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The earliest turkish verses, dating from the sixth century A.D., were love lyrics. Since then, love has dominated the Turks’ poetic modes and moods—pre-Islamic, Ottoman, classical, folk, modern. This collection covers love lyrics from all periods of Turkish poetry. It is the first anthology of its kind in English. The translations, faithful to the originals, possess a special freshness in style and sensibility. Here are lyrics from pre-Islamic Central Asia, passages from epics, mystical ecstasies of such eminent thirteenth-century figures as Rumi and Yunus Emre, classical poems of the Ottoman Empire (including Süleyman the Magnificent and women court poets), lilting folk poems, and the work of the legendary communist Nazim Hikmet (who is arguably Turkey’s most famous poet internationally), and the greatest living Turkish poet, Fazil Hüsnü Daglarca. The verses in this collection are true to the Turkish spirit as well as universal in their appeal. They show how Turks praise and satirize love, how they see it as a poetic experience. Poetry was for many centuries the premier Turkish genre and love its predominant theme. Some of the best expressions produced by Turkish poets over a period of fifteen centuries can be found in this volume.
The earliest turkish verses, dating from the sixth century A.D., were love lyrics. Since then, love has dominated the Turks’ poetic modes and moods—pre-Islamic, Ottoman, classical, folk, modern. This collection covers love lyrics from all periods of Turkish poetry. It is the first anthology of its kind in English. The translations, faithful to the originals, possess a special freshness in style and sensibility. Here are lyrics from pre-Islamic Central Asia, passages from epics, mystical ecstasies of such eminent thirteenth-century figures as Rumi and Yunus Emre, classical poems of the Ottoman Empire (including Süleyman the Magnificent and women court poets), lilting folk poems, and the work of the legendary communist Nazim Hikmet (who is arguably Turkey’s most famous poet internationally), and the greatest living Turkish poet, Fazil Hüsnü Daglarca. The verses in this collection are true to the Turkish spirit as well as universal in their appeal. They show how Turks praise and satirize love, how they see it as a poetic experience. Poetry was for many centuries the premier Turkish genre and love its predominant theme. Some of the best expressions produced by Turkish poets over a period of fifteen centuries can be found in this volume.
Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.
Though the territorial world we live in is pretty and glamorizing, it also lacks anything real other than chagrin, monotony and general annoyance. Over centuries and trans-continentally, the deprived and defenestrated human beings have exalted, glorified and revered explosive sexuality, longing and desire in many forms. In the pre-technological era sans automation and mechanics, spiritual poetry and erotic verses has remained two of the most popular forms of devotion to the beloved. Eroticism and Mysticism in love often appears confusingly entangled and inextricable. It often becomes hard to discern whether there is erotic love camouflaged under the illusion of mysticism, or there is mystical spiritual love tacitly masquerading as erotic proclivity. In spite of sensual badgering and carnal victimization, the concupiscent poets and poeticules dared to write candidly and canonize their sybaritic love for the beloved. Many of them vanished, engulfed and eclipsed into their beloved. Many of them dispersed, subsumed and merged subconsciously with their demiurge. What remains back is their enthralling and intrepid chronicle of love and longing, desire and affection. Presented in this book are a compendium of translated verses and songs of love & devotion to the “Beloved & the Lover” - across the Indian Heartlands and Persian Frontiers. You will discover that your longings are universal longings, you are not alone.
This 1896 volume offers the British Museum curator's scholarly examination of London's eighteenth-century pleasure gardens.
Hilmi Yavuz is among Turkey’s most celebrated poets. His poetry, at once cerebral and intensely emotional, has been translated into several languages but never, until now, into English. Walter G. Andrews’s translations bring to the English-speaking world a glimpse into the complex and expressive poetry of Yavuz, introducing traditional Ottoman forms and themes into a familiar poetic landscape and opening a door of understanding to Western readers. While each poem included in this volume can be enjoyed as a unique poetic entity, these poems read together reveal the organic and developmental relationship between Yavuz's figurative language and his self-expression. Barry Tharaud provides an insightful afterword, discussing Yavuz’s work within the world of Turkish poetry and making a convincing plea for the importance of literature in translation. This volume will be of significant interest to anthologists, cultural and literary historians, and poetry lovers alike.
This anthology features a wide variety of poems about social justice, love, evocations of history, humanitarian concerns, and other themes. It contains stirring examples of the revolutionary romanticism of Nazi m Hikmet; the passionate wisdom of Fazil Hüsnü Daglarca; the wry and captivating humor of Orhan Veli Kanik; the intellectual complexity of Oktay Rifat and Melih Cevdet Anday; the modern mythology of Ilhan Berk; the subtle brilliance of Behçet Necatigil; the rebellious spirit of the socialist realists; the lyric flow of the neoromantics; and the diverse explorations of younger poets. These poems are infused with their own unique flavors while speaking in an unmistakably universal style.