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Frosty the... coat rack? It’s New Year’s Eve at the North Pole but the work of the holidays isn't over. Father Time’s warehouse is under renovation and Santa’s Workshop is bursting at the stocking seams trying to house the world’s New Year shipment. The extra pressure isn't helping head elf Murry tolerate the festivities on what’s already his least favorite holiday. They've almost made it to midnight when an unexpected, and strangely familiar, caller in an old silk hat appears looking for the boss. He’s convinced he’s cursed and searching for a cure that may even be beyond Santa Claus’ powers. When the situation turns desperate and the visitor turns thief, will Time be on their side? Can the elves restore the light of the future before the ball drops on another year? New Year’s Thieve is a holiday comedy in one act for all ages from the author of The Love of Three Oranges and Polar Twilight. Run Time: 30 - 35 minutes 2 Male, 3 Female, 3 Either 7 to 10+ actors possible
You’ve just completed a novel during the National Novel Writing Month challenge! Or maybe you completed part of one. Or signed up with really good intentions and then only wrote a couple of words. Either way, you’re staring at 30 days worth of words and wondering… What now? How exactly do you start a revision and discover your editing process? How do you know if you’re ready to hire an editor? How do you motivate yourself when faced with draft dread or editing blocks? How can you translate what you’ve accomplished so far into a professional writing career? From tips for finding beta readers, exploration of traditional vs. self-publishing, and strategies to motivate yourself to keep writing regularly post-NaNoWriMo, NaNo What Now? is a quick and easy-to-read unofficial guide to the next steps. In a sea of general writing advice, NaNo ML and multi-year veteran Hillary DePiano offers practical and specific solutions tailored to the unique nature of the NaNoWriMo challenge and holds your hand through the rest of the journey. It’s time to finish what you started and make your book the best it can be.
The American playwright and actor William Gillette is best remembered today for the role of Sherlock Holmes that he first created for the stage in 1899 and played for more than thirty years. Gillette also adapted foreign plays for the American stage and wrote strong melodramas and spy stories in which he frequently appeared himself. This volume includes All the Comforts of Home (1890), Secret Service (1895) and Sherlock Holmes (1899). Gillette's sure grasp of the keys to theatrical success, together with his technical innovations, makes him an interesting and important theatre figure. In his time, as playwright and player, he achieved a new combination of melodramatic suspense with a cool, understated acting style. These three plays represent the range of his dramatic talent.
In 'Heroines of the Modern Stage' by Forrest Izard, the author delves into the portrayal of female characters in modern theater, examining their roles, complexities, and impact on the stage. Izard's analytical approach to the literary and social significance of these heroines offers readers a thought-provoking exploration of gender dynamics and representation in contemporary plays. Through detailed character studies and nuanced interpretations, Izard sheds light on the evolution of women's roles in theater, highlighting the power and agency of these heroines in shaping narratives and challenging societal norms. Drawing on a range of dramatic works, from classic plays to avant-garde productions, Izard demonstrates the enduring relevance of these strong and multifaceted characters in the modern theatrical landscape. Forrest Izard, a renowned theater scholar and critic, brings a wealth of knowledge and expertise to 'Heroines of the Modern Stage'. His deep understanding of dramatic literature and feminist theory enriches the book's insightful analysis, offering readers a comprehensive study of female representation in contemporary theater. This insightful and meticulously researched book is a must-read for theater enthusiasts, academics, and anyone interested in the intersection of gender, performance, and culture.