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Sixteen year-old Nick Michelson has been seeing strange things lately, things he can’t explain. So when his uncle tells him that some of the men in his family can see ghosts, Nick freaks out and decides he’s going to ignore the spirits. But as he will soon learn, that’s easier said than done — especially once he encounters James Pearce, an angry spirt hell-bent on finding out who killed him. Reluctantly, Nick agrees to help. So with the help of his Tarot cards and his new mentor Katrina, Nick embarks on a journey to help the solve the mystery surrounding James’s death. But once word gets around about Nick’s ability, there’s more than one ghost vying for his attention.
Presents a collection of writings exploring the Nick Adams character who appears in many short stories written by Ernest Hemingway.
When the Vietnam War punctured the myth of American military invincibility, Hollywood needed a new kind of war movie. The familiar triumphal narrative was relegated to history and, with it, the heroic legacy that had passed from one generation to the next for more than two hundred years. How Hollywood helped create and instill the American myth of heroic continuity, and how films revised that myth after the Vietnam War, is what Armando José Prats explores in Hollywood’s Imperial Wars. The book offers a new way of understanding the cultural and historical significance of Vietnam in relation to Hollywood’s earlier representations of Americans at war, from the mythic heroism of a film like Sands of Iwo Jima to the rupture of that myth in films such as The Deer Hunter, Apocalypse Now, and Platoon. As early as the mid-1940s, Prats suggests, fears aroused by the Cold War were stirring anxieties about sustaining the heroic myth—anxieties reflected in the insistent, aggressive patriotism in films of the period. In this context, Prats considers the immeasurable cultural importance of John Wayne, the cinematic apotheosis of wartime valor and righteousness, whose patriotism was nonetheless deeply compromised by his not having served in World War II. Prats reveals how historical and cultural anxieties emerge in well-known Vietnam movies, in which characters inspired by the heroes of the Second World War are denied the heroic legacy of their fathers. American war movies, in Prats’s analysis, were forever altered by the loss in Vietnam. Even movies like American Sniper that exalt war heroes are marked as much by the failure of the heroic tropes of old Hollywood war movies as by the tragic turn of actual historical events. Tracing what Prats calls the “anxiety of legacy” through the films of the World War II and post–Vietnam War periods, this book offers a new way of looking at both the Hollywood war movie and the profound cultural shifts it reflects and refracts.
This book explores the extraordinarily violent and abusive nature of Stephen Donaldson's male protagonists. Thomas Covenant of The Chronicles is a leper, rotten and physically collapsing. In Mordant's Need and The Gap series the male characters are moral lepers. The Gap offers a Janus-faced male lead in the form of two men who are both multiple rapists. The male hero in Mordant's Need is outwardly socially acceptable but his alter egos are overly corporeal and sexually obsessed. In spite of their unappealing condition, all these protagonists yearn to be loved. Using the psychoanalytical theories of Julia Kristeva, this book identifies reasons for Donaldson's derogatory characterization and provides an insight into why these novels cannot allow their male protagonists to establish viable love relationships. This study also explains why maternal characters are jettisoned from the narratives, considers the problematic nature of father figures and examines the incipient undertow of psychosis.
Omnibus edition of Christopher Hinz's cult-classic, The Paratwa Saga -- Liege-Killer Two hundred years after a nuclear apocalypse forced humanity to flee earth, humans still remember the most feared warriors of that planet – the Paratwa. These are genetically modified killers who occupy two bodies controlled by one vicious mind. The legendary Paratwa named Reemul, known as the Liege-Killer, was the strongest of them all. Now someone has revived Reemul from stasis and sent him to terrorize the peaceful orbital colonies of Earth. Is this an isolated incident, or has the one who unleashed this terrible power announced a gambit for control over the entire human race? Ash Ock A quarter of a millennium ago, before the nuclear apocalypse forced the inhabitants of earth to flee their home planet, few humans could have imagined the course their path would take. Now, the orbital colonies are the final sanctuary of humanity and life is more dangerous than ever before. The colonists fear the return of their dreaded enemies, the Paratwa – ferocious warriors who are genetically engineered to exist in two bodies which remain telepathically connected. The new generation of Paratwa is far deadlier than the old, forming a powerful caste of fighter known as the Ash Ock. A mysterious virus infecting the humans database signals the return of their most feared enemies… The Paratwa The lives of the Irryan colonists hang in the balance, as they prepare for the imminent attack of the fierce and vicious Paratwa assassins. Facing the threat of their dark enemies, Gillian must also cope with his inner turmoil, as the madness of his nature threatens to consume his life, until he discovers that he is a genetically modified creature whose purpose is to serve the needs of others, and the course of his destiny is not in his own hands… The concluding volume to the epic masterwork from a cult sci fi master.
Set in a world terrorized by genetically engineered assassins, this is a “fast-paced future thriller” for fans of cyberpunk sci-fi and the Paratwa Saga (B&N Sci-Fi & Fantasy Blog) Near the end of the 21st century, Earth is in chaos from environmental devastation and a vicious undeclared war against binaries, genetically engineered assassins. Composed of a single consciousness inhabiting two human bodies (tways), binaries are ruled by an alpha breed, the Royal Caste. Nick Smith, computer programmer and brilliant strategist, hooks up with Annabel Bakana—the savvy new director of E-Tech, an organization dedicated to limiting runaway technological growth. Together both romantically and professionally, they secretly assemble a small combat team to hunt and kill binaries. But there’s a fly in the ointment: the mysterious team leader, Gillian. A tormented soul with an unseemly attraction to Annabel, his actions just might help the Royal Caste’s cause and draw the world closer to Armageddon. Serving as both a stand-alone novel and prequel to Liege-Killer, Binary Storm is a futuristic tale of bold characters pushed to the brink in a dangerous world. Startling action, political intrigue and powerful themes that echo our contemporary era are fused into a plot brimming with twists and surprises.
Half down-and-dirty adventure and half inspirational memoir, this title documents an unusual pilgrimage taken by earthy scientist Nick Scott and fastidious Buddhist monk Ajahn Sucitto, who together retraced the Buddha's footsteps through India.
Although ostensibly presented as “light entertainment,” the work of writer-director-producer Joss Whedon takes much dark inspiration from the horror genre to create a unique aesthetic and perform a cultural critique. Featuring monsters, the undead, as well as drawing upon folklore and fairy tales, his many productions both celebrate and masterfully repurpose the traditions of horror for their own means. Woofter and Jowett's collection looks at how Whedon revisits existing feminist tropes in the '70s and '80s “slasher” craze via Buffy the Vampire Slayer to create a feminist saga; the innovative use of silent cinema tropes to produce a new fear-laden, film-television intertext; postmodernist reflexivity in Cabin in the Woods; as well as exploring new concepts on “cosmic dread” and the sublime for a richer understanding of programmes Dollhouse and Firefly. Chapters provide the historical context of horror as well as the particular production backgrounds that by turns support, constrain or transform this mode of filmmaking. Informed by a wide range of theory from within philosophy, film studies, queer studies, psychoanalysis, feminism and other fields, the expert contributions to this volume prove the enduring relevance of Whedon's genre-based universe to the study of film, television, popular culture and beyond.
Age Range: 8 and up Fear drives me forward as I rush down a rocky path in Jerusalem, trying to sort things out even as dusk makes it harder to hurry. Am I really an American girl, cast back to the time of Jesus? Or a delusional Jewish teen, plagued with visions of a place called America, thousands of years in the future? I don't know anymore. But I do know that something awful is about to happen to my Jesus: they're going to arrest him tonight, and kill him. No one believes me; they think I'm crazy. So it's up to me to save him, hurrying down this dark path toward Gethsemane, toward the turning point of all history, the attempt to kill Jesus . . . toward the uncertainty of whether I can actually manage to change the future.
Nahiri–also known as The Harbinger–has protected her home plane of Zendikar for centuries, her ruthlessness and terrible deeds kept in check by a strong sense of justice. But her fate is far from decided, and a new challenge awaits that may change the way the entire Multiverse perceives her...