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The eerie quiet and disorientating darkness of the night have long been associated with the terror of the unknown. In the cold light of day it is all too easy for sceptics to dismiss apparently inexplicable events but in the dead of night, when faced with the evidence of their senses and those of other perfectly rational people, it is far more difficult to ignore the facts - however disturbing they may be. Peter Underwood is Britain's leading ghost hunter. For over thirty years, in his position as President and Chief Investigator of the Ghost Club of Great Britain, he was actively involved in undertaking night vigils and carrying out research into ghosts and paranormal activity in controlled, scientific conditions. In this unique volume of largely unpublished accounts of nocturnal investigations, he guides son a chilling tour of the most haunted houses in Great Britain. Among others, we encounter the headless Blue Lady and disturbing inexplicable odour of lavender of Bovey House in Devon; the happy spirits monk of Bromfield Manor, Shropshire, who chuckles with delight when noticed; and the strange disembodied voices, footsteps and unnatural coldness of Newark Park, Gloucestershire. In Nights in Haunted Houses Peter Underwood vividly records terrifying accounts of ghostly encounters in locations as diverse as a farmhouse, a church, a castle and a council house, and builds a convincing catalogue of evidence for the existence of ghosts.
"The Complete Stephen King Universe is the only definitive reference work that examines all of Stephen King?s novels, short stories, motion pictures, miniseries, and teleplays, and deciphers the threads that exist in all of his work. This ultimate resource includes in-depth story analyses, character breakdowns, little-known facts, and startling revelations on how the plots, themes, characters, and conflicts intertwine" -- publisher website (February 2007).
The bestselling author of "Ghosts Across Kentucky" now presents an all-new collection of amazing ghost stories of the state.
Felix Allsey is a travel writer with a keen eye for the paranormal, and he’s carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country’s most haunted places, after haunting them himself. When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for 13 nights, he believes he’s finally found the location that will bring him a bestseller. As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day. When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That’s when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he’s writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that’s been staring these men in the face all along: In Rotter House, who’s haunting who?
What poltergeist accounts through the ages reveal about our own worldviews • Provides a wide array of case studies from ancient Greece and Rome to medieval Europe to the modern world • Explores the relationship between poltergeists and troubled adolescence • Looks beneath the Christian adulteration of pagan practices to reveal the hidden ancestral beliefs tied to poltergeists and haunted houses Stories of poltergeists and their mischievous and sometimes violent actions--knocking, stone or chair throwing, moving objects with invisible hands, and slamming or opening doors--are a constant through the ages. What changes is how we interpret this activity. For our pagan ancestors this phenomenon was caused by helper spirits whose manifestations revealed their unhappiness with a household. The medieval Christian church demonized these once helpful spirits and held exorcisms to expel them from the houses they haunted--which proved effective less than half the time. The Age of Enlightenment cast these incidents as clever hoaxes, and many still believe this today. But poltergeist manifestations continue to appear and often defy attempts to debunk them as pranks. What then is behind this phenomenon? Exploring accounts of poltergeists from ancient Greece and Rome, medieval Europe, and the modern world, Claude Lecouteux finds that while our interpretations of poltergeists may change, the manifestations always follow a similar course and evolution. He shows how modern scientific studies of poltergeist manifestations have found a strong tie between these visitations and the presence of a troubled adolescent in the house. Looking beneath the Christian adulteration of pagan practices to reveal the hidden ancestral beliefs tied to poltergeists and haunted houses, the author shows how these unhappy spirits serve as confirmation of the supernatural beings that share the earth with us and of our relationship with the natural and unseen world, a relationship we must take care to keep in balance.
It was a job any kid would kill for: to play a role in the Historical Society's Haunted House Halloween fundraising event. Ellen Streater was thrilled to play Joan of Arc, burning at the stake. It was for a good cause—to benefit the eerie old Clayton House, soon to reopen as a museum. They said the house was haunted. Ellen didn't believe it—until she felt a strange, icy feeling when she touched the beautiful Fairylustre bowl. Then she saw the ghost in the mirror—a beautiful phantom who beckoned her into a nightmare beyond her wildest dreams. "Entertaining and appealing, with lively and believable young people and a personable ghost." —School Library Journal
Varla Ventura, Coast to Coast favorite, Weird News blogger on Huffington Post, and author of The Book of the Bizarre and Beyond Bizarre, introduces Weiser Books’ new Collection of forgotten occult classics. Paranormal Parlor is an eerie assemblage of affordable digital editions, curated with Varla’s sixth sense for tales of the weird and unusual. In the 1859 Christmas edition of his regular publication, All Year Round, Charles Dickens solicited his favorite authors to take up residence in his Haunted House. With an introductory story by Dickens (The Mortals in the House) each author writes from the point of view of the ghost residing in a room. On the Twelfth Night of Christmas, a night believed to hold supernatural powers, the ghost begin to speak. Adelaide Anne Procter, who was Queen Victoria’s favorite poet, delivers the tale of “The Ghost in the Picture Room” entirely in rhyming verse. Wilkie Collins, a lifelong friend of Dickens and a well known author and playwright, delights with his nautical story of “The Ghost in the Cupboard Room.” And Elizabeth Gaskell, in the longest of the stories in the collection, paints a vivid portrait of the ghost of a judge in “The Ghost in the Garden Room.” For any lover of Dickens, Gaskell, or even just a good ghost story, this unique collection will warm the heart and chill the bones.