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Written by an important musicologist, this rare 1860 monograph analyzes Paganini's compositions and provides a fascinating history of the violin. Firsthand accounts of the virtuoso's playing and personality form a valuable historical resource.
"Our inherited image of Nicolo Paganini as a 'demonic violinist' has never been analysed in depth. What really made him 'demonic'? In fact, the many perceptions of Paganini as demonic - Faust, magician, devil, rake/libertine, Napoleon - were inter-related but not equivalent. This book investigates the legend of Paganini: separating fact from fiction, it explains how the legendary violinist challenged the very notion of what it meant to be a musician. An understanding of his violin techniques and musical ethos goes some way towards meeting this aim, beyond which an exploration of the wider cultural context is also presented. This book considers Paganini's performance innovations in the light of contemporary attitudes towards music and the supernatural, gender, sexuality, violence, heroism, masculinity, as well conceptions of power. A swirl of cultural factors coalesced in the performer to create that phenomenon of Romanticism, a larger-than- life Gothic villain. Because the mythology surrounding the violinist outlived and outgrew the man to monstrous proportions, so too did the idea of virtuosity inflate out of control, acquiring a potent, overwhelmingly negative aura in the process. An appendix brings together late nineteenth-century British press and literature coverage of Paganini that contributed to the developing myth surrounding the now famous composer and performer."--Publisher's description.
An old gravedigger recites the story of Nicolo Paganini, the 18th-century Italian violinist whose extraordinary skills and eerie stage presence made him a musical legend.
The author of this work did not live to see the final sheets in print. Although it has not received his revision, yet the book has had careful editing. Mr. Stratton did not undertake the Life of Paganini without adequate preparation. He had during many years thoughtfully studied the artist and his attributes, and became an acknowledged authority on the subject. He gathered from all available sources the most reliable information. Almost his last journey was a pilgrimage to Paganini's birthplace. This volume will exhibit his versatility, particularly the chapter giving the analyses of Paganini's compositions. It is therefore the most complete account of the greatest virtuoso recorded in the annals of music. Those who peruse this most interesting biography of Paganini, will naturally desire to learn something of the writer.
Paganini and Wieniawski were among the 19th century's most famous violin virtuosos and composed some of the solo violin repertoire's most treasured works. Here, in one large-format playing edition, are Paganini's innovative Caprices and Wieniawski's much-admired collections, L'Ecole Moderne and Etudes Caprices. The three scores offer hours of rigorous practice and rehearsal.
The author of this work did not live to see the final sheets in print. Although it has not received his revision, yet the book has had careful editing. Mr. Stratton did not undertake the Life of Paganini without adequate preparation. He had during many years thoughtfully studied the artist and his attributes, and became an acknowledged authority on the subject. He gathered from all available sources the most reliable information. Almost his last journey was a pilgrimage to Paganini's birthplace. This volume will exhibit his versatility, particularly the chapter giving the analyses of Paganini's compositions. It is therefore the most complete account of the greatest virtuoso recorded in the annals of music. Those who peruse this most interesting biography of Paganini, will naturally desire to learn something of the writer.