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The Empress of Crime's life was the ultimate detective story – revealed for the first time in this forthright and perceptive biography.
A lovingly crafted biography of New Zealand Crimewriting Queen, Ngaio Marsh who, like Dorothy Sayers and Agatha Christie, wrote detective fiction during mystery's goldn age. Ngaio Marsh wrote more than thirty polished English detective novels between 1934 and her death in 1982. How did she do it? To say would give away the story of her life, but those who have already met her elegant sleuth Roderick Alleyn know he, too, kept his footing in diverse plots, managing the local idiom whether crime cracking in Britain, on the continent, or in New Zealand. Marsh's talent was as varied as her heritage. A gifted artist, a spirited dramatist, actress, and producer, her crime fiction embraces her triple interests. May are set in the worlds of art and theater.
A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times
Part of a publishing program that creates a brand new look for Marsh's 32 mystery novels, this book finds Inspector Roderick Alleyn going backstage at a theater company to find out why a bottle of champagne crashed down on the head of the famous producer and killed him.
The inspector digs into a cold case on a New Zealand sheep farm in this “well-sustained crime story” from the Mystery Writers of America Grand Master (Kirkus Reviews). Flossie Rubrick, a highly opinionated and influential member of the New Zealand Parliament, was last seen heading off to one of the storage sheds on her sheep farm. Three weeks later, she turned up dead and packed in a bale of her own wool. What happened on the night of her long-ago disappearance? In the country on counterespionage duty, Inspector Roderick Alleyn is happy to lend a hand. “The doyenne of traditional mystery writers.” —The New York Times
A local busybody is silenced for good in this tale by “a peerless practitioner of the slightly surreal, English-village comedy-mystery” (Kirkus Reviews). In their Dorset village, neither Miss Campanula nor her friend Miss Prentice are known as lovable little old ladies. They’re waspish, gossiping snobby little old ladies, passionate only about their amateur theatrical productions, their narrowly defined opinions about how everyone else should behave . . ..and, perhaps, about the local vicar. But could one of them have been sufficiently unpleasant to provoke a murderer? For Miss Campanula has perished on her piano bench—and it’s unclear whether Miss Prentice may have been the actual intended victim . . . “A goodie.” —Kirkus Reviews “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “In her ironic and witty hands the mystery novel can be civilized literature.” —The New York Times
A model is murdered in this “first-rate” detective story by the Mystery Writers of America Grand Master (Kirkus Reviews). On a ship traveling back to England, Miss Agatha Troy finds Inspector Roderick Alleyn tedious and dull; he thinks she’s a bohemian cliché. They may be destined for romance, but there’s a murder in the way: No sooner has Alleyn settled in to his mother’s house, eager for a relaxing end to his vacation, than he gets a call that a model has been stabbed at the artists’ community down the road. And the talented Miss Troy is one of the community’s most prominent and outspoken members . . . “The doyenne of traditional mystery writers.” —The New York Times
A mystery with “atmosphere, humor . . .and a group of characters, English, Maori, and New Zealander, who are fascinating and completely credible.” —The New York Times During World War II, Colonel Claire—a tremendously nice fellow and a disastrously bad businessman—runs a mud-baths resort in rural New Zealand. But the place is on the brink of being taken over by a local blowhard who may be a Nazi spy. Inspector Alleyn has been sent in to sort things out—and don a disguise in order to blend in the resort’s motley cast of characters—in this classic tale of detection from the Mystery Writers of America Grand Master. “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine
Roderick Alleyn is back in this unique crime novel begun by Ngaio Marsh during the Second World War and now completed by Stella Duffy in a way that has delighted reviewers and critics alike.
While Ngaio Marsh had a larger-than-life public persona, she was fiercely protective of her private life. This fasinating biography of Ngaio Marsh pieces together both the public and private Marsh in a way that is as riveting as a crime novel. Through Marsh's writing and her theatre productions and publications, Joanne Drayton assembles the pieces to the puzzle that is Ngaio Marsh, proving that life can be as thrilling as fiction.