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Darby Kane thrills with this twisty domestic suspense novel that asks one central question: shouldn't a dead husband stay dead? Lila Ridgefield lives in an idyllic college town, but not everything is what it seems. Lila isn’t what she seems. A student vanished months ago. Now, Lila’s husband, Aaron, is also missing. At first these cases are treated as horrible coincidences until it’s discovered the student is really the third of three unexplained disappearances over the last few years. The police are desperate to find the connection, if there even is one. Little do they know they might be stumbling over only part of the truth…. With the small town in an uproar, everyone is worried about the whereabouts of their beloved high school teacher. Everyone except Lila, his wife. She’s definitely confused about her missing husband but only because she was the last person to see his body, and now it’s gone.
Feeling disconnected from the father whose work keeps him from home the rest of the year, Maomao enjoys a Chinese New Year visit marked by such activities as making sticky rice balls, watching a dragon dance, and searching for a hidden lucky coin.
A memoir in essays that expands on the viral sensation “The Crane Wife” with a frank and funny look at love, intimacy, and self in the twenty-first century. From friends and lovers to blood family and chosen family, this “elegant masterpiece” (Roxane Gay, New York Times bestselling author of Hunger) asks what more expansive definitions of love might offer ​us all. A BEST BOOK OF THE YEAR: TIME, THE GUARDIAN, GARDEN & GUN "Hauser builds their life's inventory out of deconstructed personal narratives, resulting in a reading experience that's rich like a complicated dessert—not for wolfing down but for savoring in small bites." —The New York Times “Clever, heartfelt, and wrenching.” —Time “Brilliant.” —Oprah Daily Ten days after calling off their wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, they realized they'd almost signed up to live someone else's life. What if you released yourself from traditional narratives of happiness? What if you looked for ways to leave room for the unexpected? In Hauser’s case, this meant dissecting pop culture touchstone, from The Philadelphia Story to The X Files, to learn how not to lose yourself in a relationship. They attended a robot convention, contemplated grief at John Belushi’s gravesite, and officiated a wedding. Most importantly, they mapped the difference between the stories we’re asked to hold versus those we choose to carry. Told with the late-night barstool directness of your wisest, most bighearted friend, The Crane Wife is a book for everyone whose path doesn't look the way they thought it would; for everyone learning to find joy in the not-knowing and to build a new sort of life story, a new sort of family, a new sort of home to live in.
Youssef, Vaqar's eldest son, died in the same house he was born in; the very house that became his after his father's murder. No one looked into his father's murder, and no one looked into Youssef's death either, which was perhaps for the best. The saga of Vaqar and his son had drawn to a close with the second murder. The saga was quite familiar to the family elders but they wouldn't recount it to their children; they wouldn't even talk about it with each other. It was a secret, a secret that had been hushed up to protect the family's good name. But discovery of the wedding invitation cards and those letters had confused everyone. No one could believe that Youssef had kept the invites for a wedding that had never taken place or the letters from a young girl now long forgotten. That young girl was Rana, who now, many years later, is struggling with dementia while she tries with all her might to hold on to the memory of Youssef, the love of her life. A love that was doomed since the beginning, yet it is the only thing that helps Rana keep going. The elders are gone now and Rana is the only one who can tell the story, and the only remaining keeper of that long lost world of love, loss, and family secrets.
In this book, the first of a series, Robin D. Gill, author of the highly acclaimed Rise, Ye Sea Slugs! and Cherry Blossom Epiphany, the largest single-theme anthologies of poetry ever published, explores the traditional Japanese New Year through 2,000 translated haiku (mostly 17-20c). "The New Year," R.H. Blyth once wrote, "is a season by itself." That was nowhere so plain as in the world of haiku, where saijiki, large collections called of ku illustrating hundreds, if not thousands of briefly explained seasonal themes, generally comprised five volumes, one for each season. Yet, the great doyen of haiku gave this fifth season, considered the first season when it came at the head of the Spring rather than in mid-winter, only a tenth of the pages he gave to each of the other four seasons (20 vs. 200). Was Blyth, Zen enthusiast, not enamored with ritual? Or, was he loath to translate the New Year with its many cultural idiosyncrasies (most common to the Sinosphere but not to the West), because he did not want to have to explain the haiku? It is hard to say, but, with these poems for the re-creation of the world, Robin D. Gill, aka "keigu" (respect foolishness, or respect-fool), rushes in where even Blyth feared to tread to give this supernatural or cosmological season - one that combines aspects of the Solstice, Christmas, New Year's, Easter, July 4th and the Once Upon a Time of Fairy Tales - the attention it deserves. With G.K. Chesterton's words, evoking the mind of the haiku poets of old, the author-publisher leaves further description of the content to his reader-reviewers. "The man standing in his own kitchen-garden with the fairyland opening at the gate, is the man with large ideas. His mind creates distance; the motor-car stupidly destroys it." (G.K. Chesterton: Heretics 1905)
His thoughtfulness and tenderness made her fall in love with him deeply, and the country life of they two was both fun and happy. A sudden car accident caused her soul to go through time and space to the ancient place of carnal pleasure. She was almost killed by her boss because she did not want to do those humiliating things. A passing-by youth looked at her, she was so pitiful that he bought her with the remaining money, and when he saw her clear eyes, he was surprised she was so different. In his meticulous care, she began to fall in love with him. Her ingenuity is even more superior in the closed and backward ancient rural areas. She buys fields to grow crops, or rents out to collect rents. Not only do they needn't worry about eating and drinking, but they also have plenty of surpluses. They two in this beautiful village live a happy life. ☆About the Author☆ Bi Ming Zhou Xiao Jie, an excellent online novelist, and a contract author of the Chinese literature website, her novel has a rich and tortuous storyline, touching emotional description.
An inspiring memoir of life, love, loss, and new beginnings by the widower of bestselling children’s author and filmmaker Amy Krouse Rosenthal, whose last of act of love before her death was setting the stage for her husband’s life without her in the viral New York Times Modern Love column, “You May Want to Marry My Husband.” On March 3, 2017, Amy Krouse Rosenthal penned an op-ed piece for the New York Times’ “Modern Love” column —”You May Want to Marry My Husband.” It appeared ten days before her death from ovarian cancer. A heartbreaking, wry, brutally honest, and creative play on a personal ad—in which a dying wife encouraged her husband to go on and find happiness after her demise—the column quickly went viral, reaching more than five million people worldwide. In My Wife Said You May Want to Marry Me, Jason describes what came next: his commitment to respecting Amy’s wish, even as he struggled with her loss. Surveying his life before, with, and after Amy, Jason ruminates on love, the pain of watching a loved one suffer, and what it means to heal—how he and their three children, despite their profound sorrow, went on. Jason’s emotional journey offers insights on dying and death and the excruciating pain of losing a soulmate, and illuminates the lessons he learned. As he reflects on Amy’s gift to him—a fresh start to fill his empty space with a new story—Jason describes how he continues to honor Amy’s life and her last wish, and how he seeks to appreciate every day and live in the moment while trying to help others coping with loss. My Wife Said You May Want to Marry Me is the poignant, unreserved, and inspiring story of a great love, the aftermath of a marriage ended too soon, and how a surviving partner eventually found a new perspective on life’s joys in the wake of tremendous loss.
“This book walks each of us through the reality checks we need in order to have the marriage we want!” —Shaunti Feldhahn, social researcher and best-selling author of For Women Only In today’s workplace, women are often rewarded for having type A personalities: driven, demanding, ambitious, and strong. Yet when it comes to their marriages, those same traits can backfire. After all, no one goes into marriage hoping for a promotion. What is a wife to do? April Cassidy knows this struggle firsthand. She thought she was a great Christian wife and begged God to make her passive husband into a more loving, involved, godly leader. Instead, God opened her eyes to changes that she needed to make, such as laying down her desire for control and offering genuine, unconditional respect—not just love—to her husband. Cassidy’s conclusions may be as startling to readers as they were to her, but The Peaceful Wife shares how she and many others have learned to reorient their lives to biblical commands—resulting in healthier, happier marriages. In the end, you’ll find The Peaceful Wife a powerful path to God’s design for women to live in full submission to Christ as Lord.
Lōa Hô (also Lai He, 1894-1943) was a pioneering writer from Taiwan often called the 'father of New Taiwanese Literature'. As a doctor during the colonial period in Taiwan, Loa witnessed the cruelty of Japanese rule and wrote stories which display both his sense of justice and social insight. His writing often utilized irony and satire to criticize the status quo, and his work provides a fascinating window into the struggle for Taiwanese self-determination during the early twentieth century. Scales of Injustice contains the complete fiction of Loa Hô, with an expert introduction from Pei-yin Lin and explanatory notes by translator Darryl Sterk.