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This catalogue spotlights the third work in the Ng Teng Fong Roof Garden Commission series, SEA STATE 9: proclamation garden by Singaporean artist Charles Lim Yi Yong. It features a text by curator Adele Tan, alongside 30 annotated photos taken by the artist of plant species found on reclaimed sites in Singapore whose transplantation, adaptation to survive and eventual disposal tell the stories of Singapore’s urban and coastal developments.
This publication presents Indian artist Shilpa Gupta’s monumental inflatable sculpture, Untitled (2023). The sculpture depicts the dualities of our innermost struggles and the externalities around us. This book includes a curatorial essay that situates Gupta’s new work in relation to her art practice and other global sociopolitical forces as well as a full-colour photo documentation of the sculpture against the backdrop of Singapore’s skyline. It also features a guest essay written by a well-known mental health professional who engages with the artist’s take on the human condition.
An exploration of the multifaceted urban environmental issues in Singapore through a more-than-human lens, calling for new ways to think of and story cities. As climate change accelerates and urbanization intensifies, our need for more sustainable and livable cities has never been more urgent. Yet, the imaginary of a flourishing urban ecofuture is often driven by a specific version of sustainability that is tied to both high-tech futurism and persistent economic growth. What kinds of sustainable futures are we calling forth, and at what and whose expense? In Reimagining the More-Than-Human City, Jamie Wang attempts to answer these questions by critically examining the sociocultural, political, ethical, and affective facets of human-environment dynamics in the urban nexus, with a geographic focus on Singapore. Widely considered a model for the future of urbanism and an emblematic new world city, Singapore, Wang contends, is a fascinating site to explore how modernist sustainable urbanism is imagined and put into practice. Drawing on field research, this book explores distinct and intrarelated urban imaginaries situated in various sites, from the futuristic, authoritarian Supertree Grove, positioned as a technologically sustainable solution to a velocity-charged and singular urban transportation system, to highly protected nature reserves and to the cemeteries, where graves and memories continue to be exhumed and erased to make way for development. Wang also attends to more contingent yet hopeful alternatives that aim to reconfigure current urban approaches. In the face of growing enthusiasm for building high-tech, sustainable, and “natural” cities, Wang ultimately argues that urban imaginings must create space for a more relational understanding of urban environments.
Rirkrit Tiravanija has created the second Ng Teng Fong Roof Garden Commission artwork for National Gallery Singapore. Featuring an interlocking bamboo structure with a simple wooden tea house at its centre, this site-specific installation springs from the artist's interest in fostering social engagement and human interaction through art. With homes in Chiang Mai, New York and Berlin, Tiravanija's nomadic life is a constant negotiation of cultures, and a source of inspiration for his practice. This catalogue illuminates this influential artist's fascinating oeuvre through newly commissioned essays and full-colour images of the installation. Other artists featured in this Ng Teng Fong Roof Garden Commission series include Danh Vo (2017) and Charles Lim (forthcoming).
This catalogue for Antony Gormley’s largest-ever showing in Singapore features stunning full-colour plates of the installations at National Gallery Singapore, including the fifth Ng Teng Fong Roof Garden Commission, Horizon Field Singapore. This publication also contains an interview with the artist by Eugene Tan, an essay by exhibition curators Qinyi Lim and Russell Storer, and an essay by cultural critic Ackbar Abbas, which continues his investigation into the situatedness of Gormley’s practice.
Over the past two decades, Singapore has advanced rapidly towards becoming a both a global city-state and a key nodal point in the international economic sphere. These developments have caused us to reassess how we understand this changing nation, including its history, population, and geography, as well as its transregional and transnational experiences with the external world. This collection spans several disciplines in the humanities and social sciences and draws on various theoretical approaches and methodologies in order to produce a more refined understanding of Singapore and to reconceptialize the challenges faced by the country and its peoples.
Jaafar Latiff is a painter acclaimed for his trailblazing approach in invigorating the batik medium. Succeeding an earlier generation of batik artists, he broadened the scope of painting in this medium beyond the pictorial conventions commonplace until the 1970s by integrating conventional techniques of batik painting with his own expressive and abstract style. In the Time of Textile highlights Jaafar's advances in batik through his rigorous experiments between the 1970s and 1990s, with a focus on three of his major painting series: Wandering, Batik 87/88, and Self-Portrait. It also traces his adjacent explorations in other mediums, such as acrylic painting and computer art, revealing his bold embrace of the modernist ethos to be in search of the new. This publication is part of Something New Must Turn Up: Six Singaporean Artists After 1965, a joint exhibition of six artistic forerunners that actively expanded the boundaries of art in post-independence Singapore.
They Wish They Were Us meets The Queen’s Gambit in this “stunning…unforgettable” (Publishers Weekly) thriller set in the world of competitive Scrabble, where a teen girl is forced to investigate the mysterious death of her best friend when her Instagram comes back to life with cryptic posts and messages. CATALYST 13 points noun: a substance that speeds up a reaction without itself changing When Najwa Bakri walks into her first Scrabble competition since her best friend’s death, it’s with the intention to heal and move on with her life. Perhaps it wasn’t the best idea to choose the very same competition where said best friend, Trina Low, died. It seems that even though Najwa is trying to change, she’s not ready to give up Trina just yet. But the same can’t be said for all the other competitors. With Trina, the Scrabble Queen herself, gone, the throne is empty, and her friends are eager to be the next reigning champion. All’s fair in love and Scrabble, but all bets are off when Trina’s formerly inactive Instagram starts posting again, with cryptic messages suggesting that maybe Trina’s death wasn’t as straightforward as everyone thought. And maybe someone at the competition had something to do with it. As secrets are revealed and the true colors of her friends are shown, it’s up to Najwa to find out who’s behind these mysterious posts—not just to save Trina’s memory, but to save herself.
Singapore Houses features top architects and designers with ideas that are stylish, contemporary, and show twenty-first century savvy. The houses in this book epitomize cutting-edge residential architecture in Singapore. they demonstrate a remarkable surge of design exploration in the city-state. Architects in Singapore are producing work with a level of refinement and sophistication that is comparable with the best in the world and one would be hard pressed to find a nation of similar size with such an abundance of accomplished young designers who have built independently. The houses include recent designs by doyens of the profession such as Sonny Chan Sau Yan, Kerry Hill and Ernesto Bedmar in addition to the firmly established "next" generation including Mok Wei Wei, Chan Soo Khian, Siew Man Kok and Richard Hassell. For those looking for new architecture or interior design ideas, Singapore Houses will surely add a unique, fresh element to their homes and projects.