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There have been more prisons in London than in any other European city. Of these, Newgate was the largest, most notorious and worst. Built during the twelfth century, it became a legendary place - the inspiration of more poems, plays and novels than any other building in London. It was a place of cruelty and wretchedness, at various times holding Dick Turpin, Titus Oates, Daniel Defoe, Jack Sheppard and Casanova. Because prisons were privately run, any time spent in prison had to be paid for by the prisoner. Housing varied from a private cell with a cleaning woman and a visiting prostitute, to simply lying on the floor with no cover. Those who died inside - and only a quarter of prisoners survived until their execution day - had to stay in Newgate as a rotting corpse until relatives found the money for the body to be released. Stephen Halliday tells the story of Newgate's origins, the criminals it held, the punishments meted out and its rebuilding and reform. This is a compelling slice of London's social and criminal history.
A history of the iconic London prison, featuring insights on daily life, the evolution of prison systems, and famous inmates. As the place where prisoners, male and female, awaited trial, execution, or transportation Newgate was Britain’s most feared gaol for over 700 years. It probably best known today from the novels of Charles Dickens including Barnaby Rudge and Great Expectations. But there is much is more to Newgate than nineteenth century notoriety. In the seventeenth century it saw the exploits of legendary escaper and thief Jack Sheppard. Among its most famous inmates were author Daniel Defoe who was imprisoned there for seditious libel, playwright Ben Jonson for murder, and the Captain Kidd for piracy. This book takes you from the gaol’s 12th century beginnings to its final closure in 1904 and looks at daily life, developments in the treatment of prisoners from the use of torture to penal reform as well as major events in its history. Praise for The History of Newgate Prison “An amazing, entertaining and informative book!” —Books Monthly “This is a highly readable and accessible account, not only of the iconic institution, but also of the history of crime and punishment. It is packed full of evocative detail and is essential reading for all those interested in crime history.” —Who Do You Think You Are? magazine
Presents a representative body of Romantic and early Victorian crime literature. This work contains ephemeral material ranging from gallows broadsides to reports into prison conditions. It is suitable for those studying Literature, Romantic and Victorian popular culture, Dickens Studies and the History of Criminology.
Reproduction of the original: Chronicles of Newgate by Arthur Griffiths
Newgate in Revolution provides a useful and thought-provoking anthology of radical literature - satirical, philosophical and political writings - issued by the radicals and religious dissenters imprisoned in Newgate during the turbulent and nervous period 1780-1848. Newgate was a dreaded prison during this period and its image and reputation coupled to make it the English equivalent of the French Bastille. For those who found themselves incarcerated in Newgate the experience was debilitating and repressive. However, in the case of the radical prisoners it is a curious irony that this repressive environment actually encouraged a fraternal spirit and fertilised a rich production of ideas and literature, which today offers a rare insight into this unique and fascinating culture. Newgate in Revolution reproduces a representative selection of the radical literature published from Newgate, including the first edited version of the prison diary of Thomas Lloyd.
Presents a representative body of Romantic and early Victorian crime literature. This work contains ephemeral material ranging from gallows broadsides to reports into prison conditions. It is suitable for those studying Literature, Romantic and Victorian popular culture, Dickens Studies and the History of Criminology.
Presents a representative body of Romantic and early Victorian crime literature. This work contains ephemeral material ranging from gallows broadsides to reports into prison conditions. It is suitable for those studying Literature, Romantic and Victorian popular culture, Dickens Studies and the History of Criminology.
The combat with crime is as old as civilization. Unceasing warfare is and ever has been waged between the law-maker and the law-breaker. The punishments inflicted upon criminals have been as various as the nations devising them, and have reflected with singular fidelity their temperaments or development. This is true of the death penalty which in many ages was the only recognized punishment for crimes either great or small. Each nation has had its own special method of inflicting it. One was satisfied simply to destroy life; another sought to intensify the natural fear of death by the added horrors of starvation or the withholding of fluid, by drowning, stoning, impaling or by exposing the wretched victims to the stings of insects or snakes. Burning at the stake was the favourite method of religious fanaticism. This flourished under the Inquisition everywhere, but notably in Spain where hecatombs perished by the autos-da-fŽ or "trials of faith" conducted with great ceremony often in the presence of the sovereign himself. Indeed, so terrible are the records of the ages that one turns with relief to the more humane methods of slowly advancing civilization,Ñthe electric chair, the rope, the garotte, and even to that sanguinary "daughter of the Revolution," "la guillotine," the timely and merciful invention of Dr. Guillotin which substituted its swift and certain action for the barbarous hacking of blunt swords in the hands of brutal or unskilful executioners. Savage instinct, however, could not find full satisfaction even in cruel and violent death, but perforce must glut itself in preliminary tortures. Mankind has exhausted its fiendish ingenuity in the invention of hideous instruments for prolonging the sufferings of its victims. When we read to-day of the cold-blooded Chinese who condemns his criminal to be buried to the chin and left to be teased to death by flies; of the lust for blood of the Russian soldier who in brutal glee impales on his bayonet the writhing forms of captive children; of the recently revealed torture-chambers of the Yildiz Kiosk where Abdul Hamid wreaked his vengeance or squeezed millions of treasure from luckless foes; or of the Congo slave wounded and maimed to satisfy the greed for gold of an unscrupulous monarch;Ñwe are inclined to think of them as savage survivals in "Darkest Africa" or in countries yet beyond the pale of western civilization. Yet it was only a few centuries ago that Spain "did to death" by unspeakable cruelties the gentle races of Mexico and Peru, and sapped her own splendid vitality in the woeful chambers of the Inquisition. Even as late as the end of the eighteenth century enlightened France was filling with the noblest and best of her land those oubliettes of which the very names are epitomes of woe: La Fin d'Aise, "The End of Ease;" La Boucherie, "The Shambles;" and La Fosse, "The Pit" or "Grave;" in the foul depths of which the victim stood waist deep in water unable to rest or sleep without drowning. Buoyed up by hope of release, some endured this torture of "La Fosse" for fifteen days; but that was nature's limit. None ever survived it longer.
Arthur Griffiths' The Chronicles of Newgate (Vol. 1&2) is a captivating exploration of the notorious Newgate Prison in London during the 18th and 19th centuries. Through vivid descriptions and meticulous research, Griffiths delves into the lives of both inmates and staff, shedding light on the harsh conditions and captivating stories within the prison walls. The literary style is engaging, with a mix of historical accounts and personal narratives that bring this dark period of history to life. Griffiths' attention to detail and ability to humanize the characters make this book a valuable contribution to the genre of prison literature. The Chronicles of Newgate provides a valuable insight into the criminal justice system of the time, offering a unique perspective on the lives of those who lived within its confines. Arthur Griffiths' background as a prison administrator and historian adds credibility to the narrative, making this a must-read for anyone interested in the history of incarceration and the resilience of the human spirit.