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In Night Burial, Kate Bolton Bonnici mourns her mother’s death from ovarian cancer by tracing the composition, decomposition, and recomposition of the maternal body. Opening with an epigraph from Julia Kristeva’s Stabat Mater, which recognizes the “abyss that opens up between the body and what had been its inside,” Night Burial moves from breastfeeding to laying sod on a grave, weaving together Alabama pine forests, fairy tales, philosophy, classical and Renaissance literatures, church practices, and hospice care. Through centuries-old and newly imagined poetic forms, Night Burial crafts a haunting litany for the dead. These poems ask the essential questions of grief, intertwined with family and place: how do we address the absent beloved and might the poem become its own conjuring whereby the I can once again speak to the you?
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?
First published in 1984, Death, Burial and the Individual in Early Modern England traces how and why the modern reaction to death has come about by examining English attitudes to death since the Middle Ages. In earlier centuries death was very much in the midst of life since it was not, as now, associated mainly with old age. War, plague and infant mortality gave it a very different aspect to its present one. The author shows in detail how modern concern with the individual has gradually alienated death from our society; the greater the emphasis on personal uniqueness, the more intense the anguish when an individual dies. Changes in attitudes to death are traced through alterations in funeral rituals, covering all sections of society from paupers to princes. This gracefully written book is a unique, scholarly and thorough treatment of the subject, providing both a sensitive insight into the feelings of people in early modern England and an explanation of the modern anxiety about death. The range and assurance of this book will commend it to historians and the interested general reader alike.
Adapted by the author as the streaming limited-series THE SISTER! Neil Cross's Burial is the story of one man's obsession with redemption. Everyone makes mistakes. But what if your biggest mistake was something you could never live down? Something so awful and despicable that it weighs daily on your soul? Nathan has never been able to forget the worst night of his life. Only he and an old acquaintance know what really happened and they have made a pact to keep silent. Now, years later, a knock on his door brings terrifying news. Old wounds are suddenly reopened, threatening to tear Nathan's whole world apart, as he comes face to face with the bleak landscape of lies and deception that has become his life. Can you ever really bury your guiltiest secret? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In Death, Mourning, and Burial, an indispensable introduction to the anthropology of death, readers will find a rich selection of some of the finest ethnographic work on this fascinating topic. Comprised of six sections that mirror the social trajectory of death: conceptualizations of death; death and dying; uncommon death; grief and mourning; mortuary rituals; and remembrance and regeneration Includes canonical readings as well as recent studies on topics such as organ donation and cannibalism Designed for anyone concerned with issues of death and dying, as well as: violence, terrorism, war, state terror, organ theft, and mortuary rituals Serves as a text for anthropology classes, as well as providing a genuinely cross-cultural perspective to all those studying death and dying
NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.
This companion volume seeks to trace the development of ideas relating to death, burial, and the remembrance of the dead in Europe from ca.1300-1700.
Tammy and Greg meet at a party in the Perth hills and sneak away to a disused gravel pit to be alone. They are interrupted by two men burying something who then attack Greg and chase a naked Tammy throughout the night. She is found the next day, delirious and suffering hypothermia. She tells Detective Sam Collins and Jenny Markham what she witnessed and reports Greg’s murder. But his body is found in a car wreck, and the crash report says he died because of alcohol and speed on a sharp bend. This casts doubt on Tammy’s story and Sam wonders if she imagined the incident. Doubting the official crash report, he and Jenny investigate further and discover two serial killers, who have been burying their victims at the gravel pit, for seventeen years. Sam must lead a huge police task force to try find them before they kill again.