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An account of the Nigerian military coups of 1966 in which the author discusses both the events themselves and their sociological background.
Originally published in 1971, this book is an account of the development of the Nigerian Army in the critical ten years spanning independence. It describes the transformation of a despised colonial defence force into a Nigerian army with a popularly recognized reputation. On the eve of the first military coup, the Army stood at the pinnacle of popular esteem. It had been modernized and expanded, had served with distinction in the Congo and elsewhere, and all its officers were Nigerian. The first half of the book traces the stages of this transformation and reveals the difficulties which had to be overcome. The second part examines the increasing tension and political manoeuvring which exploded into the military coups of 1966.
Boko Haram is the major threat to the Nigerian state, and has emerged as a destabilizing factor across sub-Saharan Africa. This is now a major focus of global policy-making, as between 2013 and 2014 insurgency-related deaths in Nigeria exceeded those in Iraq and Afghanistan. This book is the first to focus on the military nature of Boko Haram, the reasons for its success in those specific regions of the Chad basin it operates in and a detailed history of the Nigerian army's counter-insurgency – with whom, uniquely, the author has spent research time. The book identifies and analyses the battles and skirmishes on the front line, as well as unearthing a wider explanation for Boko Haram's military success and the causes of the instability in the region.
The Nigerian Army is an institution that has played a pivotal role in the affairs of the Federal Republic of Nigeria. For more than half of the 57 years since Independence, Nigeria was directly ruled by a Military Government, largely composed of army officers, and always headed by one. It is impossible to explore any facet of modern Nigerian history or society without the military (and in particular the Army) looming significantly. Whilst several authors have documented the history of Nigeria (and significantly less many of its Army), rarely, if ever, has the impact of the politics of Nigeria on the Army, and vice-versa, formed the exclusive subject of study. This volume is an endeavor to fill that gap. The period leading up to the Army's first overt entry into the politics of Nigeria is reviewed, firstly the pre-Independence period, and then the years immediately following independence. The effects of the Nigerianisation of the Army, especially of the officer corps, and of the policy decisions made following the passing of control over the Army from the British to the Nigerian Government are considered. The political circumstances surrounding the Army's first overt entry into politics - the January 1966 coup - and the political performance of the subsequent first military regime are discussed, as a precursor to the second coup in July 1966. The impact of the Army's direct involvement in politics on the military performance of both sides in the Civil War is explored. After a nine-year interregnum, in July 1975 Nigeria returned to the era of coups, with at least eight attempted and successful coups, some of them bloody, over the next quarter century before the return to civilian rule in 1999. The personalities leading the resultant military Governments, and the policies of those Governments, are explored, in an attempt to discern their legacy on the political development of Nigeria, and on the Nigerian Army as an institution.
“Storylines and twists abound. But action is secondary to atmosphere: Onuzo excels at evoking a stratified city, where society weddings feature ‘ice sculptures as cold as the unmarried belles’ and thugs write tidy receipts for kickbacks extorted from homeless travelers.” —The New Yorker When army officer Chike Ameobi is ordered to kill innocent civilians, he knows it is time to desert his post. As he travels toward Lagos with Yemi, his junior officer, and into the heart of a political scandal involving Nigeria’s education minister, Chike becomes the leader of a new platoon, a band of runaways who share his desire for a different kind of life. Among them is Fineboy, a fighter with a rebel group, desperate to pursue his dream of becoming a radio DJ; Isoken, a 16–year–old girl whose father is thought to have been killed by rebels; and the beautiful Oma, escaping a wealthy, abusive husband. Full of humor and heart, Welcome to Lagos is a high–spirited novel about aspirations and escape, innocence and corruption. It offers a provocative portrait of contemporary Nigeria that marks the arrival in the United States of an extraordinary young writer.
Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.