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This book was originally published in 2008. Nicholas Maw's Odyssey is a landmark in contemporary music; at approximately 90 minutes it is one of the longest continuous examples of music written for full-orchestra and received a first, truncated, performance at the 1987 BBC Proms. It took Maw many years to complete and was later recorded to great acclaim by Sir Simon Rattle and the City of Birmingham Symphony Orchestra. In his examination of Odyssey, Kenneth Gloag provides a detailed discussion of Maw's musical identity and reputation as a contemporary composer in relation to romanticism, modernism and postmodernism, taking into consideration his break-through work Scenes and Arias (1962) and the subsequent progression to Odyssey. The book investigates issues of time and narrative crucial to the generation of the work's remarkable length, and considers the relationship between the sectionalization of the score and prevailing sense of unity in the music. Situating Odyssey in larger historical and critical frameworks, Gloag evaluates the initial reception of the work and reflects on Maw's music composed after Odyssey.
This book was originally published in 2008. Nicholas Maw's Odyssey is a landmark in contemporary music; at approximately 90 minutes it is one of the longest continuous examples of music written for full-orchestra and received a first, truncated, performance at the 1987 BBC Proms. It took Maw many years to complete and was later recorded to great acclaim by Sir Simon Rattle and the City of Birmingham Symphony Orchestra. In his examination of Odyssey, Kenneth Gloag provides a detailed discussion of Maw's musical identity and reputation as a contemporary composer in relation to romanticism, modernism and postmodernism, taking into consideration his break-through work Scenes and Arias (1962) and the subsequent progression to Odyssey. The book investigates issues of time and narrative crucial to the generation of the work's remarkable length, and considers the relationship between the sectionalization of the score and prevailing sense of unity in the music. Situating Odyssey in larger historical and critical frameworks, Gloag evaluates the initial reception of the work and reflects on Maw's music composed after Odyssey.
Chapters are: 'Between Romanticism and Modernism', 'Towards Odyssey', 'The Music', 'The Melodic Source', 'The Harmonic Dimension', 'Time and Narrative', 'Reception' and 'After Odyssey'.
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
This expanded and completely revised fifth edition is a unique ebook, spanning a thousand years of music from Gregorian chant via Bach and Beethoven to current leading lights such as Thomas Adès and Kaija Saariaho. There are concise biographical profiles of more than 200 composers and informative summaries of the major compositions in all genres, from chamber works to operatic epics. Topics such as the influence of jazz, notation, conducting, the madrigal, and why Stradivarius made such great violins are covered fully in feature boxes. The Rough Guide to Classical Music in a new ebook (PDF) fromat has been praised for its mix of well-known composers with more obscure, but interesting, figures (like Antoine Brumel and Barbara Strozzi), and for the way it takes contemporary music seriously.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The musical adventure of a lifetime. The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure. Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music. This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, world, opera, soundtracks, and more. It's arranged alphabetically by artist to create the kind of unexpected juxtapositions that break down genre bias and broaden listeners’ horizons— it makes every listener a seeker, actively pursuing new artists and new sounds, and reconfirming the greatness of the classics. Flanking J. S. Bach and his six entries, for example, are the little-known R&B singer Baby Huey and the '80s Rastafarian hard-core punk band Bad Brains. Farther down the list: The Band, Samuel Barber, Cecelia Bartoli, Count Basie, and Afropop star Waldemer Bastos. Each entry is passionately written, with expert listening notes, fascinating anecdotes, and the occasional perfect quote—"Your collection could be filled with nothing but music from Ray Charles," said Tom Waits, "and you'd have a completely balanced diet." Every entry identifies key tracks, additional works by the artist, and where to go next. And in the back, indexes and playlists for different moods and occasions.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This collection of essays celebrates the work of Sir Harrison Birtwistle, one of the key figures in European contemporary music. Representing current research on Birtwistle's music, this book reflects the diversity of his work in terms of periods, genres, forms, techniques and related issues through a wide range of critical, theoretical and analytical interpretations and perspectives. Written by a team of international scholars, all of whom bring a deep research-based knowledge and insight to their chosen study, this collection extends the scholarly understanding of Birtwistle through new engagements with the man and the music. The contributors provide detailed studies of Birtwistle's engagement with electronic music in the 1960s and 1970s, and develop theoretical explanations of his fascination with pulse, rhythm and time. They also explore in detail Birtwistle's interest in poetry, instrumental drama, gesture, procession and landscape, and consider the compositional processes that underpin these issues.