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This book provides a comprehensive study of the economic history of New Zealand. It is for use as a textbook, and will be of interest to economic historians for its comprehensive coverage of the subject. It provides a clear and readable account that will be accessible to those without a background in economics. The book covers the period since European settlement, with particular emphasis on the postwar economy. It deals with the economic problems encountered in establishing a trading economy in New Zealand and in maintaining it and adapting it to the evolving international economy. It looks closely at the development and performance of different sectors of the economy, the influence of the government and the response to international economic conditions. It also considers the way in which New Zealand society has been shaped by the problems encountered and by the solutions to those problems.
Spanning nearly two centuries from first contact through to settlement and apology, ​this major work focuses on the human impact of the war in the Waikato, its origins and aftermath.
Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.
Stories from New Zealand-born Pacific Island people who speak of their experiences growing up in this country, their personal journeys, changes they have seen, their pride in their Pacific Island enthnicity and the struggles they had to form their bi-cultural identity. Ideal reading "for all New Zealanders, especially those who value a strong and harmonious multicultural society"--Foreword.
"Explores how the ... Asian population of New Zealand is affecting our understanding of Asia and altering the way we see our own identity"--Back cover.
This book examines the emergence and growth of cricket in relation to diverse patterns of European settlement in New Zealand - such as the systematic colonization schemes of Edward Gibbon Wakefield and the gold discoveries of the 1860s.
'Men no longer whisper "Revolution", they shout it; and they no longer carry banners, but throw bricks' - Letter home from Harvard, 1970. Jock Phillips grew up in post-war Christchurch where history meant Ancient Greece and home was England. Over the last 50 years - through the Maori renaissance, the women's movement, the rediscovery of ANZAC and more - Phillips has lived through a revolution in New Zealanders' understanding of their identity. And from A Man's Country to Te Ara, in popular writing, exhibitions, television and the internet, he played a key role in instigating that revolution. Making History tells the story of how Jock Phillips and other New Zealanders discovered this country's past. In this memoir, Phillips turns his deep historical skills on himself. How did the son of Anglophile parents, educated among the sons of Canterbury sheep farmers at Christ's College, work out that the history of this country might have real value? From Harvard, Black Power and sexual politics in America, to challenging male culture in New Zealand in A Man's Country, to engaging with Maori in Te Papa and Te Ara, Phillips revolted against his background and became a pioneering public historian, using new ways to communicate history to a broad audience.
By any measure, New Zealand must confront monumental issues in the years ahead. From the future of work to climate change, wealth inequality to new populism – these challenges are complex and even unprecedented. Yet why does New Zealand’s political discussion seem so diminished, and our political imagination unequal to the enormity of these issues? And why is this gulf particularly apparent to young New Zealanders? These questions sit at the centre of Max Harris’s ‘New Zealand project’. This book represents, from the perspective of a brilliant young New Zealander, a vision for confronting the challenges ahead. Unashamedly idealistic, The New Zealand Project arrives at a time of global upheaval that demands new conversations about our shared future.
First published in 1930, New Zealand in the Making is an economic history of the democratic experiments in New Zealand. The geography, population, government ownership of public utilities, compulsory arbitration, pensions and all other factors have been covered in detail. The book will be of interest to anyone keen on learning about New Zealand as well as to students of economy, history, agriculture, and government.
The story of tourism in New Zealand from 1870 through to the end of the 20th century. McClure follows the development of tourist sites and landmark hotels; the Centennial Exhibition, the establishment of the National Film Unit, the Tourist Hotel Corporation and Air New Zealand.