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Remember worrying about the Y2K bug in 1999? Or life before Twitter? Ten years ago, September 11 was just another day, Facebook didn't exist, and Barack Obama was a little-known state senator. Some have called the jam-packed first decade of the new millennium the "ten-year century" for all of the history-making, life-changing developments it's contained. Now, James Sutherland explores these influential years for the audience that's grown up in it, putting history in context and explaining how the world is smaller, faster, and more connected than it's ever been-and why it matters.
This biography of Mme de Sevigne brings to life the world of seventeenth-century France, a mother and her daughter, a writer and her brilliant letters. The passion and the pathos of this correspondence brings us as close as we can come to the mind of a woman in the court of Louis XIV.
I was born on February 8, 1951 in a small migrant camp town in Southeast Florida. This mostly hot sandy little community was called Indiantown. My mother was a nineteen years old along, who with her father David and other siblings, lived at this camp during the seasonal months of 1950. They worked picking vegetables out in the enormous fields owned by local farmers for what little money they could make. This money was to be taken back home to care for the rest of the family. Times were hard and the family needed money to make ends meet. My grandmother, Annie Mae, was at home, a two-hour drive north in central Florida. She was caring for all the younger children. David and Annie Mae came to Florida in 1950; their children would always tease them by saying . . . . "We left Carolina in 1949 and got to Florida in 1950". Of course it was late December when they left, and January 1st by the time they arrived.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Master verbalist Richard Lederer, America's "Wizard of Idiom" (Denver Post), presents a love letter to the most glorious of human achievements... Welcome to Richard Lederer's beguiling celebration of language -- of our ability to utter, write, and receive words. No purists need stop here. Mr. Lederer is no linguistic sheriff organizing posses to hunt down and string up language offenders. Instead, join him "In Praise of English," and discover why the tongue described in Shakespeare's day as "of small reatch" has become the most widely spoken language in history: English never rejects a word because of race, creed, or national origin. Did you know that jukebox comes from Gullah and canoe from Haitian Creole? Many of our greatest writers have invented words and bequeathed new expressions to our eveyday conversations. Can you imagine making up almost ten percent of our written vocabulary? Scholars now know that William Shakespeare did just that! He also points out the pitfalls and pratfalls of English. If a man mans a station, what does a woman do? In the "The Department of Redundancy Department," "Is English Prejudiced?" and other essays, Richard Lederer urges us not to abandon that which makes us human: the capacity to distinguish, discriminate, compare, and evaluate.
Throughout history, personal liberty, free markets, and peaceable, voluntary exchanges have been roundly denounced by tyrants and often greeted with suspicion by the general public. Unfortunately, Americans have increasingly accepted the tyrannical ideas of reduced private property rights and reduced rights to profits, and have become enamored with restrictions on personal liberty and control by government. In this latest collection of essays selected from his syndicated newspaper columns, Walter E. Williams takes on a range of controversial issues surrounding race, education, the environment, the Constitution, health care, foreign policy, and more. Skewering the self-righteous and self-important forces throughout society, he makes the case for what he calls the "the moral superiority of personal liberty and its main ingredient—limited government." With his usual straightforward insights and honesty, Williams reveals the loss of liberty in nearly every important aspect of our lives, the massive decline in our values, and the moral tragedy that has befallen Americans today: our belief that it is acceptable for the government to forcibly use one American to serve the purposes of another.
Monthly current affairs magazine from a Christian perspective with a focus on politics, society, economics and culture.
For twenty years The Mammoth Book of Best New Horror has been recognized as the world's foremost annual showcase of horror and dark fantasy fiction. Now, with one story from each year in which it has been published, from 1989 to 2008, representing the work of dozens of authors, many of them acknowledged as the foremost practitioners of the genre, multi-award-winning editor Stephen Jones looks back on two decades of superb writing to bring readers the ultimate horror fiction anthology. With names such as Ramsey Campbell, Christopher Fowler, Neil Gaiman, Michael Marshall Smith, Paul J. McAuley and Lisa Tuttle, this collection represents a true landmark in horror fiction publishing. Praise for Stephen Jones: 'Horror's last maverick.' - Christopher Fowler 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.'- Lisa Tuttle, The Times Books 'The best horror anthologist in the business is, of course, Stephen Jones.' - Roz Kavaney, Time Out 'Edited by Stephen Jones, a member of that tiny band of anthologists whose work is so reliably good that you automatically reach out and grab hold of any new volume spotted if you are wise.'- Gahan Wilson, Realms of Fantasy 'One of the genre's most enthusiastic cheerleaders.' - Publishers Weekly 'Horror readers owe Stephen Jones a lot.' - Rue Morgue 'Edited by the prolific and reliable Stephen Jones.' - SFX Magazine 'Jones performs his usual exemplary job.' - Starlog (UK) 'A new horror anthology from Stephen Jones is always an event' - Dennis Etchison
THE HOTLY ANTICIPATED BRAND-NEW ADDITION TO THE CRITICALLY ACCLAIMED ANNO DRACULA SERIES! Award-winning author Kim Newman takes the series stateside to Andy Warhol's New York and Orson Welles' Hollywood. It's 1976 and vampire reporter Kate Reed is on the set of Francis Ford Coppola's Dracula. She helps a young vampire boy, Ion Popescu, who then leaves Transylvania for America. In the States, Popescu becomes Johnny Pop and attaches himself to Andy Warhol, inventing a new drug which confers vampire powers on its users...