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This ambitious volume assembled by scholar David W. Forbes features a collection of ninety previously unpublished letters, as well as excerpts from two diaries, written between 1881 and 1885 by Hawaiian royal consort Queen Emma Kaleleonālani. In Haste with Aloha illuminates the last five years of the Queen’s life and makes available an important record of royal social life and customs in nineteenth-century Hawai‘i. Much of her earlier correspondence has been published in two books by the late Alfons L. Korn: The Victorian Visitors: An Account of the Hawaiian Kingdom, 1861–1866 and News from Molokai: Letters between Peter Kaeo and Queen Emma, 1873–1876. In her letters, almost all of which were written in English, Queen Emma provides a rare account of ali‘i (royal) perspective, endowing modern readers and researchers with insight far beyond the limited available documentation of public speeches or printed statements. Besides the nuances of correspondence between the Queen and her recipients, there is much to be considered and analyzed in her descriptions of ali‘i, many of them relatives to Emma, including Bernice Pauahi Bishop and Ruth Ke‘elikōlani. With few comparable Hawaiian historical primary resource texts in print, In Haste with Aloha is a welcome addition, making accessible a preserved and treasured collection of documents drawn primarily from the Hawai‘i State Archives, along with diaries in Bishop Museum Library and Archives. Fully transcribed and with annotation by Forbes, editor of the monumental four-volume Hawaiian National Bibliography and annotator of Hawaii’s Story by Hawaii’s Queen Liliuokalani, this text sheds light on the lives of Hawai‘i’s ruling class in the decade leading up to climactic political transition.
Reclaiming Kalākaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign examines the American, international, and Hawaiian representations of David La‘amea Kamananakapu Mahinulani Nalaiaehuokalani Lumialani Kalākaua in English- and Hawaiian-language newspapers, books, travelogues, and other materials published during his reign as Hawai‘i’s mō‘ī (sovereign) from 1874 to 1891. Beginning with an overview of Kalākaua’s literary genealogy of misrepresentation, Tiffany Lani Ing surveys the negative, even slanderous, portraits of him that have been inherited from his enemies, who first sought to curtail his authority as mō‘ī through such acts as the 1887 Bayonet Constitution and who later tried to justify their parts in overthrowing the Hawaiian kingdom in 1893 and annexing it to the United States in 1898. A close study of contemporary international and American newspaper accounts and other narratives about Kalākaua, many highly favorable, results in a more nuanced and wide-ranging characterization of the mō‘ī as a public figure. Most importantly, virtually none of the existing nineteenth-, twentieth-, and twenty-first-century texts about Kalākaua consults contemporary Kanaka Maoli (Native Hawaiian) sentiment for him. Offering examples drawn from hundreds of nineteenth-century Hawaiian-language newspaper articles, mele (songs), and mo‘olelo (histories, stories) about the mō‘ī, Reclaiming Kalākaua restores balance to our understanding of how he was viewed at the time—by his own people and the world. This important work shows that for those who did not have reasons for injuring or trivializing Kalākaua’s reputation as mō‘ī, he often appeared to be the antithesis of our inherited understanding. The mō‘ī struck many, and above all his own people, as an intelligent, eloquent, compassionate, and effective Hawaiian leader.
In the bestselling tradition of In the Heart of the Sea, The Colony, “an impressively researched” (Rocky Mountain News) account of the history of America’s only leper colony located on the Hawaiian island of Molokai, is “an utterly engrossing look at a heartbreaking chapter” (Booklist) in American history and a moving tale of the extraordinary people who endured it. Beginning in 1866 and continuing for over a century, more than eight thousand people suspected of having leprosy were forcibly exiled to the Hawaiian island of Molokai -- the longest and deadliest instance of medical segregation in American history. Torn from their homes and families, these men, women, and children were loaded into shipboard cattle stalls and abandoned in a lawless place where brutality held sway. Many did not have leprosy, and many who did were not contagious, yet all were ensnared in a shared nightmare. Here, for the first time, John Tayman reveals the complete history of the Molokai settlement and its unforgettable inhabitants. It's an epic of ruthless manhunts, thrilling escapes, bizarre medical experiments, and tragic, irreversible error. Carefully researched and masterfully told, The Colony is a searing tale of individual bravery and extraordinary survival, and stands as a testament to the power of faith, compassion, and the human spirit.
Hawaii has been referred to as the crossroads of the Pacific. This book illustrates how many world cultures and customs meet in the Hawaiian Islands, providing a chronological overview highlighted by extracts from important works that express Hawaii's unique history. This work starts with chronological chapters on general and ancient Hawaiian history and continues through early Western contact, the 19th century, and Hawaii's annexation to the United States. Topics include politics, religion, social issues, business, ethnic groups, and race relations.
Young Rachel Kalama, growing up in idyllic Honolulu in the 1890s, is part of a big, loving Hawaiian family, and dreams of seeing the far-off lands that her father, a merchant seaman, often visits. But at the age of seven, Rachel and her dreams are shattered by the discovery that she has leprosy. Forcibly removed from her family, she is sent to Kalaupapa, the isolated leper colony on the island of Moloka'i. In her exile she finds a family of friends to replace the family she's lost: a native healer, Haleola, who becomes her adopted "auntie" and makes Rachel aware of the rich culture and mythology of her people; Sister Mary Catherine Voorhies, one of the Franciscan sisters who care for young girls at Kalaupapa; and the beautiful, worldly Leilani, who harbors a surprising secret. At Kalaupapa she also meets the man she will one day marry. True to historical accounts, Moloka'i is the story of an extraordinary human drama, the full scope and pathos of which has never been told before in fiction. But Rachel's life, though shadowed by disease, isolation, and tragedy, is also one of joy, courage, and dignity. This is a story about life, not death; hope, not despair. It is not about the failings of flesh, but the strength of the human spirit.