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Since its publication in hardcover in 1989, New York Fashion has become a defining book on the story of American fashion. Covering the great changes that have taken place in the fashion world from the early 19th century to the late 20th century, Caroline Rennolds Milbank also charts the rise of the great American designers: Ralph Lauren, Calvin Klein, and others.
Since 2004, New York magazine has been celebrating New York City style in a feature called ?The Look Book?: a centerfold'with its subject shot at random anywhere and everywhere across Gotham'along with an interview about the subject's personal style. The New York Look Book collects more than 200 of the best Look Book features, and a special ?Where to Find It? section offers readers not only store listings, but also an insider's guide to New York's distinctive neighborhoods.
This book tells the story of fashion workers engaged in the labor of design and the material making of New York fashion. Christina H. Moon offers an illuminating ethnography into the various sites and practices that make up fashion labor in sample rooms, design studios, runways, factories, and design schools of the New York fashion world. By exploring the work practices, social worlds, and aspirations of fashion workers, this book offers a unique look into the meaning of labor and creativity in 21st century global fashion. This book will be of interest to scholars in design studies, fashion history, and fashion labor.
Over the past five years a group of talented young New York-based designers of clothing and accessories has emerged to both international critical and commercial success. New York Fashion illustrates the best examples of the work of twenty of New York's latest generation of fashion designers, including Zac Posen, Proenza Schouler, Jean Yu, Behnaz Sarafpour, and Derek Lam. Sonnet Stanfill examines the reasons behind this exciting rise in new talent, focusing not only on emerging designers and their contributions to the changing fashion industry, but also exploring New York as a fashion capital in the 21st century: a whirl of chaos, inspiration, and beauty. Illustrations include Scarlett Johansson in a Derek Lam bustier dress, Natalie Portman in the Empire State dress by Zac Posen, and many more.
An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
Essays and stories on fashion, art, and culture in the New York of the 2010s. We were supposed to meet Rose McGowan at Café d'Alsace after the party, but she cancelled at the last minute. I saw on Twitter that she had been hit with a drug possession charge, which she insisted was a scheme to keep her Weinstein dirt quiet. I hadn't even read her Weinstein story… I still wanted to know that the articles were being published, and in large quantities, but reading stories of abuse and humiliation was as stupefying as a hangover. I didn't feel empowered; I only felt more hopeless. I wanted to watch the patriarchy go up in flames, but I wasn't excited about what was being pitched to replace it. If we got all of it out in the open, what would we have left? My fear was that guilt would destroy the classics and there'd be no one left to fuck. All movies would be as low-budget and as puritanical as the stuff they play on Lifetime, all of New York would look like a Target ad, every book or article would be a cathartic tell-all, and I'd be sexually frustrated but too ashamed to hook up with assholes, or even to watch porn. —from Sleeveless Eve Babitz meets Roland Barthes in Sleeveless, Natasha Stagg's follow up to Surveys, her 2016 novel about internet fame. Composed of essays and stories commissioned by fashion, art, and culture magazines, Sleeveless is a scathing and sensitive report from New York in the 2010s. During those years, Stagg worked as an editor for V magazine and as a consultant, creating copy for fashion brands. Through these jobs, she met and interviewed countless industry luminaries, celebrities, and artists, and learned about the quickly evolving strategies of branding. In Sleeveless, she exposes the mechanics of personal identity and its monetization that propelled the narrator of Surveys from a mall job in Tucson to international travel and internet fame.
The editors of Vogue, the ultimate authority on fashion, document the post-COVID changes happening across the fashion landscape in America. Celebrating creators, artisans, and visionaries across the country, the book pays tribute to the democratization of American fashion and the creativity and artisanship that is no longer confined to the runways of New York and Los Angeles. In their February 2021 issue, Vogue launched “The United States of Fashion,” a project that shines a spotlight on the creativity and craft flourishing throughout the country. Exploring the innovation and entrepreneurialism that defines American fashion, Vogue goes coast to coast from Detroit to El Paso to Indianapolis to Nashville, where the most exciting new designers are creating and designing locally. This book features a wide array of fashion voices across the nation, who share self-generated images and narratives on how they define and identify with fashion now. New, never-before-seen photographs and anecdotes, not published in the pages of Vogue, come from fashion designers Laura and Kate Mulleavy of Rodarte, Jeremy Scott, and Libertine; photographers Alex Webb and June Canedo; and craftspeople Ariana Boussard-Reifel and Ataumbi Metals. The book contains texts by esteemed writers, from Louise Erdrich’s words on Native American fashion and music editor Suzy Exposito’s account of being goth in Miami, to new ways of creating sustainable, recycled fashion. These accounts create a living biography of the evolution and democratization of fashion today. A rich tapestry of style in America, The United States of Fashion will appeal to readers interested in fashion, design, culture, and photography.
New Yorkers are known the world over for their love of sophisticated style. This accessible volume profiles the choicest living spaces in and around this ultimate urban playground.
Together, these striking images create the ultimate style guide for anyone who pedals their way through the Big Apple. America may be a nation obsessed with automobiles, but today the bicycle is giving the car a run for its money. And while New York is just one of many cities that is implementing new bike friendly policies, the local cyclist population stands out as one of the most diverse, inventive, and stylish in the world. New York Bike Style celebrates this with full-page photographs of riders and their bikes. Photographer Sam Polcer has combed New York’s five boroughs looking for subjects who reflect the myriad styles and demographics of the city’s cyclists—from Puerto Rican Schwinn aficionados with vintage bikes to fixed gear freaks; from BMX kids honing their bar-spins at skateparks to fashionistas floating down leaf-strewn streets in dresses. Each page is captioned with the subject’s name, what kind of bike they ride, where the photo was taken, and where they’re headed. The book also features close-up shots of gear as well as a startlingly stylish array of bike fashion. Whether they’re pedaling to work or play, racing with a club, or out for a lazy ride, New York Bike Style pays photographic tribute to a city in love with biking in all its forms.
If you’ve seen images of the biggest entertainers—Mariah Carey, Miley Cyrus, Katy Perry, Lil Kim, Britney Spears, Rihanna, J. Lo, or Madonna—on stage in a crystallized costume, you’ve seen the work of The Blonds. The Blonds is an invitation to designer Phillipe Blond and creative director David Blond’s inclusive, wild, and high-octane world. Since 2006, The Blonds have catered to the entertainment industry with glamor-usly over-the-top designs. Celebrities rely on the duo’s intricate corsets, catsuits, and dresses for performances, award shows, editorials, and any other special occasion where they need to move and shine. Their first book, as riotous as the brand’s legendary New York Fashion Week shows, unfolds in several acts, starting with an introduction to Phillipe and David, detailing their inspirations and how they built their rebellious brand over the last two decades. A chapter on their legendary runway shows includes details of their most iconic looks. The centerpiece showcases editorial and stage photography of celebrities, surrounded by anecdotes from the stars about their performances, life on stage, and their love of The Blonds. Including an in-depth look at the duo’s high-profile partnerships, runway shows, and the craftsmanship behind each piece, The Blonds is a backstage pass from sketch to stadium.