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New York Rising is an illustrated history of real estate development in Manhattan, a story of speculation and innovation--of the big ideas, big personalities, and big risks that collectively shaped a city like no other. From the first European settlement in the seventeenth century through the skyscrapers and large-scale urban planning schemes of the late twentieth century, this book presents a broad historical survey, illustrated with images drawn largely from the rich archival resources of the Durst Collection at Avery Architectural & Fine Arts Library, Columbia University. The patriarch of one of New York City's most prominent real estate families, Seymour B. Durst, was a bibliophile and an avid collector of New York memorabilia. His archival holdings--once known as the Old York Library and now the Durst Collection--reflect his fascination with the city's street grid, mass transit, port, parks and open spaces, as well as its monumental buildings and signature skyline. Ten leading scholars--the late Hilary Ballon, Ann Buttenwieser, Andrew Dolkart, David King, Reinhold Martin, Richard Plunz, Lynne B. Sagalyn, Hilary Sample, Russell Shorto, and Carol Willis--delved into the collection to select objects that reflect their own areas of interest and expertise. Using these materials, they have created visual narratives on specific topics, focusing on the Dutch and English governance of Manhattan, the growth of the city according to the Commissioners' Plan of 1811, the emergence of the public transit system, the "race for height," the rise of multi-family and affordable housing, the transformation of Midtown into a commercial center, urban renewal in the Moses era, the revival of Times Square, and the reclaiming of the waterfront as public space. Essays by Kate Ascher and Thomas Mellins provide a framework for exploring these topics. New York Rising is published in association with The Graduate School of Architecture, Planning and Preservation and Avery Architectural & Fine Arts Library, Columbia University.
New York is often described as the greatest city in the world. Yet much of the iconic architecture and culture which so defines the city as we know it today – from the Empire State Building to the Pastrami sandwich - only came into being in the 1930s, in what was perhaps the most significant decade in the city's 400-year history. After the roaring twenties, the catastrophic Wall Street Crash and ensuing Depression seemed to spell disaster for the vibrant city. Yet, in this era, New York underwent an architectural, economic, social and creative renaissance under the leadership of the charismatic mayor Fiorello La Guardia. After seizing power, he declared war on the mafia mobs running vast swathes of the city, attacked political corruption and kick-started the economy through a variety of construction and infrastructure projects. In culture, this was the age of the Harlem Renaissance championed by writers like Langston Hughes, the jazz age with the advent of Tin-Pan Alley, the Cotton Club and immortals such as Duke Ellington making his name in the Big Apple. Weaving these stories together, Jules Stewart tells the story of an iconic city in a time of change.
Published to accompany the exhibition held at the Museum of Modern Art, 24 Mar. - 11 Oct. 2010.
On Shishmaref Island in Alaska, homes are being washed into the sea. In the South Pacific, small island nations face annihilation by encroaching waters. In coastal Louisiana, an area the size of a football field disappears every day. For these communities, sea level rise isn’t a distant, abstract fear: it’s happening now and it’s threatening their way of life. In The Rising Sea, Orrin H. Pilkey and Rob Young warn that many other coastal areas may be close behind. Prominent scientists predict that the oceans may rise by as much as seven feet in the next hundred years. That means coastal cities will be forced to construct dikes and seawalls or to move buildings, roads, pipelines, and railroads to avert inundation and destruction. The question is no longer whether climate change is causing the oceans to swell, but by how much and how quickly. Pilkey and Young deftly guide readers through the science, explaining the facts and debunking the claims of industry-sponsored “skeptics.” They also explore the consequences for fish, wildlife—and people. While rising seas are now inevitable, we are far from helpless. By making hard choices—including uprooting citizens, changing where and how we build, and developing a coordinated national response—we can save property, and ultimately lives. With unassailable research and practical insights, The Rising Sea is a critical first step in understanding the threat and keeping our heads above water.
Salsa Rising provides the first full-length historical account of Latin Music in this city guided by close critical attention to issues of tradition and experimentation, authenticity and dilution, and the often clashing roles of cultural communities and the commercial recording industry in the shaping of musical practices and tastes. Author Juan Flores brings a wide range of people in the New York Latin music field into his work, including musicians, producers, arrangers, collectors, journalists, and lay and academic scholars, enriching Salsa Rising with a unique level of engagement with and interest in Latin American communities and musicians themselves.
In Columbia Rising, Bancroft Prize-winning historian John L. Brooke explores the struggle within the young American nation over the extension of social and political rights after the Revolution. By closely examining the formation and interplay of political structures and civil institutions in the upper Hudson Valley, Brooke traces the debates over who should fall within and outside of the legally protected category of citizen. The story of Martin Van Buren threads the narrative, since his views profoundly influenced American understandings of consent and civil society and led to the birth of the American party system. Brooke's analysis of the revolutionary settlement as a dynamic and unstable compromise over the balance of power offers a window onto a local struggle that mirrored the nationwide effort to define American citizenship.
If you've caught a glimpse of a promotional movie poster in the last 15 years, chances are you were taking in the work of Akiko Stehrenberger, the Los Angeles-based artist you didn't know you knew. Stehrenberger has worked on projects for some of cinema's most important and influential filmmakers, translating their unique vision from screen to film poster. The list of names includes a long roster of trailblazers, among them Michel Gondry, Spike Jonze, Jonathan Glazer, Harmony Korine, The Coen Brothers, Sofia Coppola, David Lynch, Michael Haneke, and dozens of others. Stehrenberger, a California native, imbues her unique brand of surrealism to the art of the movie poster utilizing various techniques, including painting, computers, and traditional forms of graphic design--all while conceptually dissecting the films themselves, which helps to illuminate why Akiko is such a vital visual artist. The book will put readers at the center of her process (from concept to execution), examining how her life and heroes influenced the special vision she brings to the world of film poster design. Akiko's art making story will be told in a way that mirrors her process, utilizing analog and modern techniques (including film, film photography, and illustration), all in an effort to a better understanding of her creativity. Having become one of the most respected movie poster designers and illustrators of her generation, she is now on the cusp of a major creative change in her life: She has begun to embrace her own fine art and has branched out into new mediums, with the hope of exhibiting her work in the future. This book will capture what she has so skillfully harvested from just one realm of her imagination so far.
Thirty-five years after this landmark of urban history first captured the rise, fall, and rebirth of a once-thriving New York City borough—ravaged in the 1970s and ’80s by disinvestment and fires, then heroically revived and rebuilt in the 1990s by community activists—Jill Jonnes returns to chronicle the ongoing revival of the South Bronx. Though now globally renowned as the birthplace of hip-hop, the South Bronx remains America’s poorest urban congressional district. In this new edition, we meet the present generation of activists who are transforming their communities with the arts and greening, notably the restoration of the Bronx River. For better or worse, real estate investors have noticed, setting off new gentrification struggles.
The great Mississippi flood of 1927 and how it changed America.