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This book, the first to attempt a thorough comparison of Nietzsche's and Schiller's thought, examines their programmes to reform the individual through aesthetic experience, with reference primarily to Nietzsche's Die Geburt der Tragodie and Schiller's Asthetische Briefe. It counters the prejudice that Nietzsche and Schiller represent a black-and-white contrast, draws a convincing picture of their shared cultural heritage and assumptions, and assesses the nature and implications of their claims for the 'untimeliness' of aesthetic experience and of their proposed reforms to man and society.
Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.
These fifteen essays on Nietzsche's indebtedness to the Classical Tradition were composed by scholars in the fields of philosophy, theology, German and Classics. The essays roughly cover the following epochs: the age of the Fathers of the Western Church, medieval scholasticism, the Renaissance, the Enlightenment, Weimar Classicism, Romanticism and the several other intellectual trends and movements in the nineteenth century. Collection includes three essays comparing Nietzsche's perceptions of Plato, Aristotle, and Socrates with those (respectively) of Augustine, Aquinas, and Hamann. Three essays treat Nietzsche's relationship to Goethe, Schiller, and Heine. Three deal with Nietzsche and French literature or thought, one explores possible parallels between Nietzsche and Dante, another the extent of his debt to Byron. Four contributions center on Nietzsche's view of tragedy, and an older study has been expanded to show the underlying harmony of Nietzsche's conception with that of the French classical tragedians. This book affirms and fulfills the need for serious scholarship by the student of Nietzsche unable to work in German, while presenting a readable cross-section of the work being done relating Nietzsche to the intellectual tradition from which he sprang.
"In The Shadow of the Antichrist, Williams fills a significant gap in the scholarly literature by examining Nietzsche's critique of Christianity and his continuing influence. Williams begins with a basic question - What was it about Christianity that caused Nietzsche's agitation? He aims to answer that question not with a systematic survey of Nietzsche's thought but rather through a careful examination of themes that emerge in his ruminations on religion."--BOOK JACKET.
This study of Hegel and Nietzsche evaluates and compares their work through their common criticism of the metaphysics for operating with conceptual oppositions such as being/becoming and egoism/altruism. Dr Houlgate exposes Nietzsche's critique as employing the distinction of Life and Thought, which itself constitutes a metaphysical dualism of the kind Nietzsche attacks. By comparison Hegel is shown to provide a more profound critique of metaphysical dualism by applying his philosophy of the dialectic, which sees such alleged opposites as defining components of a dynamic. In choosing to study a theme so fundamental to both philosophers' work, Houlgate has established a framework within which to evaluate the Hegel-Nietzsche debate; to make the first full study of Nietzsche's view of Hegel's work; and to compare Nietzsche's Dionysic philosophy with Hegel's dialectical philosophy by focusing on tragedy, a subject central to the philosophy of both.
A century-and-a-half after his birth, Nietzsche's importance and relevance as a thinker is greater than ever before, and yet a major perspective on his life and work has been left untried: the psychological approach. Composing the Soul is the first study to pay sustained attention to Nietzsche as a psychologist and to examine the contours of his psychology in the context of his life and psychological makeup. Featuring all new translations of quotations from Nietzsche's writings, Composing the Soul reveals the profundity of Nietzsche's lifelong personal and intellectual struggles to come to grips with the soul. Extremely well-written, this landmark work makes Nietzsche's life and ideas accessible to any reader interested in this much misunderstood thinker.
The first comprehensive account of Nietzsche's views of Jews and Judaism For more than a century, Nietzsche's views about Jews and Judaism have been subject to countless polemics. The Nazis infamously fashioned the philosopher as their anti-Semitic precursor, while in the past thirty years the pendulum has swung in the opposite direction. The increasingly popular view today is that Nietzsche was not only completely free of racist tendencies but also was a principled adversary of anti-Jewish thought. Nietzsche’s Jewish Problem offers a definitive reappraisal of the controversy, taking the full historical, intellectual, and biographical context into account. As Robert Holub shows, a careful consideration of all the evidence from Nietzsche’s published and unpublished writings and letters reveals that he harbored anti-Jewish prejudices throughout his life. Nietzsche’s Jewish Problem demonstrates how this is so despite the apparent paradox of the philosopher’s well-documented opposition to the crude political anti-Semitism of the Germany of his day. As Holub explains, Nietzsche’s "anti-anti-Semitism" was motivated more by distaste for vulgar nationalism than by any objection to anti-Jewish prejudice. A richly detailed account of a controversy that goes to the heart of Nietzsche’s reputation and reception, Nietzsche’s Jewish Problem will fascinate anyone interested in philosophy, intellectual history, or the history of anti-Semitism.
'Why do I know a few more things? Why am I so clever altogether?' Self-celebrating and self-mocking autobiographical writings from Ecce Homo, the last work iconoclastic German philosopher Nietzsche wrote before his descent into madness. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
No other modern philosopher has proved as influential as Friedrich Nietzsche (1844-1900) and none is as poorly understood. In the first new biography in decades, Rüdiger Safranski, one of the foremost living Nietzsche scholars, re-creates the anguished life of Nietzsche while simultaneously assessing the philosophical implications of his morality, religion, and art. Struggling to break away from the oppressive burdens of the past, Nietzsche invented a unique philosophy based on compulsive self-consciousness and constant self-revision. As groundbreaking as it will be long-lasting, this biography offers a brilliant, multifaceted portrait of a towering figure.
To mark the 200th anniversary of Schiller's death, leading scholars from Germany, Canada, the UK and the USA have contributed to this volume of commemorative essays. These were first presented at a symposium held at the University of Birmingham in June 2005. The essays collected here shed important new light on Schiller's standing as a national and transnational figure, both in his own lifetime and in the two hundred years since his death. Issues explored include: aspects of Schiller's life and work which contributed to the creation of heroic and nationalist myths of the poet during the nineteenth and early twentieth centuries; his activities as man of the theatre and publisher in his own, pre-national context; the (trans-)national dimensions of Schiller's poetic and dramatic achievement in their contemporary context and with reference to later appropriations of national(ist) elements in his work. The contributions to this volume illuminate Schiller's achievements as poet, playwright, thinker and historian, and bring acute insights to bear on both the history of his impact in a variety of contexts and his enduring importance as a point of cultural reference.