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Nietzsche's Voices, a much-anticipated volume of the Collected Writings of John Sallis, presents his two-semester lecture course on Nietzsche offered in the Philosophy Department of Duquesne University during the school year 1971–72. "Nietzsche is easy to read; his is apparently the easiest of all the great philosophies. Yet the easy intelligibility is deceptive. Nietzsche's writings make us believe we have understood when in fact we have not. His philosophy is actually the exact opposite of easy," says Sallis. With this warning always in mind, Sallis first discusses Nietzsche's life and the relevance of the ancient Greeks to his thought and then analyzes Nietzsche's views on truth, history, morality, and the death of God. The entire second half of the book is devoted to Nietzsche's main work, the tragic, comedic, poetic Thus Spoke Zarathustra. Nietzsche's Voices offers a sensitive and brilliant introduction to the thought of Friedrich Nietzsche, as presented by one of today's most significant philosophers.
Nietzsche's Voices, a much-anticipated volume of the Collected Writings of John Sallis, presents his two-semester lecture course on Nietzsche offered in the Philosophy Department of Duquesne University during the school year 1971-72. "Nietzsche is easy to read; his is apparently the easiest of all the great philosophies. Yet the easy intelligibility is deceptive. Nietzsche's writings make us believe we have understood when in fact we have not. His philosophy is actually the exact opposite of easy," says Sallis. With this warning always in mind, Sallis first discusses Nietzsche's life and the relevance of the ancient Greeks to his thought and then analyzes Nietzsche's views on truth, history, morality, and the death of God. The entire second half of the book is devoted to Nietzsche's main work, the tragic, comedic, poetic Thus Spoke Zarathustra. Nietzsche's Voices offers a sensitive and brilliant introduction to the thought of Friedrich Nietzsche, as presented by one of today's most significant philosophers.
An excellent piece of work offering a wealth of new insights. The author makes sense of more of the significant internal contradictions in the Nietzschean text than any previous commentator has done.
An exploration of the complex and interesting relations between Nietzsche's philosophical thought and the Buddhist philosophy which he admired and opposed. The volume will appeal to students and scholars interested in Nietzsche's philosophy, Buddhist thought and in the metaphysical, existential and ethical issues that emerge with the demise of theism.
This clearly written book, intended for both specialists and nonspecialists, focuses on Nietzsche's later writings, where he appears unsystematic and indifferent to questions of truth.
A short book combining extracts from the work of one of the world's greatest thinkers combined with commentary from one of Britain's most distinguished writers on philosophy.
Although he had a short career, German philosopher Friedrich Nietzsche was a prolific writer, publishing seventeen books in the span of seventeen years. Convinced that “style must live,” he focused obsessively on a wide variety of factors that could potentially affect readers’ uptake of his work, from the craft of preface writing to punctuation choices to the aesthetics of book jackets. Nietzsche as Stylist traces the emergence of the philosopher’s idiosyncratic writing style as he experimented with various rhetorical approaches. Introducing a contextual and historical sensibility to readings of Nietzsche’s published and unpublished works – as well as his correspondence, his journal entries, and other documents he interacted with, such as reviews of his work – the book highlights how Nietzsche’s style evolved in relation to his life and world. Martine Béland situates his writings within contemporaneous debates about the professionalization of academia: by resisting what he felt was an anti-philosophical climate, Nietzsche developed a synesthetic and performative style, hoping that his philosophical ideas could engage diverse readers in multiple ways. Through careful stylistic and contextual analysis, Nietzsche as Stylist explores how Nietzsche cultivated skills as a rhetorician and a writer to bring philosophy into a wider field of attention, thought, and experience.
This book proposes that Nietzsche should be viewed as an economic thinker to rank alongside Marx. Peter Sedgwick shows how Nietzsche views economy as the basic condition under which the 'human animal' developed. Economy, Nietzsche argues, endowed us with futurity, and is a defining aspect of human behaviour.
Examines how Nietzschean ideas influenced the composition of Mahler's first four, so-called Wunderhorn, symphonies. Gustav Mahler and Friedrich Nietzsche both exercised a tremendous influence over the twentieth century. All the more fascinating, then, is Mahler's intellectual engagement with the writings of Nietzsche. Given the limited and frequently cryptic nature of the composer's own comments on Nietzsche, Mahler's specific understanding of the elusive thinker is achieved through the examination of Nietzsche's reception amongst the people who introduced composer to philosopher: members of the Pernerstorfer Circle at the University of Vienna. Mahler's Nietzsche draws on a variety of primary sources to answer two key questions. The first is hermeneutic: what do Mahler's allusions to Nietzsche mean? The second is creative: how can Mahler's own characterization of Nietzsche as an "epoch-making influence" be identified in his compositional techniques? By answering these two questions, the book paints a more accurate picture of the intersections of the arts, philosophy and politics in fin-de-siècle Vienna. Mahler's Nietzsche will be required reading for scholars and students of nineteenth and early twentieth century German music and philosophy.
The book explores the development of Nietzsche’s philosophy and its application to the problems of education, disturbing traditional liberal and democratic accounts of the relationship between individual and society.