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"A lively encounter with identity and American military history in Okinawa. Night in the American Village is by turns intellectual, hip, and sexy. I admire it for its ferocity, style, and vigor. A wonderful book." —Anthony Swofford, author of Jarhead A beautifully written examination of the complex relationship between the women living near the U.S. bases in Okinawa and the servicemen who are stationed there At the southern end of the Japanese archipelago lies Okinawa, host to a vast complex of U.S. military bases. A legacy of World War II, these bases have been a fraught issue in Japan for decades—with tensions exacerbated by the often volatile relationship between islanders and the military, especially after the brutal rape of a twelve-year-old girl by three servicemen in the 1990s. But the situation is more complex than it seems. In Night in the American Village, journalist Akemi Johnson takes readers deep into the "border towns" surrounding the bases—a world where cultural and political fault lines compel individuals, both Japanese and American, to continually renegotiate their own identities. Focusing on the women there, she follows the complex fallout of the murder of an Okinawan woman by an ex–U.S. serviceman in 2016 and speaks to protesters, to women who date and marry American men and groups that help them when problems arise, and to Okinawans whose family members survived World War II. Thought-provoking and timely, Night in the American Village is a vivid look at the enduring wounds of U.S.-Japanese history and the cultural and sexual politics of the American military empire.
In 1990, Barbara Holland inherited her mother's summer cabin in the northern Blue Ridge Mountains. She quit her job in Philadelphia, said goodbye to friends and family, and moved into a different world. On the mountain she wrestled with winter isolation, stoked the woodstove and learned to live with the wildlife. Just as she settled into this gentle world where crime was a toolbox stolen from the back of a pickup truck, it began to change. The suburbs were moving in, changing the very bedrock of the community.
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit. There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet who, with her earthy charm and passion, embodied the '20s ideal of sexual daring; the avant-garde publishers Margaret Anderson and Jane Heap; and the wealthy hostesses of the salons, A'Lelia Walker and Mabel Dodge. Among the supporting cast are Emma Goldman, Isadora Duncan, Ma Rainey, Margaret Sanger, and Gertrude Stein. Andrea Barnet's fascinating accounts of the emotional and artistic lives of these women--together with rare black-and-white photographs, taken by photographers such as Berenice Abbott and Man Ray--capture the women in all their glory. This is a history of the early feminists who didn't set out to be feminists, a celebration of the rebellious women who paved the way for future generations.
"In The New American Village, Thall captures four components of the new edge city - corporate, commercial, domestic, and environmental - in a way that no previous photographer has achieved. To find the stark but provocatively beautiful images that appear in the book, Thall spent years exploring the western and northwestern suburbs of Chicago, photographing remnants of open land and farm structures, the process of clearing and construction, corporate headquarters, townhouse developments, model homes, office parks, strip malls, and the many aspects of nature that remain, in one way or another, in these miniature cities." "Thall's photographs are not simply snapshots of raw visual facts but images full of meaning. Documenting these new American places, he draws attention to the choices being made when they are built and discovers some unexpected transformations."--BOOK JACKET.
"Three of the women were born before the Pacific War, and their first memories of Americans are of troops coming ashore with bayonets fixed. A second group, now middle-aged, grew up in the 1950s and 1960s, when massive American bases were a fixture of the landscape. The youngest women, for whom the bases are a historical accident, are in their twenties and thirties, raised in a country increasingly confident of its status as a world power.".
A breathtaking, suspenseful story of one man’s obsessive search to find the truth of another man’s downfall, from the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man, his brother has left their South American country, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins. The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos. Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s story—and perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices.
Robert M. Franklin provides first-person advice and insight as he identifies the crises resident within three anchor institutions that have played key roles in the black struggle for freedom. Black families face a "crisis of commitment" evident in the rising rates of father absence, births to unmarried parents, divorce, and domestic abuse or relationship violence. Black churches face a "mission crisis" as they struggle to serve their upwardly mobile and/or established middle class "paying customers" alongside the poorest of the poor. Historically black colleges and universities face a crisis of "relevance and purpose" as they now compete for the best students and faculty with the broad marketplace of colleges. With clarity and passion, Franklin calls for practical and comprehensive action for change from within the African American community and from all Americans.
"The powerfully told story of a group of German Jews desperately seeking American visas to escape the Nazis, and an illuminating account of America's struggle with the refugee crisis caused by the rise of Hitler. Official tie-in to the U.S. Holocaust Museum multi-year exhibit"--
The true story of seventeen months in the life of a Vietnamese village where a handful of American Marines and Vietnamese militia lived and died together attempting to defend it. In Black Hawk Down, the fight went on for a day. In We Were Soldiers Once & Young, the fighting lasted three days. In The Village, one Marine squad fought for 495 days—half of them died. Few American battles have been so extended, savage and personal. A handful of Americans volunteered to live among six thousand Vietnamese, training farmers to defend their village. Such “Combined Action Platoons” (CAPs) are now a lost footnote about how the war could have been fought; only the villagers remain to bear witness. This is the story of fifteen resolute young Americans matched against two hundred Viet Cong; how a CAP lived, fought and died. And why the villagers remember them to this day.
Young Tessa is a diminutive girl, far too small for farm work and the object of ridicule by both her own family and the other children in their isolated Midwestern community. Her father seems to believe in nothing beyond his crops, certainly not education for his misfit daughter. When a mysterious, entrancing librarian comes to town, full of fabulous stories, earthy wisdom and potions for the lovelorn, she takes Tessa under her wing, teaching her to read and to believe in herself—and a whole new magical world of possibilities opens up. But even as she blooms, Tessa’s father begins sexually abusing her. And her mentor carries a dark secret of her own that finally causes her to drown herself. Tessa runs off, following Mary’s footsteps, to join the circus as a trapeze artist, where she marries a loving man and finds a fulfilling life for herself amidst her new circus family. But she remains haunted by her past. And when a stranger from one of Mary’s fabulist tales shows up, Tessa risks everything to follow him to Rain Village, where she might finally discover her mentor’s tragic secret. A brilliantly evocative debut set in the early part of the 20th century, steeped in emotional turbulence and down-to-earth wisdom, where a young woman must reconcile the inner traumas from her past and learn to live in the present in order to avoid becoming prisoner to her future. Rain Village casts a fabulous spell, pulling us into a world of mystery and possibility where love, friendship and loyalty might either destroy or set one free.