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Describing an era of exploration during the Renaissance that went far beyond geographic bounds, this book shows how the evidence of the New World shook the foundations of the old, upsetting the authority of the ancient texts that had guided Europeans so far afield. What Anthony Grafton recounts is a war of ideas fought by mariners, scientists, publishers, and rulers over a period of 150 years. In colorful vignettes, published debates, and copious illustrations, we see these men and their contemporaries trying to make sense of their discoveries as they sometimes confirm, sometimes contest, and finally displace traditional notions of the world beyond Europe.
Old New Worlds intertwines the immigrant stories of the author and her great-great grandmother. Sarah Barker and her new husband sail from England in 1815 to minister to the indigenous Khoihoi in South Africa’s Eastern Cape. In the midst of conflict, illness, and natural disasters, Sarah bears sixteen children. Two hundred years later, Judith leaves post apartheid South Africa with her new American husband to immigrate to the United States. She is drawn to Sarah’s immigrant story in the context of her own experience, and she sets out to try and trace her. In the process, she finds a soul mate.
Written by a highly interdisciplinary range of contributors, New Worlds from Old Texts explores ancient Greek perceptions of space, and how they may have differed from the modern cartographic view.
A history of the relationship between Great Britain and the United States ranges from the establishment of the first English colony in the New World to the present day, examining both nations in terms of what connected them and what drove them apart.
"The Caribbean has a powerful, modern tradition of fantastic literature that's on full display in this anthology of original fiction by writers from Barbados, Trinidad and Tobago, and Bermuda...None of these writers is likely to be familiar to American audiences, but all are worth getting to know. Readers who love the writing of Nalo Hopkinson, Tobias S. Buckell, and Lord herself will savor this volume." --Publishers Weekly, Starred review "New Worlds, Old Ways fulfills its promise of arriving at a recognizable genre of Caribbean speculative fiction. Prior to this collection we have not had any reader-friendly approaches that have directly addressed the genre of Caribbean speculative fiction. Lord, and the various writers in this collection, have given readers access to a hitherto unexplored genre, one that differentiates as well as connects to the treasure trove of Caribbean literature. The collection is a boon for scholars and reading aficionados of the Speculative Fiction genre. And as the editor states, true to its world, New Worlds, Old Ways offers both depth and delight without disappointment. It suggests tthat if one looks closely enough, they will find that Caribbean fiction has always been speculative." --SX Salon Do not be misled by the "speculative" in the title. Although there may be robots and fantastical creatures, these common symbols are tools to frame the familiar from fresh perspectives. Here you will find the recent past and ongoing present of government and society with curfews, crime, and corruption; the universal themes of family, growth and death, love and hate; the struggle to thrive when power is capricious and revenge too bittersweet. Here too is the passage of everything—old ways, places, peoples, and ourselves—leaving nothing behind but memories, histories, and stories. This anthology speaks to the fragility of our Caribbean home, but reminds the reader that although home may be vulnerable, it is also beautifully resilient. The voice of our literature declares that in spite of disasters, this people and this place shall not be wholly destroyed. Read for delight, then read for depth, and you will not be disappointed. Brand-new stories by: Tammi Browne-Bannister, Summer Edward, Portia Subran, Brandon O'Brien, Kevin Jared Hosein, Richard B. Lynch, Elizabeth J. Jones, Damion Wilson, Brian Franklin, Ararimeh Aiyejina, and H.K. Williams. New Worlds, Old Ways is the third publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of the CaribLit project.
New Worlds for Old, which appeared in some later editions with the subtitle "A Plain Account of Modern Socialism," was one of several books and pamphlets that H.G. Wells wrote about the socialist future in the period 1901-1908, while he was engaged in an effort to reform the Fabian Society. Contents: Chapter I. The Good Will in Man Chapter II. The Fundamental Idea of Socialism Chapter III. The First Main Generalization of Socialism Chapter IV. The Second Main Generalization of Socialism Chapter V. The Spirit of Gain and the Spirit of Service Chapter VI. Would Socialism Destroy the Home? Chapter VII. Would Modern Socialism Abolish All Property? Chapter VIII. The Middle-Class Man, the Business Man, and Socialism Chapter IX. Some Common Objections to Socialism Chapter X. Socialism a Developing Doctrine Chapter XI. Revolutionary Socialism Chapter XII. Administrative Socialism Chapter XIII. Constructive Socialism Chapter XIV. Some Arguments Ad Hominem Chapter XV. The Advancement of Socialism Herbert George "H. G." Wells (1866 – 1946) was an English writer, now best known for his work in the science fiction genre. He was also a prolific writer in many other genres, including contemporary novels, history, politics and social commentary, even writing textbooks and rules for war games. Wells was now considered to be one of the world's most important political thinkers and during the 1920s and 30s he was in great demand as a contributor to newspapers and journals.
The New Old World looks at the history of the European Union, the core continental countries within it, and the issue of its further expansion into Asia. It opens with a consideration of the origins and outcomes of European integration since the Second World War, and how today's EU has been theorized across a range of contemporary disciplines. It then moves to more detailed accounts of political and cultural developments in the three principal states of the original Common Market-France, Germany and Italy. A third section explores the interrelated histories of Cyprus and Turkey that pose a leading geopolitical challenge to the Community. The book ends by tracing ideas of European unity from the Enlightenment to the present, and their bearing on the future of the Union. The New Old World offers a critical portrait of a continent now increasingly hailed as a moral and political example to the world at large.
Lawrence M. Principe takes a fresh approach to the story of the scientific revolution, emphasising the historical context of the society and its world view at the time. From astronomy to alchemy and medicine to geology, he tells this fascinating story from the perspective of the historical characters involved.
This publication accompanies a major exhibition organized by the Wadsworth Atheneum in Hartford, Connecticut, and the National Gallery of Australia. It features some fifty American and fifty Australian landscape paintings produced during the period when landscape became the focus for artists in both countries.In both traditions landscapes trace the ever-changing complexities of bringing what is known to the experience of the unknown, exploring the profound relationship that we have with the land on which we live. Many of America's finest landscape painters are represented, including Frederic Church, Thomas Cole, Albert Bierstadt, Winslow Homer, and William Merritt Chase. Australian artists include Joseph Lyatt, Augustus Earle, John Glover, Eugene von Guerard, Louis Buvelot, and Arthur Streeton, among others.