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May 4, 1885- the Feast of Saint Sebastian in Melilli, Sicily, celebrating the martyred saint and protector from the bubonic plague. But for young Nick Ilsanto, that day would turn into his worst nightmare, its tragedy propagating a new kind of plague, one spawned by avarice and hate, destined to bring America, and Europe, to its knees. Nick Ilsanto and the Scourge of the Black Hand details Nick’s twentyfour- year odyssey to find the man known as “il Lupo,” “the Wolf,” the cause of his nightmare and, eventually, the world’s. While pursuing the leader of the terrorist organization known as the Black Hand, Nick, driven by revenge, vows to destroy both “il Lupo” and the Hand- why the Wolf wants him, more than anyone else on earth, dead. A crime novel and love story featuring some of America’s most legendary figures, including P.T. Barnum, Teddy Roosevelt, and John L. Sullivan, “Nick Ilsanto” is also an epic tale of America’s reality and myths regarding justice, equality, racism and immigration.
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DigiCat Publishing presents to you this special edition of "Italian Fantasies" by Israel Zangwill. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This book investigates baroque architecture through the lens of San Gennaro’s miraculously liquefying blood in Naples. This vantage point allows a bracing and thoroughly original rethink of the power of baroque relics and reliquaries. It shows how a focus on miracles produces original interpretations of architecture, sanctity and place which will engage architectural historians everywhere. The matter of the baroque miracle extends into a rigorous engagement with natural history, telluric philosophy, new materialism, theory and philosophy. The study will transform our understanding of baroque art and architecture, sanctity and Naples. Bristling with new archival materials and historical insights, this study lifts the baroque from its previous marginalisation to engage fiercely with materiality and potentiality and thus unleash baroque art and architecture as productive and transformational.