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Collecting together Manhattan, a grimy story of depression, madness and suicide in New York City, whose appearance in the premiere issue of RAW magazine was key to the virtuoso aesthetic of the publication and three other tales of the Big Apple rendered by Tardi with the same panache as he does for Paris or the trenches of WW1 - in one spectacular volume. Also featured is the Coackroach Killer, a violent, surreal conspiracy thriller that features a striking two-colour black and red technique and remains one of the cartoonist's most startling works.
For two decades NPR commentator Andrei Codrescu has been living in and writing about his adopted city, where, as he puts it, the official language is dreams. How apt that a refugee born in Transylvania found his home in a place where vampires roam the streets and voodoo queens live around the corner; where cemeteries are the most popular picnic spots, the ghosts of poets, prostitutes, and pirates are palpable, and in the French Quarter, no one ever sleeps. Codrescu's essays have been called "satirical gems," "subversive," "sardonic and stunning," "funny," "gonzo," "wittily poignant," and "perverse"—here is a writer who perfectly mirrors the wild, voluptuous, bohemian character of New Orleans itself. This retrospective follows him from newcomer to near native: first seduced by the lush banana trees in his backyard and the sensual aroma of coffee at the café down the block, Codrescu soon becomes a Window Gang regular at the infamous bar Molly's on Decatur, does a stint as King of Krewe de Vieux Carré at Mardi Gras, befriends artists, musicians, and eccentrics, and exposes the city’s underbelly of corruption, warning presciently about the lack of planning for floods in a city high on its own insouciance. Alas, as we all now know, Paradise is lost. New Orleans, Mon Amour is an epic love song, a clear-eyed elegy, a cultural celebration, and a thank-you note to New Orleans in its Golden Age.
The award-winning screenplay for the classic film the New York Post hailed as “overwhelming . . . a motion picture landmark.” One of the most influential works in the history of cinema, Alain Renais’s Hiroshima Mon Amour gathered international acclaim upon its release in 1959 and was awarded the International Critics’ Prize at the Cannes Film festival and the New York Film Critics’ Award. Ostensibly the story of a love affair between a Japanese architect and a French actress visiting Japan to make a film on peace, Hiroshima Mon Amour is a stunning exploration of the influence of war on both Japanese and French culture and the conflict between love and inhumanity.
Le Flaneur, the turn-of-the-century French term for the urban stroller, the street wanderer -- an intellectual with plenty of leisure time to idly traverse the byways of the city, drifting from one quarter to another, making discoveries, meeting old acquaintances, making new ones. It remains the best way to see Paris. This volume of photography is a memoir of numerous walks through the French capital by some great photographers, who set out, like le flaneur, to capture by chance something they had never seen before. These images map and re-map the desired paths and favourite landmarks of one of the most photographed cities in the world, reprinting classic shots from the last two hundred years -- right up to the present day. They poignantly evoke the bars, the cafes, the architecture, the parks and, of course, the vibrancy of the people. Turning the pages is like taking a walk through the history of the city, noting the changes and those elements that are forever Paris -- the tree-lined boulevards, the dimly lit bistros, the narrow passages, and the banks of the River Seine.
Accompanying CD-ROM contains ... "150 of these [blackletter] fonts for free private and restricted commercial use."--Page 4 of cover.
Winner of the James Laughlin Award of The Academy of American Poets. (1999) Tory Dent's is a voice like no other. Her use of language is virtuosic, complex, and plangent. These are daring poems that also dare the reader. HIV positive, Dent writes out of her own experience and profound refusal to look away or suspend feeling or turn from love. When her first book of poems, What Silence Equals, appeared in 1993, it was recognized as "immediately one of the great, necessary books to come out of the AIDS crisis, flinging its challenge in the face of death." With HIV, Mon Amour she moves further into the whirlwind -- as witness, lover, and observer.
During the disco drenched year of 1978, 62nd Street in Bay Ridge, Brooklyn, was home to L'Amour, a small, unassuming discothéque thriving on a local dance crowd. "Rock Nights" on Thursdays were first brushed off as a bad joke. But in less than a year, blindsided by scores of disgruntled heavy metal misfits, the punch-line of that bad joke swelled into a quarter-century-long tsunami of hell-raising mayhem that turned a faceless disco into the world's most famous heavy metal mecca. L'Amour: Rock Capital of B'klyn is a large format book jammed with over 1,000 full-color photographs, ticket stubs, and memorabilia representing the rich music history of the Brooklyn venue. Hundreds of full-color performance photos of the bands that hit the L'Amour stage are featured prominently in the book, as well as interviews with many of the musicians. Venue staff, club regulars, and show attendees contribute slices of club life. L'Amour: Rock Capital of B'klyn tells the story in stunning images and words of the famous heavy metal venue and its important contributions to the scene. If you are a heavy metal fan, or just a music history buff in general, this book is a must have.
Louis L’Amour’s long-lost first novel, faithfully completed by his son, takes readers on a voyage into danger and violence on the high seas. Fate is a ship. As the shadows of World War II gather, the SS Lichenfield is westbound across the Pacific carrying eighty thousand barrels of highly explosive naphtha. The cargo alone makes the journey perilous, with the entire crew aware that one careless moment could lead to disaster. But yet another sort of peril haunts the Lichenfield. Even beyond their day-to-day existence, the lives of the crew are mysteriously intertwined. Though each has his own history, dreams and jealousies, longing and rage, all are connected by a deadly web of chance and circumstance. Some are desperately fleeing the past; others chase an unknown destiny. A few are driven by the desire for adventure, while their shipmates cling to the Lichenfield as their only true home. In their hearts, these men, as well as the women and children they have left behind, carry the seeds of salvation or destruction. And all of them—kind or cruel, strong or broken—are bound to the fate of the vessel that carries them toward an ever-darkening horizon. Inspired by Louis L’Amour’s own experiences as a merchant seaman, No Traveller Returns is a revelatory work by a world-renowned author—and a brilliant illustration of a writer discovering his literary voice.
Alexandra has built a new life in Paris, finding the happiness she never expected with her husband Phillipe. Philippe values the comfort and intimacy of his second marriage. Hard to believe he'd risk it all. Jean-Luc is the son of Philipe's best friend. He wants Alexandra and once she is involved only one of them will get the blame. Paris Mon Amour charts the passion and the price of inescapable desire, obsessive love and devastating betrayal.
Approaching the avant-garde Japanese performance art form of butoh from a cross-cultural, gender studies, and scientific perspective, award-winning artist and teacher Vangeline brings a fresh look at this postmodern dance form.Butoh, a performance art form that grew out of the Japanese avant-garde scene of the 1950s, has traveled from east to west over the last 60 years, growing in popularity as it evolves. With origins in modern dance, French mime, and the surrealist movement, this fascinating postmodern dance genre is often thought of as mysterious and is frequently misunderstood. Through twenty years of research, interviews with some of the world's top practitioners, historical documents, and rare photographs, Vangeline shines light on this "dance of darkness." New revelations include the under-represented role of women in the development of the form, the connection between butoh and neuroscience, and the cross-cultural perspective of international influences on the evolution of the dance. Butoh: Cradling Empty Space will appeal to dance students, teachers, performance art scholars, somatic healers, and anyone interested in choreography, theater, and Japanese history, culture and art.The book includes rare photographs, helpful graphics, a detailed bibliography and footnotes, and resources for additional information."[A] handbook for the butoh practitioner, the (art) historian, the dance critic, and the curious reader. Encompassing, and reconciling, problems of movement, gender, race and universality, Cradling Empty Space guides the reader through the many possibilities of butoh."-Alice Baldock, Faculty of History, University of Oxford, from the ForewordPraise for Vangeline's choreography and dance work:"Captivating." -New York Times "[She] moves with the clockwork deliberation of a practiced Japanese Butoh artist."-Los Angeles Times