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For 10 years, "The Economist" has included unique and original obituaries in a popular column. The selections are remarkable because of the people written about, the surprising lives they led, and the brilliant writing style. This volume gathers 200 of the best obituaries.
“Fiendishly inventive.” —The Wall Street Journal Chengdu, China: The vibrant capital of Sichuan Province is suddenly held hostage when a shocking manifesto is released by an anonymous vigilante known as Eumenides. It is a bold declaration of war against a corrupt legal system, with Eumenides acting as judge and executioner. The public starts nominating potential targets, and before long hundreds of names are added to his kill list. Eumenides's cunning game has only just begun. First, he publishes a “death notice,” announcing his next target, the crimes for which the victim will be punished, and the date of the execution. The note is a deeply personal taunt to the police. Everyone knows who is going to die and when it's going to happen, but the police fail to stop the attack. The 4/18 Task Force, an elite group of detectives and specialists, is assembled to catch Eumenides before he strikes again. In the process, they discover alarming connections to an eighteen-year-old cold case, and they find out that some members of the team have much to hide.
“Within the short period of a year, she was a bride, a beloved wife and companion, a mother, a corpse,” reported The National Intelligencer on the death of Elizabeth Buchanan in 1838. Such obituaries fascinate us. Few of us realize that, when examined historically, they can reveal not only information about the departed but also much about American culture and about who and what we value. They also offer hints about the way Americans view death. This book also will fascinate, for it surveys more than 8,000 newspaper obituaries from 1818 to 1930 to show what they reveal about our culture. It shows how, in memorializing individual citizens, obituaries make a public expression of our values. Far from being staid or morbid, these death notices offer a lively look at a changing America. Indeed, obits are little windows through which to view America's cultural history. In the nineteenth century, they spoke of a person's character, in the twentieth of a person's work and wealth. In the days when women were valued mainly in their relationships with men, their obituaries were about the men in their lives. Then, as now, important friendships make a difference, for sometimes a death has been deemed newsworthy only because of whom the deceased knew. In 1838 when a fifty-year-old Virginian named William P. Custis died “after a long and wasting illness,” readers of The Daily National Intelligencer learned about his generous hospitality, his sterling business principles, and his kindness as a neighbor and husband. Custis's obituary not only recorded the fact of his death but also celebrated his virtues. The newspaper obituary has a commemorative role. It distills the essence of a citizen's life, and it reflects what society values and wants to remember about the deceased. Throughout our history, these published accounts have revealed changing values. They provide a link between public remembrances of individuals and the collective memory of a great American past. In obits of yesteryear, men were brave, gallant, vigilant, bold, honest, and dutiful. Women were patient, resigned, obedient, affectionate, amiable, pious, gentle, virtuous, tender, and useful. Mining newspapers of New York City, New Orleans, Baltimore, Chicago, and San Francisco, along with two early national papers, Niles' Weekly Register and The National Intelligencer, Janice Hume has produced a portrait of America, an entertaining history, and a revealing look at the things Americans have valued.
Perry Hollow, Pennsylvania, has never had a murder. At least not as long as Kat Campbell has been police chief. And the first is brutal. George Winnick, a farmer in his sixties, is found in a homemade coffin on the side of the highway with his lips sewn shut and his veins and arteries drained of blood and filled with embalming fluid. Chilling as that is, it becomes even more so when Kat finds that the Perry Hollow Gazette obituary writer, Henry Goll, received a death notice for Winnick before he was killed. Soon after, the task force from the Pennsylvania Bureau of Investigation shows up and everything takes an irreversible turn for the worse. Nick Donnelly, head of the task force, has been chasing the "Betsy Ross Killer," so named because he's handy with a needle and thread, for more than a year. Winnick seems to be his fourth victim. Or is he? Kat has never handled a murder case before, but she's not about to sit by while someone terrorizes her sleepy little town or her own son. But will her efforts be enough to stop a killer and bring calm to Perry Hollow? A portrait of a small town in turmoil, where residents fear for their lives, Todd Ritter's Death Notice is a gripping debut from a terrific new talent in crime fiction.
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Originally published in Charleston, 1950. Reprinted with permission by Genealogical Publishing Co., Inc. Baltimore, MD.
One of the preeminent novelists of our time, Maureen Howard dazzles us with a love story of radiant intelligence and delicious wit. The exhilarating flights and emotional depths of Howard's storytelling balance the fates of two young lovers in New York: Artie, a bastard, perhaps "begot in the mud of Woodstock," now a boyish computer wizard; and Louise, a hot new painter out of the Midwest, seriously committed to her art. Their romance, seemingly shattered on the eve of the millennium, is played out against the tale of two old lovers lost to each other for a half century. As these two couples search through the cultural flotsam and jetsam for love and happiness, Howard spins a superb novel of ideas and transforms, as only she can, the dear Old Farmer's Almanac into a bright book of life.
The World of Obituaries looks at obituaries as a rich source of information on cultural representations of gender.