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The Maori world of music - The frontier: explorers, sealers, whalers and missionaries - Music in the first settlements: On the voyage - Wellington, 1840-1870 - Auckland, 1840-1865 - Dunedin, 1848-1865 - Canterbury, 1851-1900 - The regions and the West Coast goldfields; Themes and variations: The colonial ball - Military and brass bands - Folk-music - Opera - Colonial choral societies and their successors - Orchestral patterns from the 19th century to the NZSO - Michael Balling at the Nelson Conservatorium; The world beyond: Visiting artists - The Sheffield Choir, 1911 - Henri Verbrugghen and the New South Wales State Orchestra, 1920 and 1922; Musical media: Silent film music - The rise of the gramophone and player piano - The growth of broadcasting - Music journals; The NZ performer: Introduction - Singers - Instrumentalists - Conductors; Meeting of 2 cultures: Waiata a ringa - Maori concert groups and solo artists - Recording Maori music - The two cultures today; Growth of a composing tradition: Early colonial composers and their publications - Alfred Hill - Douglas Lilburn - Composers since Lilburn (Carr, Pruden, Tremain and others) - New influences; Music in education; Instrument making in New Zealand.
University campuses and their academic libraries are increasingly interconnected. A major sign of this is the transformation of interlibrary loan into resource sharing. The emergence of resource sharing has brought with it new challenges for the university library. These challenges can be overcome, and the university library can emerge a stronger institution, more connected with the patrons and community it serves. To accomplish this transformation, libraries need to learn from the past in order to take a leading role in developing future technology to meet the needs of their patrons. Resources Anytime, Anywhere explores the transformation of interlibrary loan into resource sharing by looking at the ideas that have motivated the library-developed technologies that have changed the way resource sharing is conducted. Resources Anytime, Anywhere illustrates how academic libraries can take an active role in developing technology to meet the needs of their patrons. Through designing our own products and sharing them with other libraries, we can join the lessons of the past with the technology of today to create a more interconnected library that can meet the future needs of library patrons. - Describes the theoretical underpinnings of interlibrary loan - Explores how interlibrary loan has evolved to resource sharing - Presents new ways of organizing and developing resource sharing staff - Examines the technological developments within resources sharing - Reconsiders the idea of collaboration and cooperation among libraries - Considers new innovative technologies that can transform how resource sharing is conducted - Provides recommendation and future directions of how libraries can apply these methods at their institution
"The Treaty of Waitangi was signed in 1840 by over 500 chiefs, and by William Hobson, representing the British Crown. To the British it was the means by which they gained sovereignty over New Zealand. But to Maori people it had a very different significance, and they are still affected by the terms of the Treaty, often adversely.The Treaty of Waitangi, the first comprehensive study of the Treaty, deals with its place in New Zealand history from its making to the present day. The story covers the several Treaty signings and the substantial differences between Maori and English texts; the debate over interpretation of land rights and the actions of settler governments determined to circumvent Treaty guarantees; the wars of sovereignty in the 1860s and the longstanding Maori struggle to secure a degree of autonomy and control over resources." --Publisher.
Repositories for low use books have long existed for the larger cultural institutions across the globe. Libraries have long been strong developers of off-site storage. This need has evolved for libraries because of their continuous collection of print materials as a record of the intellectual and cultural output of different cultures. Libraries have had this role described neatly and executed as a clear professional role. This new book will primarily examine two aspects of this role: Firstly, the organisational and technological responses to this evolving role will be explored and secondly, the wide breadth of strategic responses to challenges of ‘digital’ will be detailed. In this authors to this edited volume will describe their work for libraries but increasingly for Galleries, Archives and Museums. The papers are drawn from Europe, United Kingdom, the United States and Australasia. The organisational models discussed in the book provide clear illustration of imaginative responses to the plight of the individual institutional library. New organisational models are shaping the way in which business can be done in times of change. The pressures today on all cultural institutions are similar and so there is a new convergence of similar need and similar solutions. This book is an acknowledgment that there are a wide variety of strategic, organisational and technological responses to the retention of cultural objects whether they be books, art, records or other cultural objects. It is illustrative of the power of good lateral thinking and planning by professionals, of the power of international networks and of convergence in response to need. The book will be an edited with a future perspective by Pentti Vattulainen and Steve O’Connor who have had significant experience in this area internationally.