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On 15 September, 1776, the British army under General William Howe invaded Manhattan Island, with the largest expeditionary force in their history. George Washington's Continental Army, still in disarray after the disastrous Battle of Brooklyn some two weeks earlier, retreated north to Harlem Heights, leaving New York in British hands. Control of the city was Howe's primary objective. Located at the mouth of the strategically vital Hudson river, it had become the centrepiece of England's strategy for putting down the American rebellion. key to the colonies, New York proved to be the fatal chalice that poisoned the British war effort. The Battle for New York tells the story of how the city became the pivot on which the American Revolution turned - from the political and religious struggles of the 1760s and early 1770s that polarised its citizens and increasingly made New York a hotbed of radical thought and action; to the campaign of 1776 that turned New York into a series of battlefields; to the seven years of British occupation, during which time Washington and Congress were as determined to regain the city as the British were to hold it. the book, was by far the largest military venture of the Revolutionary War; it involved almost every significant participant in the war on both sides; and there can be little doubt that during it the fate of America hung in the balance. Moreover, the outcome had a direct impact on the major turning points of the rest of the war.
"For many, the appearance of Occupy Wall Street seemed so sudden and so surprising it seemed to have come out of nowhere. But Occupy Wall Street was in some sense not unusual: it was part and parcel of a long history of riot, revolt, uprising, and sometimes even revolution that has shaped the city and the larger histories and geographies of which it is part. The history of New York is, in significant part, a history of revolt. Many citizens, activists, and scholars know pieces of that history, but nowhere has it been put together in something close to its entirety. The effect is that each revolt or uprising seems almost sui generis, always surprising, disconnected from both its long- and near-term history and social geography. Revolting New York brings together the historical geography of revolt in New York in its fullness, from the earliest uprisings of the Munsee against Dutch occupation of Manhattan to Occupy. All in a style accessible to a broad as well as academic audience The book will show that there is a continuous, if varied and punctuated, history of rebellion in New York that is at least as vital as the more standard histories of formal politics, planning, economic growth and restructuring that largely define our consciousness of New York's evolution and the structuring of life within it" --
Part prophecy and part erotic fantasy, this classic tale of otherworldly depravity features New York itself—or a foreigner's nightmare of New York—as its true protagonist. Set in the towers and tunnels of the quintessential American city, Alain Robbe-Grillet's novel turns this urban space into a maze where politics bleeds into perversion, revolution into sadism, activist into criminal, vice into art—and back again. Following the logic of a movie half-glimpsed through a haze of drugs and alcohol, Project for a Revolution in New York is a Sadean reverie that bears an alarming resemblance to the New York, and the United States, that have actually come into being.
A lauded expert on European history paints a vivid picture of Paris, London, and New York during the Age of Revolutions, exploring how each city fostered or suppressed political uprisings within its boundaries In The Unruly City, historian Mike Rapport offers a vivid history of three intertwined cities toward the end of the eighteenth century-Paris, London, and New York-all in the midst of political chaos and revolution. From the British occupation of New York during the Revolutionary War, to agitation for democracy in London and popular uprisings, and ultimately regicide in Paris, Rapport explores the relationship between city and revolution, asking why some cities engender upheaval and some suppress it. Why did Paris experience a devastating revolution while London avoided one? And how did American independence ignite activism in cities across the Atlantic? Rapport takes readers from the politically charged taverns and coffeehouses on Fleet Street, through a sea battle between the British and French in the New York Harbor, to the scaffold during the Terror in Paris. The Unruly City shows how the cities themselves became protagonists in the great drama of revolution.
King George III will not stay on the ground. Ever since a crowd in New York City toppled his equestrian statue in 1776, burying some of the parts and melting the rest into bullets, the king has been riding back into American culture, raising his gilded head in visual representations and reappearing as fragments. In this book, Wendy Bellion asks why Americans destroyed the statue of George III-and why they keep bringing it back. Locating the statue's destruction in a transatlantic space of radical protest and material violence-and tracing its resurrection through pictures and performances-Bellion advances a history of American art that looks beyond familiar narratives of paintings and polite spectators to encompass a riotous cast of public sculptures and liberty poles, impassioned crowds and street protests, performative smashings and yearning re-creations. Bellion argues that iconoclasm mobilized a central paradox of the national imaginary: it was at once a destructive phenomenon through which Americans enacted their independence and a creative phenomenon through which they continued to enact British cultural identities. Persuasive and engaging, Iconoclasm in New York demonstrates how British monuments gave rise to an American creation story. This fascinating cultural history will captivate art historians, specialists in iconoclasm, and general readers interested in American history and New York City.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Before the Civil War splintered the young country, there was another conflict that divided friends and family--the Revolutionary War Prior to the French and Indian War, the British government had taken little interest in their expanding American empire. Years of neglect had allowed America's fledgling democracy to gain power, but by 1760 America had become the biggest and fastest-growing part of the British economy, and the mother country required tribute. When the Revolution came to New York City, it tore apart a community that was already riven by deep-seated family, political, religious, and economic antagonisms. Focusing on a number of individuals, Divided Loyalties describes their response to increasingly drastic actions taken in London by a succession of the king's ministers, which finally forced people to take sides and decide whether they would continue their loyalty to Great Britain and the king, or cast their lot with the American insurgents. Using fascinating detail to draw us into history's narrative, Richard M. Ketchum explains why New Yorkers with similar life experiences--even members of the same family--chose different sides when the war erupted.
A “lucid, detailed, and imaginative analysis” (The Nation) of the model city that working-class New Yorkers created after World War II—and its tragic demise More than any other city in America, New York in the years after the Second World War carved out an idealistic and equitable path to the future. Largely through the efforts of its working class and the dynamic labor movement it built, New York City became the envied model of liberal America and the scourge of conservatives everywhere: cheap and easy-to-use mass transit, work in small businesses and factories that had good wages and benefits, affordable public housing, and healthcare for all. Working-Class New York is an “engrossing” (Dissent) account of the birth of that ideal and the way it came crashing down. In what Publishers Weekly calls “absorbing and beautifully detailed history,” historian Joshua Freeman shows how the anticommunist purges of the 1950s decimated the ranks of the labor movement and demoralized its idealists, and how the fiscal crisis of the mid-1970s dealt another crushing blow to liberal ideals as the city’s wealthy elite made a frenzied grab for power. A grand work of cultural and social history, Working-Class New York is a moving chronicle of a dream that died but may yet rise again.