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Navrant verhaal over een Portugese jood in het doorgangskamp Westerbork tijdens de tweede wereldoorlog.
One of twentieth-century Italy's greatest thinkers, Primo Levi (1919-1987) started reflecting on the Holocaust almost immediately after his return home from the year he survived in Auschwitz. Levi's powerful Holocaust testimonials reveal his preoccupation with processes of translation, in the form of both embedded and book-length renderings of texts relevant to Holocaust survival. In Arduous Tasks, Lina N. Insana demonstrates how translation functions as a metaphor for the transmission of Holocaust testimony and broadens the parameters of survivor testimony. The first book to study Levi and translation, Arduous Tasks overcomes the conventional views of the separation between his own personal memoirs and his translations by stressing the centrality of translation in Levi's entire corpus. Examining not only the testimonial nature of his work, Insana also discusses the transgressive and performative aspects of transmission in his writings. Arduous Tasks is a superb and innovative study on the importance of translation not only to Levi, but also to Holocaust studies in general.
The idea of this women's magazine originated with Samuel Williams, a Cincinnati Methodist, who thought that Christian women needed a magazine less worldly than Godey's Lady's Book and Snowden's Lady's Companion. Written largely by ministers, this exceptionally well-printed little magazine contained well-written essays of a moral character, plenty of poetry, articles on historical and scientific matters, and book reviews. Among western writers were Alice Cary, who contributed over a hundred sketches and poems, her sister Phoebe Cary, Otway Curry, Moncure D. Conway, and Joshua R. Giddings; and New England contributors included Mrs. Lydia Sigourney, Hannah F. Gould, and Julia C.R Dorr. By 1851, each issue published a peice of music and two steel plates, usually landscapes or portraits. When Davis E. Clark took over the editorship in 1853, the magazine became brighter and attained a circulation of 40,000. Unlike his predecessors, Clark included fictional pieces and made the Repository a magazine for the whole family. After the war it began to decline and in 1876 was replaced by the National Repository. The Ladies' Repository was an excellent representative of the Methodist mind and heart. Its essays, sketches, and poems, its good steel engravings, and its moral tone gave it a charm all its own. -- Cf. American periodicals, 1741-1900.