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Gesterton, and other narratives of the times - fiction and nonfiction, journalism and academic writing, canonical and obscure writers - this study traces the discourse surrounding anarchism in order to understand the cultural practices that supported the rise of modern capitalist culture."--BOOK JACKET.
An irresistible tome from the insurrectionist theoretician, Hakim Bey. His incendiary words are beautifully illustrated by the renowned collage artist Freddie Baer. The result is a delightful compilation by two talented artists. A must read for those who have followed their work for years. In this collection of essays, Bey expounds upon his ideas concerning radical social reorganization and the liberation of desire. Immediatism is another lyrical romp through intellectual corridors of spirituality and politics originally set forth in his groundbreaking book, TAZ. A stunning achievement from this prodigious author and scholar. "A Blake Angel on Acid."--Robert Anton Wilson "Fascinating..."--William S. Burroughs "Exquisite..."--Allen Ginsberg
'Against Anarchy' investigates the function of Anarchism in Early Modernist political fiction. The study explains how political novels from 1886 to 1911 narrate and evaluate the function of Anarchists as embodiments of a radical space beyond politics. The literary prevalence of Anarchists has so far not been connected systematically to its literary and political functions. The study addresses this research gap in detailed analyses of a radical theme in narratives by Joseph Conrad, Henry James, and G.K. Chesterton. It shows that each novel presents strategies of demarcation that allow turn-of-the-century Britain to project its cultural anxieties upon an imagined other, the dreaded figure labelled ‘Anarchist’. The political radical is set up as the foil against which comforting self-descriptions can be maintained. Rather than merely reproducing this boundary work, however, the novels also evaluate its function, both for the respective political system and for their own narrative capabilities — and present the consequences incurred by the loss of an anarchist outside. 'Against Anarchy' is a thorough cultural historiography of the politically other and marginal. At the same time, the study demonstrates that close attention to the specific literary image of Anarchism allows for a re-evaluation of political thought beyond its immediate historical moment — a literary political theory in its own right.
An exploration of the emergence of a new psychedelic spirituality in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson. A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America? In High Weirdness, Erik Davis—America's leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America's West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.
Anarchy. The word alone conjures strong emotional responses. Anarchism is one of the most important, if maligned, radical social movements. In the 21st century, anarchist politics have enjoyed a significant revival, offering a positive vision of social change and an alternative to the injustice and inequality associated with states and corporate dominance. Yet anarchism remains misunderstood and misrepresented in mass media and government accounts that associate the term with chaos and disorder. Despite the negative portrayals anarchism, in fact, has always been a movement of intense creativity. More than a political movement, anarchism has, for over a century, made important contributions to cultural developments, especially in literature and art. Often overlooked are the vital creative expressions of anarchism. This lively volume featuring works by innovative scholars presents the compelling potency of anarchist literature through distinct voices. Anarchism has greatly influenced literary production and provided inspiration for a diversity of writers and literary movements. Edited by a longtime anarchist theorist, this exciting collection of engaging works highlights the rich articulations of anarchism and literary creations. It places anarchism at the center of analysis and criticism. Authors examined include Octavia Butler, John Fowles, James Joyce, Ursula LeGuin, Eugene O’Neill, B. Traven, and Oscar Wilde, among others. The collection shows the richness of anarchist movements in politics and culture. Specters of Anarchy examines critically the generally overlooked intersections, engagements, debates and controversies between literature and criticism and anarchist theories and movements, historically and in the present period. Synthesizing literary criticism with the theory and practice of anarchism, this book offers a re-reading of important literary and political works. Anarchist politics is a major, and growing, contemporary movement, yet the lack of informed analysis has meant that the actual perspectives, desires and visions of this movement remain obscured. Lost in recent sensationalist accounts are the creative and constructive practices undertaken daily by anarchist organizers imagining a world free from violence, oppression and exploitation. An examination of some of these constructive anarchist visions, which provide examples of politics grounded in everyday resistance, offers insights into real world attempts to radically transform social relations in the here and now of everyday life.
The Bloomsbury Companion to Anarchism is a comprehensive reference work to support research in anarchism. The book considers the different approaches to anarchism as an ideology and explains the development of anarchist studies from the early twentieth century to the present day. It is unique in that it highlights the relationship between theory and practice, pays special attention to methodology, presents non-English works, key terms and concepts, and discusses new directions for the field. Focusing on the contemporary movement, the work outlines significant shifts in the study of anarchist ideas and explores recent debates. The Companion will appeal to scholars in this growing field, whether they are interested in the general study of anarchism or in more specific areas. Featuring the work of key scholars, The Bloomsbury Companion to Anarchism will be an essential tool for both the scholar and the activist.
This book explores pirate culture as radical social organization: a salty picture of anarchic pirate life, liberated, pleasurable and violent!Rebelling against hierarchical society and choosing the Jolly Roger, pirates entered the political spheres of anarchist organization and festival, with death and violence ever-present. Pirates created an upside-down world full of heroics as well as the deep horrors of life outside authority.Examining piracy as limited social rebellion,The Devil's Anarchy travels from the Hollywood pirate-as-hero to the stories of two great Dutch pirates: Claes Compaen, who terrorized the seas from 1623 to 1627, and Jan Erasmus Reyning, who ruled the seas a half-century later.This unique focus on the politics of piracy in the 17th and 18th centuries, featuring the first english translations of key Dutch texts, makes this a hugely entertaining book that provides insight into the real lives of these legendary bandits of the seas.
The most comprehensive and up-to-date survey available about women Surrealists features an outstanding array of artists from the early twentieth century to modern times.
Levay analyzes representations of the criminal in British and American modernism from the late nineteenth century to the 1950s.
Punk bands have produced an abundance of poetic texts, some crude, some elaborate, in the form of song lyrics. These lyrics are an ideal means by which to trace the developments and explain the conflicts and schisms that have shaped, and continue to shape, punk culture. They can be described as the community’s collective ‘poetic voice,’ and they come in many different forms. Their themes range from romantic love to emotional distress to radical politics. Some songs are intended to entertain, some to express strong feelings, some to provoke, some to spread awareness, and some to foment unrest. Most have an element of confrontation, of kicking against the pricks. Socially and epistemologically, they play a central role in the scene’s internal discourse, shaping communities and individual identities. The Poetry of Punk is an investigation into the Anglophone punk culture, specifically in the UK and the US, where punk originated in the mid-1970s, its focus being on the song lyrics written and performed by punk rock and hardcore artists.