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Will the use of artificial intelligence (AI), algorithms, and smart machines be the end of journalism as we know it—or its savior? In Newsmakers, Francesco Marconi, who has led the development of the Associated Press and Wall Street Journal’s use of AI in journalism, offers a new perspective on the potential of these technologies. He explains how reporters, editors, and newsrooms of all sizes can take advantage of the possibilities they provide to develop new ways of telling stories and connecting with readers. Marconi analyzes the challenges and opportunities of AI through case studies ranging from financial publications using algorithms to write earnings reports to investigative reporters analyzing large data sets to outlets determining the distribution of news on social media. Newsmakers contends that AI can augment—not automate—the industry, allowing journalists to break more news more quickly while simultaneously freeing up their time for deeper analysis. Marshaling insights drawn from firsthand experience, Marconi maps a media landscape transformed by artificial intelligence for the better. In addition to considering the benefits of these new technologies, Marconi stresses the continuing need for editorial and institutional oversight. Newsmakers outlines the important questions that journalists and media organizations should consider when integrating AI and algorithms into their workflow. For journalism students as well as seasoned media professionals, Marconi’s insights provide much-needed clarity and a practical roadmap for how AI can best serve journalism.
When journalism prodigy, Carson Stewart’s life comes crashing down in an ethics scandal, he sets out to rebuild his reputation in a desperate act that tests his journalistic integrity. Accepting a freelance job, Carson wields his cynical pen to break a story featuring Clara Becker, a popular U.S. representative. His course is interrupted, however, when he meets an attractive, and cunning congressional aid who is not afraid to shed light on the condition of Carson’s integrity and purpose. Entangled in deception, Carson finds counsel from his only friend and mentor, Joe - a well-read, yet mysterious bartender. Joe’s Place provides the solid foundation where an unsteady Carson finds footing. With his situation spiraling to rock bottom, it is this unlikely mentor and the scorned congresswoman who provide Carson a way out, if he will accept it. Carson is presented with the “Three Laws of Life,” which ultimately force his pen to consider rewriting more than his article. The Newsmaker is a fable about leadership choices, and the value of mentors whose guidance directs the wayward to good places. It is also a story about unconditional love, and the power to change life’s direction for a greater purpose.
This is the story of one of the most important American newspapermen of the twentieth century. Roy Howard rose to prominence at the height of newspapers’ power and became a leader in the evolution of print news starting in 1908—when E. W. Scripps appointed him head of the fledgling United Press at age 25—through his tenure as chairman of the Scripps-Howard empire until 1952. As Howard expanded and modernized the business, he landed some of the most important scoops between World War I and the Korean War. Ebullient, likeable, and outgoing, he headed one of only two coast-to-coast news concerns—Hearst being the other. An advisor to presidents and prime ministers, Howard witnessed the most significant events of the time. A 1930 front-page New York Times article named him one of the 59 men who “rule” America, with John D. Rockefeller topping the list. Time magazine put him on the cover. The Saturday Evening Post lionized him. Even his enemies gave him plenty of coverage: The New Yorker excoriated him in a four-part series, although the author admitted that Howard’s and Hearst’s were the only American newspaper publishers whose photographs the average newspaper reader would recognize. With exclusive, first-time access to thousands of previously unpublished documents in the privately held Howard family archives, author Patricia Beard opens a rich mine of stories from one of the most volatile periods in history as revealed by the head of a newspaper empire at a time when the press both made and broke the news.
Lis Wiehl incorporates her own experience as a TV host and federal prosecutor in this riveting series. Erica Sparks has become a superstar overnight. Is it due to her hard work and talent, or is she at the center of a spiraling conspiracy? Erica Sparks is a beautiful and ambitious reporter who has just landed her dream job at Global News Network in New York. And while it was hard to leave Jenny, her cherished eight-year-old daughter, in the custody of her ex-husband, Erica is determined to succeed in the cutthroat world of big-time broadcasting. She can only hope her troubled past won’t come back to sabotage her dreams. Although the wounds from her divorce are still fresh, Erica can’t deny the chemistry between her and her new producer, the handsome and empathetic Greg Underwood. But a relationship is the last thing she wants right now. On her very first assignment, Erica inadvertently witnesses—and films—a horrific tragedy, scooping all the other networks. Mere weeks later, another tragedy strikes—again, right in front of Erica and her cameras. Her career skyrockets overnight, but Erica is troubled. Deeply. This can’t just be coincidence. But what is it? Erica will stop at nothing to uncover the truth. But she has to make sure disaster—and her troubled past—don’t catch up with her first. "A heart-pounding thrill-ride from someone who knows the news business inside and out. Not to be missed!" --Karin Slaughter, New York Times bestselling author "The Newsmakers is a stunning thriller in a new series by one of my favorite authors. Lis Wiehl casts her insider's eye on the intrigue and drama of high-stakes television journalism. Terrorist attack? Murder of a presidential candidate? A reporter whose own life is at risk? This thrill ride has them all." —Linda Fairstein, New York Times bestselling author "A page-turner from the word go. Completely entertaining. Outrageoulsy readable. This quick-cut action-thriller spotlights television's cutthroat deal-making, unholy alliances, and lust for success. Gotta love Lis! As always, she nails it." —Hank Phillippi Ryan, Agatha, Anthony, and Mary Higgins Clark Award willing author of What You See "Lis Wiehl is a seasoned journalist who knows the news business. Here, she's fashioned a tantalizing story that takes full advantage of her insider status. It's a fascinating thriller, which poses a curious questions: what happens when reality is not quite good enough. The answer is going to shock you." —Steve Berry, New York Times bestselling author "The Newsmakers is sensational—taut, troubling, and terrifying. With Erica Sparks, Lis Wiehl has created her most memorable character yet: a reporter who has smarts, drive, heart—and a dark past that threatens to pull her down. Waiting for Book 2 won't be easy." —Kate White, New York Times bestselling author Full-length suspense Part of a series, but can be read as a standalone Also in The Newsmakers series: The Newsmakers The Candidate The Separatists
As traditional news outlets’ international coverage has waned, several prominent nongovernmental organizations have taken on a growing number of seemingly journalistic functions. Groups such as Amnesty International, Human Rights Watch, and Médecins Sans Frontières send reporters to gather information and provide analysis and assign photographers and videographers to boost the visibility of their work. Digital technologies and social media have increased the potential for NGOs to communicate directly with the public, bypassing traditional gatekeepers. But have these efforts changed and expanded traditional news practices and coverage—and are there consequences to blurring the lines between reporting and advocacy? In NGOs as Newsmakers, Matthew Powers analyzes the growing role NGOs play in shaping—and sometimes directly producing—international news. Drawing on interviews, observations, and content analysis, he charts the dramatic growth in NGO news-making efforts, examines whether these efforts increase the organizations' chances of garnering news coverage, and analyzes the effects of digital technologies on publicity strategies. Although the contemporary media environment offers NGOs greater opportunities to shape the news, Powers finds, it also subjects them to news-media norms. While advocacy groups can and do provide coverage of otherwise ignored places and topics, they are still dependent on traditional media and political elites and influenced by the expectations of donors, officials, journalists, and NGOs themselves. Through an unprecedented glimpse into NGOs’ newsmaking efforts, Powers portrays the possibilities and limits of NGOs as newsmakers amid the transformations of international news, with important implications for the intersections of journalism and advocacy.
From popular TV correspondent and writer Rocca comes a charmingly irreverent and rigorously researched book that celebrates the dead people who made life worth living.
Indispensable perspectives on America's top documentary filmmaker and political commentator
Part of the classic Fudge series from Judy Blume, bestselling author of Tales of a Fourth Grade Nothing! Peter Hatcher can’t catch a break. His little brother, Fudge—the five-year-old human hurricane—has big plans to marry Peter’s sworn enemy, Sheila Tubman. That alone would be enough to ruin Peter’s summer, but now his parents have decided to rent a summer home next door to Sheila the Cootie Queen’s house. Peter will be trapped with Fudge and Sheila for three whole weeks! “As a kid, Judy Blume was my favorite author, and Tales of a Fourth Grade Nothing was my favorite book.”—Jeff Kinney, author of the bestselling Wimpy Kid series Love Fudge, Peter, and Sheila? Read all the books featuring your favorite characters: Tales of a Fourth Grade Nothing Otherwise Known as Sheila the Great Superfudge Double Fudge
Teaching fact checking and verification is an essential part of journalism education. When a confusing media environment includes statements like “Truth is not truth” and “The president offered alternative facts,” students need to go beyond traditional reporting standards. They need to be trained to consider the presentation of reality in deciding if a statement is misleading or patently false. Detecting Deception applies the concepts of logical argumentation to supplement the verification techniques that are the stock and trade of any media professional. Pithy and practical, Amanda Sturgill draws from present day news examples to help students recognize the most common bad arguments people make. Detecting Deception is an essential tool for training future journalists to build stories that recognize faulty arguments and hold their subjects to a higher standard.