Download Free New Worlds New Civilizations Book in PDF and EPUB Free Download. You can read online New Worlds New Civilizations and write the review.

They said it couldn't be done ... all the myriad worlds which have been sought out and explored through more than 500 television episodes and nine Star Trek movies, mapped, illustrated and brought to life in the pages of a comprehensive Star Trek atlas. From the comparatively crowded space of the Alpha and Beta Quadrants, home to Earth and Vulcan, Bajor and Betazed, the Cardassian Union and the Romulan and Klingon Empires; to the distant Gamma Quadrant controlled by the Dominion; to the far reaches of the Delta Quadrant, home space of the Borg, where of Federation explorers only the crew of the USS Voyager has ever been; NEW WORLDS, NEW CIVILIZATIONS catalogues peoples and planets from all four corners of the galaxy. Ever wondered where the blue-skinned Bolians originated from? Or what it is like on the permanently frozen homeworld of the bloodless Breen? From the first world that the first away team landed on under the command of Christopher Pike in the original pilot episode 'The Cage' (a world that has been off-limits to the Federation ever since), to the world of the Ba'ku as seen in 'Star Trek: Insurrection', all these and many more are described and depicted in all their fascinating detail by a team of star-studded contributors. Produced in the finest tradition of bestselling Star Trek illustrated reference from Pocket Books such as The Art of Star Trek and Where No Man Has Gone Before, NEW WORLDS, NEW CIVILIZATIONS will be an essential addition to every Trekker's shelves.
New worlds, new civilizations. What will we find out there when we go looking? Who might find us? Join us as we go looking for life beyond the farthest star. Be sure to pick up the whole set of Boundary Shock Quarterly at your favorite retailer.
For more than three decades, viewers have enjoyed only fleeting glimpses of the myriad worlds imagined by the creators of Star Trek,Ó alien vistas & astonishing societies captured only for a few tantalizing seconds on-screen. With Michael Jan Friedman as your guide, & aided by a remarkable collection of talented artists, now you can embark on a visual odyssey through Star Trek'sÓ unique galaxy of new worlds & new civilizations. Artists include: Thom Ang, Dru Blair, Andre Bormanis, Doug Drexler, Tim Early, Phil Hale, Sonia Hillios, Brian Horton, Alan Kobayashi, Paul Lee, Dave McKean, John Mueller, Jon J. Muth, George Pratt, Greg Spalenka, Jamie Tolagson, John VanFleet, James Wang, & Kent Williams. Color illustrations.
In this concise, yet sweeping look at the origins and development of ancient new world civiliozations, Richard adams provides a superb introductory overview of these unique and fascinating cultures. Incorporating the latest breakthroughs in the study of the cultures of Mesoamerica and the Andes, Adams examines the development of the Olmec, Maya, Aztec, and Inca peoples, among others, from simple agricultural societies to urban civilizations with complex transportation networks, distinct social hierarchies, rich artistic and religious traditions, and writing systems that have defied anthropological investigation until recently.
Travel to two of the most colorful and fascinating civilizations in the Star Trek universe with this collection of two sweeping and reflective novellas that transport us to the alien planets of Ferenginar and the Dominion. In Ferenginar, Quark’s profit-driven home planet is rocked by a shocking scandal when allegations that Quark’s brother’s first wife has threatened to overthrow the Grand Nagus of the Ferengi Alliance, Rom. To make matters worse, Quark has been recruited by Rom’s political adversaries to join their coup d’état, with promises that all of Quark’s wildest dreams will come true if he helps. Quark must decide if the future of Ferenginar is worth his greatest desires or if he is strong enough to save it himself. In The Dominion, the Great Link—the living totality of the shape-shifting Founders—has struggled with questions ever since its defeat in the war for the Alpha Quadrant. At its greatest moment of intense doubt, its fate, and that of the Dominion itself, is tied to Odo’s investigation of his kind’s true motives for sending a hundred infant changelings out into the galaxy. As Odo searches for answers and takes a hard look at his past choices, Taran’atar reaches a turning point in his own quest for clarity—one from which there may be no going back.
American civilization’s dominance over Europe—and what to do about it In 1900, an American of taste was a European in exile; in 2000, a trendy European is a frustrated American—or one waiting for a visa. Régis Debray explores America’s global cultural ascendancy in this provocative and witty analysis of our contemporary condition. Whereas Europe once foregrounded the importance of time and writing, America is a civilization of spectacle and kinetics, blind to the tragic complexities of human life. A measure of America’s success is how its jargon has been adopted by European languages, but there is much more than that to the States’ infiltration into all aspects of modern life. For Debray, the dominance of American civilization is a historical fait accompli. Yet he envisions a sanctuary for the best of Europe modelled on Vienna at the cusp of the twentieth century, where art and literature flowered in the rich soil of a decaying empire. For decades to come, Europe can still offer a rich cultural seedbed. “Some will call it decadence,” writes Debray, “others liberation. Why not both?”
Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,0, University of Frankfurt (Main) (Neue Englischsprachige Kulturen und Literaturen), language: English, abstract: "Space, the Final Frontier. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go, where no one has gone before." - Opening credits of Star Trek: The Next Generation These are the opening lines of one of the most successful franchises of popular culture: Star Trek. In 1966 when the first episode of the science-fiction series "Star Trek" The Original Series was aired on US television author and creator Gene Roddenberry would not possibly have envisioned the cultural and political impact Star Trek would have even four decades later. He nevertheless envisioned very clearly that this "trek" would take its audience to "strange new worlds [...] and new civilizations". That this would exactly fall into the field of the discourses of postcolonial studies is no mere coincidence. The opening credits very straightforwardly indicate what voyages the audience will participate in. The exploration of "strange new worlds" and "new civilizations" recalls the narratives of Imperialism and Colonialism. Accordingly Star Trek can be read as another form of travelogue. The purpose of this work is to establish the narratives of Star Trek as a travelogue in the context of imperialist and colonial discourses. Having done so, I will examine Star Trek's standing within these discourses. My focus will be on the depiction of "the other" within Star Trek. On the basis of one episode of the TV series, Star Trek: The Next Generation I will juxtapose the argument of critics that Trek is either racist and imperialist in its conception or the depiction of a desirable Utopia.
Filmmakers employ various images to suggest the strangeness of outer space, but protective spacesuits most powerfully communicate its dangers and the frailty of humans beyond the cradle of Earth. (Many films set in space, however, forgo spacesuits altogether, reluctant to hide famous faces behind bulky helmets and ill-fitting jumpsuits.) This critical history comprehensively examines science fiction films that portray space travel realistically (and sometimes not quite so) by having characters wear spacesuits. Beginning [A] with the pioneering Himmelskibet (1918) and Woman on the Moon (1929), it discusses [B] other classics in this tradition, including Destination Moon (1950), Riders to the Stars (1954), and 2001: A Space Odyssey (1968); [C] films that gesture toward realism but betray that goal with melodramatic villains, low comedy, or improbable monsters; [D] the distinctive spacesuit films of Western Europe, Russia and Japan; and [E] America's spectacular real-life spacesuit film, the televised Apollo 11 moon landing (1969).
This volume, a product of the first Tricontinental Conference organized by Yeditepe University, İstanbul, brings together perspectives on democracy and development in Africa, the Middle East and Latin America. Representing local voices and insight, the contributors here respond to the dearth of comparative analysis on these three regions. In spite of the differences observed in colonial practices and postcolonial transitions, a shared disenchantment with the performance of competitive politics comes to the forefront in these geographical areas. Decades after decolonization, low-intensity democracy and the continuing potential for democratic reversals and backsliding make the study of these three regions relevant. Considering the debates on protests, social upheavals, activism, change and continuity, this book encourages the reader to survey the various trials and tribulations of the postcolonial era.