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This classic 1882 work is a valentine to the Big Apple... from the time before it earned that moniker. With the affectionate touch that only a New Yorker by choice can muster, journalist James Dabney McCabe, a native of Virginia, explores the history of the metropolis, strangers in New York, the secret of the citys capacity for generating wealth, a tour of busy New York harbor, thoughts on Boss Tweed, Broadway theaters of the day, the various classes of society, the citys famous parks and avenues, Wall Street, Christmas in New York (famous even then), the NYPD and prisons, the tenements, and much, much more, includingperhaps most intriguing, in retrospectwhat New York will be fifty years hence (or by 1932). Chock full of beautifully observed details about the sights, people, and culture of the great American city, this guidebook, an artifact of a city lost in time, will enthrall readers of travel literature and lovers of New Yorkof any era. American writer JAMES DABNEY McCABE (18421883) is also the author of Paris by Gaslight, Pathways of the Holy Land, and Great Fortunes, and How They Were Made.
First published in 1850, New York by Gas-Light explores the seamy side of the newly emerging metropolis: "the festivities of prostitution, the orgies of pauperism, the haunts of theft and murder, the scenes of drunkenness and beastly debauch, and all the sad realities that go to make up the lower stratum—the underground story—of life in New York!" The author of this lively and fascinating little book, which both attracted and offended large numbers of readers in Victorian America, was George G. Foster, reporter for Horace Greeley's influential New York Tribune, social commentator, poet, and man about town. Foster drew on his daily and nightly rambles through the city's streets and among the characters of the urban demi-monde to produce a sensationalized but extraordinarily revealing portrait of New York at the moment it was emerging as a major metropolis. Reprinted here with sketches from two of Foster's other books, New York by Gas-Light will be welcomed by students of urban social history, popular culture, literature, and journalism. Editor Stuart M. Blumin has provided a penetrating introductory essay that sets Foster's life and work in the contexts of the growing city, the development of the mass-distribution publishing industry, the evolving literary genre of urban sensationalism, and the wider culture of Victorian America. This is an important reintroduction to a significant but neglected work, a prologue to the urban realism that would flourish later in the fiction of Stephen Crane, the painting of George Bellows, and the journalism of Jacob Riis.
Originally published in 2006. For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890–1924, Art M. Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban—a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit. Drawing on a wide range of textual and visual primary sources, Blake guides the reader through New York's many civic identities, from the first generation of New York skyscrapers and their role in "Americanizing" the city to the promotion of Midtown as the city's definitive public face. His study ranges from the late 1890s into the early twentieth century, when the United States suddenly emerged as an imperial power, and the nation's industry, commerce, and culture stood poised to challenge Europe's global dominance. New York, the nation's largest city, became the de facto capital of American culture. Social reformers and tourism boosters, keen to see America's cities rival those of France or Britain, jockeyed for financial and popular support. Blake weaves a compelling story of a city's struggle for metropolitan and national status and its place in the national imagination.
'Street Scenes' focuses on the intersection of modern city life and stage performance. From street life and slumming to vaudeville and early cinema, to Yiddish theatre and blackface comedy, Romeyn discloses racial comedy, passing, and masquerade as gestures of cultural translation.
"Piecing together various historical fragments and anecdotes from the years before Chinatown emerged in the late 1870s, historian John Kuo Wei Tchen redraws Manhattan's historical landscape and broadens our understanding of the role of port cultures in the making of American identities."--BOOK JACKET.
Honorable mention, 2007 Lewis Mumford Prize, American Society of City and Regional Planning The nineteenth century was the golden age of the horse. In urban America, the indispensable horse provided the power for not only vehicles that moved freight, transported passengers, and fought fires but also equipment in breweries, mills, foundries, and machine shops. Clay McShane and Joel A. Tarr, prominent scholars of American urban life, here explore the critical role that the horse played in the growing nineteenth-century metropolis. Using such diverse sources as veterinary manuals, stable periodicals, teamster magazines, city newspapers, and agricultural yearbooks, they examine how the horses were housed and fed and how workers bred, trained, marketed, and employed their four-legged assets. Not omitting the problems of waste removal and corpse disposal, they touch on the municipal challenges of maintaining a safe and productive living environment for both horses and people and the rise of organizations like the American Society for the Prevention of Cruelty to Animals. In addition to providing an insightful account of life and work in nineteenth-century urban America, The Horse in the City brings us to a richer understanding of how the animal fared in this unnatural and presumably uncomfortable setting.
In swift, witty chapters that flawlessly capture the pace and character of New York City, acclaimed diarist Edward Robb Ellis presents his masterpiece: a thorough, and thoroughly readable, history of America's largest metropolis. Ellis narrates some of the most significant events of the past three hundred years and more -- the Revolutionary and Civil Wars, Alexander Hamilton and Aaron Burr's fatal duel, the formation of the League of Nations, the Great Depression -- from the perspective of the city that experienced, and influenced, them all. Throughout, he infuses his account with the strange and delightful anecdotes that a less charming tour guide might omit, from the story of the city's first, block-long subway to that of the blizzard of 1888 that turned Macy's into one big slumber party. Playful yet authoritative, comprehensive yet intimate, The Epic of New York City confirms the words of its own epigraph, spoken by Oswald Spengler: "World history is city history," particularly when that city is the Big Apple.
"A quirky study that intriguingly snapshots a city in times as well as a life."--Kirkus...
An intimate biography as well as an epic history, Monk Eastman vividly recounts the life and times of old New York’s most infamous gangster-cum-soldier as he made his way from the sooty streets and dingy saloons of the Lower East Side to the battlefields of the Western Front. Born in 1873 to a respectable New York family, Monk was running wild in Manhattan’s rough Lower East Side by the age of eighteen. He found work as a bouncer—when the saloon owner first turned him down because he had two bouncers already, Monk beat them both up and was promptly hired in their place. He soon developed a loyal following of immigrant toughs, and by 1900, he was the most feared gang leader in lower Manhattan, protected by corrupt politicians and crooked cops, and commanding an army of two thousand pickpockets, thieves, prostitutes, and thugs. But changing neighborhood demographics and shifting political fortunes colluded against Monk: after a pitched battle with Pinkerton detectives, he was sent to Sing Sing on a ten-year sentence, and his territory quickly slipped from his grasp. In 1917, no longer safe from the law—or from rival gangs—Monk joined the New York National Guard. As a gangster, he’d been the equivalent of a general; as an enlisted man, Monk was just another private. After several months of combat training, Monk’s division of Brooklyn recruits was thrown headlong into the bitter trench warfare in Europe. His experience in gangland combat served him well: he was repeatedly cited by his superiors for his bravery and he received a hero’s welcome back in New York and an offical pardon from the governor. But Monk’s gangland past was not so easily erased and caught up with him in the end. In Neil Hanson’s able hands, Monk’s unique and compelling story becomes an emblem of a time of upheaval—for New York and for the nation. From the Hardcover edition.