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On a Sunday morning in early 1892, Reverend Dr. Charles H. Parkhurst ascended to his pulpit at the Madison Square Presbyterian Church in New York and delivered one of the most explosive sermons in the city's history. Municipal life, he charged, was morally corrupt. Vice was rampant. And the city's police force and its Tammany Hall politicians were"a lying, perjured, rum-soaked, and libidinous lot." Denounced by city and police officials as a self-righteous "blatherskite," Parkhurst resolved to prove his case. The bespectacled minister descended his pulpit and in disguise visited gin joints and brothels, taking notes and gathering evidence. Two years later, his findings forced the New York State Senate to investigate the New York Police Department. The Lexow Committee heard testimony from nearly 700 witnesses, who revealed in shocking-and headline-dominating-detail just how deeply the NYPD was involved in, and benefitted from, the vice economy. Parkhurst's campaign had kick-started the Progressive Movement. New York Exposed offers a narrative history of the first major crusade to clean up Gotham. Daniel Czitrom does full justice to this spellbinding story by telling it within the larger contexts of national politics, poverty, patronage, vote fraud and vote suppression, and police violence. The effort to root out corrupt cops and crooked politicians morphed into something much more profound: a public reckoning over what New York-and the American city-had become since the Civil War. Animated by as vivid a cast as New York has ever produced, the book's key characters include Police Superintendent Thomas Byrnes and Inspector Alexander "Clubber" Williams, the nation's most famous cops, as well as anarchist revolutionary Emma Goldman, the zealous prosecutor John W. Goff, and an array of politicos, immigrant leaders, labor bosses, prostitutes, show-business entrepreneurs, counterfeiters, and reformers and muckrakers determined to change business as usual. New York Exposed offers an unforgettable portrait of a city in a truly transformative moment.
Parkhurst's challenge -- The buttons -- Democratic city, Republican nation -- Anarchy vs. corruption -- A rocky start -- Managing vice, extorting business -- "Reform never suffers from frankness" -- "A landslide, a tidal wave, a cyclone" -- Endgames -- Epilogue: the Lexow effect
“Art, love and longing, the French way . . . an emotionally taut portrayal of late-in-life, post-marriage drift” from the author of The 6:41 to Paris (The New York Times Book Review). A French teacher on the verge of retirement is invited to a glittering opening that showcases the artwork of his former student, who has since become a celebrated painter. This unexpected encounter leads to the older man posing for his portrait. Possibly in the nude. Such personal exposure at close range entails a strange and troubling pact between artist and sitter that prompts both to reevaluate their lives. Blondel, author of the hugely popular novel The 6:41 to Paris, evokes an intimacy of dangerous intensity in a tale marked by profound nostalgia and a reckoning with the past that allows its two characters to move ahead into the future. “A striking variation on the theme of the muse, this novel probes overlapping varieties of attraction . . . It veers toward the erotic, quickening the painter’s search for the model’s soul—‘a term that disintegrates the moment you try to define it.’”―The New Yorker “Captivating . . . The novel flies by with gentle humor, but it also poses complex questions about the meaning of art and sexuality, and offers an elegiac look at late middle age . . . Irresistible, and the story’s fundamental kindness sets it apart.”―Publishers Weekly (starred review) “A novel of tender, shy wisdom whose characters remind each other that memory lives in the body, loosened like knots by the right touch.” —Patrick Nathan, author of Image Control
The death of Samantha Grey’s mother and imprisonment of her father made her shut everyone out of her life. Including him. Ten years later, the murder of her father brings them back together and now Detective Nate Evans has two mysteries on his hands: a murder to solve and a past of questions that still gnaw at the surface to face. A past he’s tried hard to bury. One that includes her. As Nate and Samantha are forced to work together to bring justice for the dead, it is clear the case is not the only mystery being unearthed between them. They are led down dark, township alleyways, towards drug-dealer territory, and into the box of a decade old cold case… but how long will they take to realize how deep the roots of this case go? Neither of them are prepared for the trials they face as they start digging through Samantha’s twisted family history and exposing the cost of hidden truths. Will the collision of the past and present destroy what little faith they have in finding healing, or will it be the key to solving the decade old mysteries between them and finding redemption in the chaos? Emily Hart is a young South African author. She’s been involved in humanitarian work in the Middle East and half a dozen African countries, meeting people and seeing places that inspire her writing. Emily lives in Stellenbosch with her family and five chickens.
Journalist Debbie Nathan reveals the true story behind the famous case of Sybil, the woman with sixteen different personalities.
From the beginnings of big-city police work to the rise of the Mafia, Rogues' Gallery is a colorful and captivating history of crime and punishment in the bustling streets of Old New York. Rogues' Gallery is a sweeping, epic tale of two revolutions, one feeding off the other, that played out on the streets of New York City during an era known as the Gilded Age. For centuries, New York had been a haven of crime. A thief or murderer not caught in the act nearly always got away. But in the early 1870s, an Irish cop by the name of Thomas Byrnes developed new ways to catch criminals. Mug shots and daily lineups helped witnesses point out culprits; the famed rogues' gallery allowed police to track repeat offenders; and the third-degree interrogation method induced recalcitrant crooks to confess. Byrnes worked cases methodically, interviewing witnesses, analyzing crime scenes, and developing theories that helped close the books on previously unsolvable crimes. Yet as policing became ever more specialized and efficient, crime itself began to change. Robberies became bolder and more elaborate, murders grew more ruthless and macabre, and the street gangs of old transformed into hierarchal criminal enterprises, giving birth to organized crime, including the Mafia. As the decades unfolded, corrupt cops and clever criminals at times blurred together, giving way to waves of police reform at the hands of men like Theodore Roosevelt. This is a tale of unforgettable characters: Marm Mandelbaum, a matronly German-immigrant woman who paid off cops and politicians to protect her empire of fencing stolen goods; "Clubber" Williams, a sadistic policeman who wielded a twenty-six-inch club against suspects, whether they were guilty or not; Danny Driscoll, the murderous leader of the Irish Whyos Gang and perhaps the first crime boss of New York; Big Tim Sullivan, the corrupt Tammany Hall politician who shielded the Whyos from the law; the suave Italian Paul Kelly and the thuggish Jewish gang leader Monk Eastman, whose rival crews engaged in brawls and gunfights all over the Lower East Side; and Joe Petrosino, a Sicilian-born detective who brilliantly pursued early Mafioso and Black Hand extortionists until a fateful trip back to his native Italy. Set against the backdrop of New York's Gilded Age, with its extremes of plutocratic wealth, tenement poverty, and rising social unrest, Rogues' Gallery is a fascinating story of the origins of modern policing and organized crime in an eventful era with echoes for our own time.
The era of digital communication provides endless opportunities for the collection and analysis of social data in novel ways. It also presents new and unanticipated challenges, as researchers are often inventing elements of their methodologies on the fly or studying a phenomenon or media platform for the first time. Research Exposed offers in-depth, behind-the-scenes accounts of doing empirical social science in this new paradigm. Through firsthand descriptions of innovative research projects, it shares lessons learned from over a dozen scholars’ cutting-edge work. These candid accounts describe what can go wrong when pioneering new genres of research and how such difficulties can be overcome, giving both big-picture reflection and actionable advice. The chapters discuss a variety of methods, ranging from the completely novel to the use of more traditional approaches in the digital context, and cover research questions relevant to a range of disciplines, including sociology, political science, communication, information studies, and anthropology. By focusing attention on the concrete details seldom discussed in final project write-ups or traditional research guides, Research Exposed helps equip junior and senior scholars alike with essential information that is all too often left with no outlet for sharing. It offers important insights into how empirical social science research can be both innovative and rigorous when dealing with the opportunities and challenges presented by digital media.