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Nietzsche was famously an atheist, despite coming from a strongly Protestant family. This heritage influenced much of his thought, but was it in fact the very thing that led him to his atheism? This work provides a radical re-assessment of Protestantism by documenting and extrapolating Nietzsche’s view that Christianity dies from the head down. That is, through Protestantism’s inherent anarchy. In this book, Nietzsche is put into conversation with the initiatives of several powerful thinking writers; Luther, Boehme, Leibniz, and Lessing. Using Nietzsche as a critical guide to the evolution of Protestant thinking, each is shown to violate, warp, or ignore gospel injunctions, and otherwise pose hazards to the primacy of Christian ethics. Demonstrating that a responsible understanding of Protestantism as a historical movement needs to engage with its inherent flaws, this is a text that will engage scholars of philosophy, theology, and religious studies alike.
This work provides a radical re-assessment of Protestantism by documenting and extrapolating Nietzsche's view that Christianity dies from the head down. In this book, Nietzsche is put into conversation with the initiatives of several powerful thinking writers; Luther, Boehme, Leibniz, and Lessing.
"In The Shadow of the Antichrist, Williams fills a significant gap in the scholarly literature by examining Nietzsche's critique of Christianity and his continuing influence. Williams begins with a basic question - What was it about Christianity that caused Nietzsche's agitation? He aims to answer that question not with a systematic survey of Nietzsche's thought but rather through a careful examination of themes that emerge in his ruminations on religion."--BOOK JACKET.
In this groundbreaking biography, the author seeks to understand Nietzsche's philosophy through a reconstruction of his inner life. "Briskly written . . . almost a philosophical detective story."--"Volksblatt." 43 illustrations.
If you were looking for a philosopher likely to appeal to Americans, Friedrich Nietzsche would be far from your first choice. After all, in his blazing career, Nietzsche took aim at nearly all the foundations of modern American life: Christian morality, the Enlightenment faith in reason, and the idea of human equality. Despite that, for more than a century Nietzsche has been a hugely popular—and surprisingly influential—figure in American thought and culture. In American Nietzsche, Jennifer Ratner-Rosenhagen delves deeply into Nietzsche's philosophy, and America’s reception of it, to tell the story of his curious appeal. Beginning her account with Ralph Waldo Emerson, whom the seventeen-year-old Nietzsche read fervently, she shows how Nietzsche’s ideas first burst on American shores at the turn of the twentieth century, and how they continued alternately to invigorate and to shock Americans for the century to come. She also delineates the broader intellectual and cultural contexts within which a wide array of commentators—academic and armchair philosophers, theologians and atheists, romantic poets and hard-nosed empiricists, and political ideologues and apostates from the Left and the Right—drew insight and inspiration from Nietzsche’s claims for the death of God, his challenge to universal truth, and his insistence on the interpretive nature of all human thought and beliefs. At the same time, she explores how his image as an iconoclastic immoralist was put to work in American popular culture, making Nietzsche an unlikely posthumous celebrity capable of inspiring both teenagers and scholars alike. A penetrating examination of a powerful but little-explored undercurrent of twentieth-century American thought and culture, American Nietzsche dramatically recasts our understanding of American intellectual life—and puts Nietzsche squarely at its heart.
An international team of scholars offer a broad engagement with the thought of Friedrich Nietzsche. They discuss the main topics of his philosophy, under the headings of values, epistemology and metaphysics, and will to power. Other sections are devoted to his life, his relations to other philosophers, and his individual works.
For over a century, the Carmelite Sister Thérèse of the Child Jesus and the Holy Face (1873-1897) has been revered as Catholicism's foremost folk saint of modern times. Universally known as "the Little Flower," she has been a source of consolation and uplift, an example of everyday sainthood by "the Little Way." This book puts aside that piety and addresses the torment of doubt within the life and writing of a saint best known for the strength of her conviction. Nevin examines the dynamics of Christian doubt, and argues that it is integral to the journey toward selfless love which Thérèse was compelled to take. What, Nevin asks, did doubt mean to her? What was its source and nature? What was its object? He gives close attention to her reading and interpretations of the Old and New Testaments as pathways through her inner wilderness. Her Carmel of spiritual sisters becomes a vivid setting for this drama, with other women challenging Thérèse by their own trials of faith. One of Thérèse's indispensable lessons, Nevin concludes, is the acceptance of one's helplessness in the midst of spiritual darkness. Bringing a new direction to the study of Thérèse, and of the challenges of sainthood itself, this book reveals how Thérèse's response to divine abandonment is a unique and painfully won imitation of Christ.
Friedrich Nietzsche, a 19th century German philosopher, conceived of the universe as a living thing and a partner with humanity. He was able to do this, especially by a complete rejection of Plato's philosophy. Similar ideas will not crop up until the major thinkers in quantum mechanics in the 20th century: John Bell and his laboratory apparatus demonstrating "Bell's Inequality," and in the "beables" and "beers" of David Bohm. By using the ideas of Nietzsche, one can see the uses and misuses of Greek philosophy, especially in the paintings of the Northern Renaissance vs the Italian Renaissance; in Rabelais and the Italian Renaissance; and in Romanticism in general. Nietzsche's work likewise provides a critical point of view to reevaluate the work of William Blake, Pieter Bruegel,Hegel, Luther, Denis Diderot, Jean-Jacques Rousseau, Jacques Derrida, Michel Serres, Gilles Deleuze, many of whom were reacting against Platonism without realizing it. Nietzsche puts man at home in the universe in a way no other philosopher has ever done, thus discounting the bleak views of Camus and Sartre and giving a completely new view of existentialism and Christianity. The author gives evidence that most thinkers have completely misunderstood Nietzsche or have not admitted their debt to him.
When careful consideration is given to Nietzsche's critique of Platonism and to what he wrote about Bismarck, Kaiser Wilhelm, and to Germany's place in "international relations" (die Gro e Politik), the philosopher's carefully cultivated "pose of untimeliness" is revealed to be an imposture. As William H. F. Altman demonstrates, Nietzsche should be recognized as the paradigmatic philosopher of the Second Reich, the short-lived and equally complex German Empire that vanished in World War One. Since Nietzsche is a brilliant stylist whose seemingly disconnected aphorisms have made him notoriously difficult for scholars to analyze, Friedrich Wilhelm Nietzsche is presented in Nietzsche's own style in a series of 155 brief sections arranged in five discrete "Books," a structure modeled on Daybreak. All of Nietzsche's books are considered in the context of the close and revealing relationship between "Friedrich Wilhelm Nietzsche" (named by his patriotic father after the King of Prussia) and the Second Reich. In "Preface to 'A German Trilogy, '" Altman joins this book to two others already published by Lexington Books: Martin Heidegger and the First World War: Being and Time as Funeral Oration and The German Stranger: Leo Strauss and National Socialism.