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"Since the first artist drew a New Zealand image 365 years ago, New Zealand art has been the two-dimensional expression of a place where cultures mixed, matched, fought, loved and developed a unique cultural history, one that continues to evolve. In six taut, provocative and passionate essays, Hamish Keith surveys New Zealand art and brings together the various strands of our cultural history, showing that they are never separate or unrelated but rather that together they tell the story of who we are. Based upon the six-part TVNZ series The Big Picture, and with over 300 illustrations, this book is an indispensible survey of New Zealand's remarkable artistic heritage"--Cover.
"What is it about a particular work of art that seizes your attention? Seventeen writers--novelists, poets, essayists, a lyricist, a dramatist, a comic book writer and artist--answer these seemingly straightforward questions, each writing on a New Zealand artist of their choice"--Front inside cover.
Jill Trevelyan won the Non Fiction Award at the Montana New Zealand Book Awards in 2009 for this magnificent biography of one of New Zealand's leading 20th century artists. Now back in print, this revised edition brings the book up to date with new assessments of Angus and in the context of the Rita Angus exhibition to be held at Te Papa late in 2021. Rita Angus was a pioneer of modern painting during the 1930s and 1940s. More than 100 years after her birth, works such as Rutu (1951), Central Otago (1940), and Portrait of Betty Curnow (1941-1942) are national icons. While Angus is perhaps New Zealand's best-loved painter, the story of her life remained little known and poorly understood before this acclaimed and revelatory book. Jill Trevelyan traces Angus's life, from her childhood in Napier and Palmerston North to her death in Wellington in 1970. Drawing on a wealth of archives and letters, she brings to life Rita Angus the person: highly articulate and full of zest, intellectually curious and forthright in her attitudes and emotions, powerfully committed to her pacifist and feminist beliefs and dedicated, above all, to life as an artist. Rita Angus: An Artist's Life is generousl
Completely revised and updated. Chapters have been rewritten. Also added in a substantial new chapter on contemporary Maori and Pacific Island painting, as well as an acknowledgement of the coming wave of Asian artists.
Summary: "The Invention of New Zealand is an important study of nationalism in twentieth-century New Zealand art. From the 1930s onwards, artists, writers and critics such as Toss Woollaston, Allen Curnow, Colin McCahon, Rita Angus, A R D Fairburn, Doris Lusk and Monte Holcroft deployed art, literature and theory in the construction of a national identity, the search for the essence of New Zealand and the invention of a specifically New Zealand high culture. Francis Pound ponders, decodes, memorialises and celebrates this project from its starting moment when painters and poets became newly self-conscious about New Zealand art. He argues that in the early 1970s the framework was largely dismantled and the discourse abandoned by a new generation of artists and critics, such as Richard Killeen, Ian Scott and Petar Vuletic. Over ten fascinating chapters, Pound covers the Nationalistsʼ major concerns, their problems with antecedents, the formulation of their canon and their various co-option, adoption and rejection of Regionalism, Cubism, Modernism and Primitivism in their quest for invention. The Invention of New Zealand is a well-illustrated and engagingly written narrative by one of our most brilliant and original art historians.'--Publisher description.
Who are the People of New Zealand in the 21st Century? This diverse bunch of characters is easily recognisable and hilariously familiar. Sam Moore's Instagram account and Facebook page Ugly Ink went viral when he started posting images of classic Kiwi stereotypes. They're characters that every New Zealander can relate to, including everyone's gran 'Helpful Beryl', dress code-breaker 'Wedding Kane', the forever helpful 'Office Jan', and rugged 'Hilux Surf Drew' among others. Sam's humour in these images gently and affectionately pokes fun at Kiwi culture, providing many snorts of recognition.
Te Papa holds New Zealands national art collection, whose origins date back to 1865 and the establishment of the then Colonial Museum (later the Dominion and then the National Museum). Built up over the years by a succession of directors and curators, the collections 40,000 works track New Zealand history and the art movements within it. In this generous book, Te Papas curators and a wide range of other expert art writers showcase the strengths of the New Zealand art collection by discussing around 270 works. From very early colonial work through to recent acquisitions, and including photography, their essays offer insights into the art, the artists and the context and issues that drove them. The book is complemented by biographies of all the featured artists, making it a valuable resource.
The evolution of New Zealand's national art collection is closely linked with the story of Aotearoa New Zealand itself--its places, its people, and its developing sense of identity. Art at Te Papa spans the Museum's collection from superb early European prints to exciting contemporary acquisitions. Te Papa's curators have selected more than 400 artworks, each one beautifully reproduced and accompanied by an engaging mini essay. Works by international artists--from Rembrandt to Mapplethorpe--feature alongside iconic New Zealand art by Charles Goldie, Rita Angus, Bill Hammond, and many more. Lesser-known artworks will also surprise and delight. This special deluxe edition of Art at Te Papa is a treasure to inform, inspire, and delight all New Zealanders and lovers of art.
Winner of: New Zealand Post 2014 Book of the Year, Best Non-Fiction Book From Montana award-winning author Jill Trevelyan comes the first biography of Peter McLeavey, the charismatic, pioneering art dealer who since the 1950s has shaped--even transformed--New Zealand art. McLeavey's personal story is remarkable but in it, his contemporaries will recognise common themes: the religious upbringing; the struggle to be bohemian in a repressive, midcentury small town; the quiet agonies of marriage and children, the need to make a mark. Through exclusive access to McLeavey's extensive and hitherto untapped archive of letters, diaries, exhibition files and more, this book offers insights into the artists McLeavey has represented across half a century. Here, in their own words--lively, salty, and often heartbreaking--are Colin McCahon, Toss Woollaston, Len Lye, Milan Mrkusich, Michael Smither, Gordon Walters, Michael Illingworth, Don Driver, Robin White, John Reynolds, Yvonne Todd, and many, many more. Far more than a simple biography, this is the big story of contemporary New Zealand art itself, in a period of massive change and growth, and Trevelyan offers an utterly fresh and compelling historical account of the birth of the modern art market and the status of art today. A must-read for anyone interested in New Zealand's art, culture or recent history.