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Nicholas Lanier (1588-1666) was not only the first person to hold the office of Master of the Music to King Charles I, he was also a practising painter, a friend of Rubens, Van Dyck and many other artists of his time, and one of the very first great art collectors and connoisseurs. He is especially remembered for the part he played in acquiring, on behalf of Charles I, the famous collection of paintings belonging to the Gonzaga family of Mantua. Many of these paintings still form an important part of the Royal Collection today. In this book the different strands of Lanier's colourful life are for the first time drawn together and presented in a single compelling narrative.
Nicholas Lanier (1588-1666) was not only the first person to hold the office of Master of the Music to King Charles I, he was also a practising painter, a friend of Rubens, Van Dyck and many other artists of his time, and one of the very first great art collectors and connoisseurs. He is especially remembered for the part he played in acquiring, on behalf of Charles I, the famous collection of paintings belonging to the Gonzaga family of Mantua. Many of these paintings still form an important part of the Royal Collection today. In this book the different strands of Lanier's colourful life are for the first time drawn together and presented in a single compelling narrative.
The colourful history of the Worshipful Company of Musicians, from its medieval beginnings to the present day.
xxxvi + 91 pp.
The series of articles entitled "Virginia Gleanings in England" originally appeared in "The Virginia Magazine of History and Biography." The complete "Virginia Gleanings" series, assembled here in book form, comprises some eighty-five articles, the bulk of them contributed by Lothrop Withington from his post in London. The "gleanings" consist of abstracts of English wills and administrations relating to Virginia and Virginians and bear reference to heirs and issue, family members, administrators, property, bequests, places of residence, and dates of emigration, shedding light on the English origins of Virginia families of the 17th and 18th centuries, and naming some 15,000 persons in passing. These family "gleanings" are furthermore extended backwards and forwards in a remarkable series of textual annotations. The articles are reprinted here in the order in which they appeared in the Magazine and are followed by a complete index of names.