Caribbean. Produced at the 50th anniversary of the 1970 Black Power Revolution in Port of Spain, Trinidad, this timely book will be of interest to students and academics focusing on Black Power, Caribbean literary and cultural studies, African diaspora, and Global South radical political and cultural theory.
This work explores the limits and prospects of Afro-Caribbean Francophone writers in reshaping or producing action-oriented literature. It shows how Francophone literatures have followed a hegemonic discourse that leaves little room for thinking outside of traditional cultural and ideological conventions. Part One explores the origins of Afro-Caribbean Francophone literature and what the author terms "griotism"--a shared heritage of awareness of biological differences, a sense of the black hero as black messiah and black people as chosen, and the promise of a common racial history. Part Two discusses the formidable grip of griotism on Fanon, Mudimbe, the champions of Creolity (Bernabe, Chamoiseau, and Confiant), and well-read African women writers (Aminata Sow Fall, and Mariama Ba). Part Three seeks to subvert the discourse of griotism in order to propose a new autonomy for Francophone African writers.
Of the philosophical movements of the twentieth century existentialism is one of the most powerful and thought-provoking. Its engagement with the themes of authenticity, freedom, bad faith, nihilism, and the death of God captured the imagination of millions. However, in the twenty-first century existentialism is grappling with fresh questions and debates that move far beyond traditional existential preoccupations, ranging from the lived experience of the embodied self, intersectionality, and feminist theory to comparative philosophy, digital existentialism, disability studies, and philosophy of race. The Routledge Handbook of Contemporary Existentialism explores these topics and more, connecting the ideas and insights of existentialism with some of the most urgent debates and challenges in philosophy today. Eight clear sections explore the following topics: methodology and technology social and political perspectives environment and place affectivity and emotion death and freedom value existentialism and Asian philosophy aging and disability. As well as chapters on key figures such as Kierkegaard, Nietzsche, Heidegger, Sartre, and Beauvoir, the Handbook includes chapters on topics as diverse as Chicana feminism, ecophilosophy and the environment, Latina existentialism, Black nihilism, the Kyoto school and southeast Asian existentialism, and the experiences of aging, disability, and death. Essential reading for students and researchers in the areas of existentialism and phenomenology, The Routledge Handbook of Contemporary Existentialism will also be of interest to those studying ethics, philosophy and gender, philosophy of race, the emotions and philosophical issues in health and illness as well as related disciplines such as Literature, Sociology, and Political Theory.
Using classic texts in African philosophy, Bruce B. Janz applies the strand of cognitive science known as enactivism to realise new connections and intersections between both fields. The idea that cognition is embodied and embedded in a social world neatly maps onto specifically African epistemologies to outline a new direction of study on what philosophy is. By working through a rich range of texts and thinkers, Janz provides a fruitful new interpretation of African philosophy and provides close readings of seminal and sidelined thinkers to provide an invaluable resource for students and scholars. Janz's study takes in the creative humanism of Sylvia Wynter, Placide Tempels's Bantu Philosophy, Mbiti's theory of time, Oruka's last work on sage philosophy, Mogobe Ramose's own version of Ubuntu, Sophie Oluwole's active literature of philosophy, Achille Mbembe's excoriating attack on the effects of colonialism on life in Africa, and Suzanne Césaire writings on négritude. This book reorients African philosophy towards an active and creative future informed by enactivist thinking.
Published in 1967, as the early triumphs of the Civil Rights movement yielded to increasing frustration and violence, The Crisis of the Negro Intellectual electrified a generation of activists and intellectuals. The product of a lifetime of struggle and reflection, Cruse's book is a singular amalgam of cultural history, passionate disputation, and deeply considered analysis of the relationship between American blacks and American society. Reviewing black intellectual life from the Harlem Renaissance through the 1960s, Cruse discusses the legacy (and offers memorably acid-edged portraits) of figures such as Paul Robeson, Lorraine Hansberry, and James Baldwin, arguing that their work was marked by a failure to understand the specifically American character of racism in the United States. This supplies the background to Cruse's controversial critique of both integrationism and black nationalism and to his claim that black Americans will only assume a just place within American life when they develop their own distinctive centers of cultural and economic influence. For Cruse's most important accomplishment may well be his rejection of the clichés of the melting pot in favor of a vision of Americanness as an arena of necessary and vital contention, an open and ongoing struggle.