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Against all odds, the seeds of social change found purchase in mid-twentieth century South Carolina. Newspaperman John McCray and his allies at the Lighthouse and Informer challenged readers to "rebel and fight"--to reject the "slavery of thought and action" and become "progressive fighters" for equality. Newspaper Wars traces the role journalism played in the fight for civil rights in South Carolina from the 1930s through the 1960s. Moving the press to the center of the political action, Sid Bedingfield tells the stories of the long-overlooked men and women on the front lines of a revolution. African American progress sparked a battle to shape South Carolina's civic life, with civil rights activists arrayed against white journalists determined to preserve segregation through massive resistance. As that strategy failed, white newspapers turned to overt political action and crafted the still-prevalent narratives that aligned southern whites with the national conservative movement. A fascinating portrait of a defining time, Newspaper Wars analyzes the role journalism played--and still can play--during times of social, cultural, and political change.
Presents a collection of primary source newspaper articles and correspondence reporting the events of the Revolution, containing both American and British eyewitness accounts and commentary and analysis from thirty-seven historians.
"The classic newspaper comics by Russ Manning with Alfredo Alcala and friends"--Cover.
What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.
Foreword by Matthew C. Lamanna New Afterword by Tom Rea Less than one hundred years ago, Diplodocus carnegii—named after industrialist and philanthropist Andrew Carnegie—was the most famous dinosaur on the planet. The most complete fossil skeleton unearthed to date, and one of the largest dinosaurs ever discovered, Diplodocus was displayed in a dozen museums around the world and viewed by millions of people. Bone Wars explains how a fossil unearthed in the badlands of Wyoming in 1899 helped give birth to the public’s fascination with prehistoric beasts. Rea also traces the evolution of scientific thought regarding dinosaurs and reveals the double-crosses and behind-the-scenes deals that marked the early years of bone hunting. With the help of letters found in scattered archives, Tom Rea recreates a remarkable story of hubris, hope, and turn-of-the-century science. He focuses on the roles of five men: Wyoming fossil hunter Bill Reed; paleontologists Jacob Wortman—in charge of the expedition that discovered Carnegie’s dinosaur—and John Bell Hatcher; William Holland, imperious director of the recently founded Carnegie Museum; and Carnegie himself, smitten with the colossal animals after reading a story in the New York Journal and Advertiser. What emerges is the picture of an era reminiscent of today: technology advancing by leaps and bounds; the press happy to sensationalize anything that turned up; huge amounts of capital ending up in the hands of a small number of people; and some devoted individuals placing honest research above personal gain.
Classic tales of Star Wars, from the funny pages to your bookshelves! Beginning in 1979, fans got a daily dose of a galaxy far, far away in their newspapers - now, with this volume, you can savor those stories without the 24-hour wait! C-3PO chronicles the adventures of the Rebel heroes! Luke takes his chances on a gambler's world! A sojourn on Tatooine is anything but peaceful! Princess Leia is put to work as an Imperial servant! Han Solo makes another Kessel Run! Han and Chewie get more than they bargained for on a job! And Boba Fett makes his print debut! COLLECTING: CLASSIC STAR WARS: THE EARLY ADVENTURES 1-9, CLASSIC STAR WARS: HAN SOLO AT STARS' END 1-3, CLASSIC STAR WARS 1-3, MATERIAL FROM CLASSIC STAR WARS 4
How six conservative media moguls hindered America and Britain from entering World War II "A damning indictment. . . . The parallels with today's right-wing media, on both sides of the Atlantic, are unavoidable."--Matthew Pressman, Washington Post "A first-rate work of history."--Ben Yagoda, Wall Street Journal As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the airwaves with their isolationist views. Meanwhile in England, Lord Rothermere's Daily Mail extolled Hitler's leadership and Lord Beaverbrook's Daily Express insisted that Britain had no interest in defending Hitler's victims on the continent. Kathryn S. Olmsted shows how these media titans worked in concert--including sharing editorial pieces and coordinating their responses to events--to influence public opinion in a right-wing populist direction, how they echoed fascist and anti-Semitic propaganda, and how they weakened and delayed both Britain's and America's response to Nazi aggression.
When he fell in love with newspapering at the Anchorage Daily News, Howard Weaver was an untested twenty-one-year-old cub reporter from a blue-collar neighborhood in America's farthest-north big city: His home state of Alaska was on the cusp of great change. By the time Weaver moved on twenty-three years later he'd led the paper to the most unlikely David and Goliath upset in the history of American newspaper competition and helped win two Pulitzer Prizes. He spent time with small-town hoodlums and big-time politicians and crossed swords with both Big Oil and Big Labor as he rose from foot soldier to field marshal in the Great Alaska Newspaper War. Weaver's journey encompassed the defining political struggles of the era-from oil development to Native sovereignty, from parkland designations to environmental activism. His newspaper pulled no punches then, and Weaver has pulled none in this definitive account of the fierce and sometimes funny fight to the finish against the long-dominant Anchorage Times. The Author: A former editor of the Anchorage Daily News and later vice president for news for the McClatchy Company's thirty-one daily newspapers, Howard Weaver lives with his wife Barbara Hodgin in the Sierra foothills of central California. Book jacket.
How the internet disrupted the recorded music, newspaper, film, and television industries and what this tells us about surviving technological disruption. Much of what we think we know about how the internet "disrupted" media industries is wrong. Piracy did not wreck the recording industry, Netflix isn't killing Hollywood movies, and information does not want to be free. In Media Disrupted, Amanda Lotz looks at what really happened when the recorded music, newspaper, film, and television industries were the ground zero of digital disruption. It's not that digital technologies introduced "new media," Lotz explains; rather, they offered existing media new tools for reaching people. For example, the MP3 unbundled recorded music; as the internet enabled new ways for people to experience and pay for music, the primary source of revenue for the recorded music industry shifted from selling music to licensing it. Cable television providers, written off as predigital dinosaurs, became the dominant internet service providers. News organizations struggled to remake businesses in the face of steep declines in advertiser spending, while the film industry split its business among movies that compelled people to go to theaters and others that are better suited for streaming. Lotz looks in detail at how and why internet distribution disrupted each industry. The stories of business transformation she tells offer lessons for surviving and even thriving in the face of epoch-making technological change.
Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.