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New York: Club Kids is a high impact visual diary of New York City in the 1990s, seen through the eyes of Waltpaper, a central figure within the Club Kids. The Club Kids comprised an artistic and fashion-conscious youth movement that crossed over into the public consciousness through appearances on daytime talk shows, magazine editorials, fashion campaigns, and music videos, planting the seeds for popular cultural trends such as reality television, self-branding, influencers, and the gender revolution. Known for their outrageous looks, legendary parties, and sometimes-illicit antics, The Club Kids were the hallmarks of Generation X and would prove to be the last definitive subculture group of the analog world. The '90s, whose 30th anniversary is quickly approaching, has come to be known as the last discernible and cohesive decade, cherished by those who experienced it and romanticized by those who missed it. The first comprehensive visual document of '90s nightlife and street culture, New York Club Kids grants special access to a dormant world, curated and narrated by someone who participated in the experience. Featuring rare photographs and ephemera, the book culls from the personal archives of various photographers and artists whose recognition is long overdue.
No Sleepis a visual history of the halcyon days of New York City club life as told through flyer art. Spanning the late 80s through the late 90s, when nightlife buzz travelled via flyers and word of mouth,No Sleepfeatures a collection of artwork from the personal archives of NYC DJs, promoters, club kids, nightlife impresarios, and the artists themselves. Club flyers, by design, were ephemeral objects distributed on street corners, outside of nightclubs and concert halls, in barbershops and retail shops, and were not intended to be preserved for posterity. Through the 90s, they became both increasingly prevalent and more sophisticated as printing technology evolved. Overnight, however, with the advent of the internet, theflyer essentially disappeared, despite it being common at one time for promoters to print thousands of flyers for any given event. Recently, these flyers have become sought-after collector's items.
"In this frank and gritty memoir, Peter Gatien charts the seismic changes in his personal and professional life and the targeted destruction of his nightclub empire. From Peter's childhood in a Canadian mill town to the freedom of the 1970s, through the excesses of the 1980s and the ensuing crackdown in the 1990s, The Club King chronicles the birth and death of a cultural movement--and the life of the man who was in control of every beat."--
Dive into the 1990s New York club scene with never-before-seen photos by its most prolific photographer, Steve Eichner. Eichner was a fixture of 1990s New York City nightlife and served as both its official and unofficial photographer in an era before cellphones and selfies. In this book, readers go beyond the velvet ropes and into the spaces that witnessed some of the decade's most incredible and sought-after parties. Previously unpublished, these intoxicating full-color photographs capture the over-thetop costumes, non-stop dancing, glitter, confetti, sex, drugs, and music that made 90s New York unlike any other place. Celebrities abound, from Leonardo DiCaprio, Dennis Hopper, and Tupac to Joan Rivers, Michael Musto, and Donald Trump. Eichner takes you to many of the city's hot spots, including the Limelight, the Tunnel, Webster Hall, Club Expo, and Club USA. Texts by famous club owner Peter Gatien and BuzzFeed photo essay editor Gabriel H. Sanchez offer a historic and cultural perspective on an era when New York City was more affordable and every night saw artists, bankers, drag queens, musicians, and poets reveling together.
Outrageous parties. Brazen drug use. Fantastical costumes. Celebrities. Wannabes. Gender-bending club kids. Pulse-pounding beats. Sinful orgies. Botched police raids. Depraved criminals. Murder. Welcome to the decadent nineties club scene. In 1995, journalist Frank Owen began researching a story on Special K, a designer drug that fueled the after-midnight club scene. He went to buy and sample the drug at the internationally notorious Limelight, a crumbling church converted into a Manhattan disco, where mesmerizing music, ecstatic dancers, and uninhibited sideshows attracted long lines of hopeful onlookers. Owen discovered a world where reckless hedonism was elevated to an art form, and where the ever-accelerating party finally spun out of control in the hands of notorious club owner Peter Gatien and his minions. In Clubland, Owen reveals how a lethal drug ring operated in a lawless, black-lit realm of fantasy, and how, when the lights came up, their excesses left countless victims in their wake. Praised for his risk-taking and exhilarating writing style, Frank Owen has spawned a hybrid of literary nonfiction and true crime, capturing the zeitgeist of a world that emerged in the spirit of “peace, love, unity and respect,” and ended in tragedy.
A dazzling, dizzying descent into New York's downtown club scene, where sex, drugs, and murder were part of everyday experience, in one of the most shocking--and fascinating--true-crime books ever written.
"Previously published as Disco bloodbath."
Winner of a 2020-2021 New York City Book Award In a rapidly changing New York, two forces battled for the city's soul: the pro-slavery New Yorkers who kept the illegal slave trade alive and well, and the abolitionists fighting for freedom. We often think of slavery as a southern phenomenon, far removed from the booming cities of the North. But even though slavery had been outlawed in Gotham by the 1830s, Black New Yorkers were not safe. Not only was the city built on the backs of slaves; it was essential in keeping slavery and the slave trade alive. In The Kidnapping Club, historian Jonathan Daniel Wells tells the story of the powerful network of judges, lawyers, and police officers who circumvented anti-slavery laws by sanctioning the kidnapping of free and fugitive African Americans. Nicknamed "The New York Kidnapping Club," the group had the tacit support of institutions from Wall Street to Tammany Hall whose wealth depended on the Southern slave and cotton trade. But a small cohort of abolitionists, including Black journalist David Ruggles, organized tirelessly for the rights of Black New Yorkers, often risking their lives in the process. Taking readers into the bustling streets and ports of America's great Northern metropolis, The Kidnapping Club is a dramatic account of the ties between slavery and capitalism, the deeply corrupt roots of policing, and the strength of Black activism.
The playground of the rich and the beautiful, downtown New York's nightlife spectacles and power of self-invention incubated pop icons from Andy Warhol to Lady Gaga. NYU sociologist Victor P. Corona sought a new education, where night classes held in galleries, nightclubs, bars, apartments, stoops, and all-night diners taught him about love, loss, and the living possibilities of identity. Transforming himself from dowdy professor to glitzy clubgoer, Victor immerses himself among downtown's dazzling tribes of artists and performers hungry for fame. Night Class: A Downtown Memoir investigates the glamour of New York nightlife. In interviews and outings with clubland revelers and influencers, including Party Monster and convicted killer Michael Alig, Night Class exposes downtown's perilous trappings of drugs, ambition, and power. From closeted, undocumented Mexican boy to Ivy League graduate to nightlife writer, Corona shares in Night Class the thrill and tragedy of downtown and how dramatically identities can change.