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This definitive guide to the world's most vertical city charts the history and engineering genius that has made Manhattan synonymous with skyscrapers. New York City is home to more skyscrapers than any other city in the world. Iconic in stature, they tell the story of the city's commercial and architectural history. The buildings pictured here stretch from the sidewalks to the sky, from the East River to the Hudson, from Battery Park to the far reaches of Central Park. Along with structures that are familiar to readers such as the Empire State Building, the Chrysler and Woolworth buildings, there are other less recognizable but nonetheless important structures that have become a part of New Yorkers' daily lives. Each chapter focuses on an area of Manhattan, and opens with numbered maps showing the exact locations of the featured buildings. In a series of two to four page spreads, fullpage photographs of the skyscrapers are accompanied by additional illustrations, historical insights, architectural details, and interesting facts about their construction and evolution. An essay on the collective history of the city's skyscrapers rounds out this compilation of nearly 85 examples of New York City's most magnificent feature--its far-reaching, everchanging skyline. AUTHOR: DIRK STICHWEH is an avid New York fan and has been engaged in the study of skyscrapers for many years. He lives in Bremen, Germany. JÖRG MACHIRUS is a photographer based in Bremen, Germany. SCOTT MURPHY is a photographer based in New York.
The invention of the New York skyscraper is one of the most fascinating developments in the history of architecture. This authoritative book chronicles the history of New York's first skyscrapers, challenging conventional wisdom that it was in Chicago and not New York that the skyscraper was born. 206 illustrations.
Selected by Choice magazine as an Outstanding Academic Title Nowhere in the world is there a greater concentration of significant skyscrapers than in New York City. And though this iconographic American building style has roots in Chicago, New York is where it has grown into such a powerful reflection of American commerce and culture. In Skyscraper: The Politics and Power of Building New York City in the Twentieth Century, Benjamin Flowers explores the role of culture and ideology in shaping the construction of skyscrapers and the way wealth and power have operated to reshape the urban landscape. Flowers narrates this modern tale by closely examining the creation and reception of three significant sites: the Empire State Building, the Seagram Building, and the World Trade Center. He demonstrates how architects and their clients employed a diverse range of modernist styles to engage with and influence broader cultural themes in American society: immigration, the Cold War, and the rise of American global capitalism. Skyscraper explores the various wider meanings associated with this architectural form as well as contemporary reactions to it across the critical spectrum. Employing a broad array of archival sources, such as corporate records, architects' papers, newspaper ads, and political cartoons, Flowers examines the personal, political, cultural, and economic agendas that motivate architects and their clients to build ever higher. He depicts the American saga of commerce, wealth, and power in the twentieth century through their most visible symbol, the skyscraper.
The Manhattan skyline is one of the great wonders of the modern world. But how and why did it form? Much has been written about the city's architecture and its general history, but little work has explored the economic forces that created the skyline. In Building the Skyline, Jason Barr chronicles the economic history of the Manhattan skyline. In the process, he debunks some widely held misconceptions about the city's history. Starting with Manhattan's natural and geological history, Barr moves on to how these formations influenced early land use and the development of neighborhoods, including the dense tenement neighborhoods of Five Points and the Lower East Side, and how these early decisions eventually impacted the location of skyscrapers built during the Skyscraper Revolution at the end of the 19th century. Barr then explores the economic history of skyscrapers and the skyline, investigating the reasons for their heights, frequencies, locations, and shapes. He discusses why skyscrapers emerged downtown and why they appeared three miles to the north in midtown-but not in between the two areas. Contrary to popular belief, this was not due to the depths of Manhattan's bedrock, nor the presence of Grand Central Station. Rather, midtown's emergence was a response to the economic and demographic forces that were taking place north of 14th Street after the Civil War. Building the Skyline also presents the first rigorous investigation of the causes of the building boom during the Roaring Twenties. Contrary to conventional wisdom, the boom was largely a rational response to the economic growth of the nation and city. The last chapter investigates the value of Manhattan Island and the relationship between skyscrapers and land prices. Finally, an Epilogue offers policy recommendations for a resilient and robust future skyline.
The city of New York is the city of skyscrapers. Every first-time visitor to Manhattan experiences the awe of gazing up at the soaring stone, steel, and glass towers of Wall Street or Midtown, and wonders how those structures came to be built. Manhattan Skyscrapers answers the question by presenting the 75 most significant tall buildings that make up the city's famous skyline. From Louis Sullivan's Bayard-Condict Building of 1898 on Bleeker Street to the Conde Nast tower currently rising above Times Square, Manhattan Skyscrapers lavishly presents over a hundred years of New York's most interesting and important tall buildings. Author Eric P. Nash profiles familiar skyscrapers such as the Woolworth Building, the Empire State Building, the Chrysler Building, the World Trade Towers, the AT&T (now Sony) Building, and the Seagram Building, while also championing several often-overlooked yet significant structures, such as the McGraw- Hill, the Metropolitan Life Insurance, and the Fred F. French Buildings. Nash's writing strikes an elegant balance between history, archi-tectural evaluation, and intelligent guidebook. For each building, Nash identifies the building style, gives the overall profile and image of the building, and discusses its construction; also included are quotes from the buildings' architects and the architectural critics of the time. Each skyscraper is illustrated with full-page color photo-graphs by noted photographer Norman McGrath as well as architectural drawings and plans, archival images of the original interiors, postcards, and other ephemera. Manhattan Skyscrapers is essential reading-or an ideal gift-for anyone interested in the buildings that make New York the ultimate skyscraper city.
In contrast to standard histories that counterpose the design philosophies of the Chicago and New York "schools," Form Follows Finance shows how market formulas produced characteristic forms in each city - "vernaculars of capitalism" - that resulted from local land-use patterns, municipal codes, and zoning. Refuting some common cliches of skyscraper history such as the equation of big buildings with big business and the idea of a "corporate skyline," this book emphasizes the importance of speculative development and the impact of real estate cycles on the forms of buildings.
New York is often described as the greatest city in the world. Yet much of the iconic architecture and culture which so defines the city as we know it today – from the Empire State Building to the Pastrami sandwich - only came into being in the 1930s, in what was perhaps the most significant decade in the city's 400-year history. After the roaring twenties, the catastrophic Wall Street Crash and ensuing Depression seemed to spell disaster for the vibrant city. Yet, in this era, New York underwent an architectural, economic, social and creative renaissance under the leadership of the charismatic mayor Fiorello La Guardia. After seizing power, he declared war on the mafia mobs running vast swathes of the city, attacked political corruption and kick-started the economy through a variety of construction and infrastructure projects. In culture, this was the age of the Harlem Renaissance championed by writers like Langston Hughes, the jazz age with the advent of Tin-Pan Alley, the Cotton Club and immortals such as Duke Ellington making his name in the Big Apple. Weaving these stories together, Jules Stewart tells the story of an iconic city in a time of change.
"Fascinating history, showing how the city has been molded by the edifice complexes of risk-takers. The stuff of grand comedy." -Business Week
From skyscrapers to parking structures, from the Stock Exchange to the historic townhouses of Harlem, the buildings of New York are as diverse as its culture—and they are artfully photographed here by Jorg Brockmann. Essential information, history, and background stories about each one, along with neighborhood maps and useful sidebars, make this the last word on New York buildings large and small. Bill Harris is a veteran New York historian and writer who has also logged many miles as a tour guide. Jorg Brockmann is an accomplished photographer whose talent matches the scale of the project. Together, they have created a feast for lovers of architecture and of great photography, as well as devotees of New York City. Now in a well-priced and easy-to-carry paperback edition, One Thousand New York Buildings is the ultimate guide to the Great American City.