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Reprint of the original, first published in 1869.
Reprint of the original, first published in 1869.
"An Oregon Girl" is an engrossing work with intriguing characters and a gripping plot. The story's plot shifts smoothly from one event to the other and keeps the readers curious till the end. Excerpt "Within the perimeter of a great semi-circle window in a large luxuriously furnished room of a fashionable residence not far from 6666 Hill, in the city of Portland, two women sat reading. It was an autumn afternoon, just after a light shower, a little warm but rarely matched for the unusual splendor of its soft, dreamy atmosphere—calm and clear as infinite space."
This wide-ranging collection of essays is intended to provoke both thought and action. The pieces collected here explore a variety of issues facing the American West—disappearing Native American languages, deteriorating air quality, suburban sprawl, species loss, grassland degradation, and many others—and suggest steps toward “healing.” More than “dealing with” or “solving,” according to the editors, healing addresses not just symptoms but their underlying causes, offering not just a temporary cure but a permanent one. The signs of illness and trauma can seem omnipresent in today’s West: land and soil disrupted from mining, overgrazing, logging, and farming; wildlife habitat reduced and fragmented; native societies disturbed and threatened; open space diminished by cities and suburbs; wilderness destroyed by roads and recreation-seekers. But as these essays suggest, the “treatment program” for healing the West has many healthful side effects. Engaging in the kinds of projects suggested by contributors is therapeutic not only for the environment but for participants as well. Restoration, repair, and recovery can counter symptoms of despair with concentrated doses of promise and possibility. The more “lesions” the West has, this book suggests, the more opportunities there are for westerners to revive and ultimately cure the ailing patient they have helped to create. The very idea of restoring the West to health, contributors and editors contend, unleashes our imaginations, sharpens our minds, and gives meaning to the ways we choose to live our lives. At the same time, acknowledging the profound difficulties of the work that lies ahead immunizes us against our own arrogance as we set about the task of healing the West.
Lost in the New West investigates a group of writers – John Williams, Cormac McCarthy, Annie Proulx and Thomas McGuane – who have sought to explore the tensions inherent to the Western, where the distinctions between old and new, myth and reality, authenticity and sentimentality are frequently blurred. Collectively these authors demonstrate a deep-seated attachment to the landscape, people and values of the West and offer a critical appraisal of the dialogue between the contemporary West and its legacy. Mark Asquith draws attention to the idealistic young men at the center of such works as Williams's Butcher's Crossing (1960), McCarthy's Blood Meridian (1985) and Border Trilogy, Proulx's Wyoming stories and McGuane's Deadrock novels. For each writer, these characters struggle to come to terms with the difference between the suspect mythology of the West that shapes their identity and the reality that surrounds them. They are, in short, lost in the new West.
This one-volume history chronicles a 150-year history of dramatic changes in fortune and attitudes in western Canada. From the Riel Rebellions and the Winnipeg General Strike to the founding of the CCF, Social Credit, and Reform parties, Canada's West has always been a hotbed of political, social, and economic change. In the early twentieth century those calls for change emanated from the left as farmers and workers fought for social and economic justice. In the past two decades, the protests and calls for change emanated from the right as the region gained a new role for itself in Canada. This history chronicles the rise and fall of such figures as Grant Devine, Bill Vander Zalm, Glen Clark, Roy Romanow, Stockwell Day, and Lorne Calvert -- and the emergence of Stephen Harper and the federal Conservatives. It describes how the West, the political wellspring of progressive changes over the years, has been transformed into the bastion of the right, culminating in the virtual annihilation of the NDP in Saskatchewan, the cradle of social democracy in Canada. This is the updated fourth edition of John Conway's classic book originally published under the titleThe West.
In the early 1970s, empowered by the civil rights and women's movements, a new group of women writers began speaking to the American public. Their topic, broadly defined, was the postmodern American West. By the mid-1980s, their combined works made for a bona fide literary groundswell in both critical and commercial terms. However, as Krista Comer notes, despite the attentions of publishers, the media, and millions of readers, literary scholars have rarely addressed this movement or its writers. Too many critics, Comer argues, still enamored of western images that are both masculine and antimodern, have been slow to reckon with the emergence of a new, far more "feminine," postmodern, multiracial, and urban west. Here, she calls for a redesign of the field of western cultural studies, one that engages issues of gender and race and is more self-conscious about space itself_especially that cherished symbol of western "authenticity," open landscape. Surveying works by Joan Didion, Wanda Coleman, Maxine Hong Kingston, Leslie Marmon Silko, Barbara Kingsolver, Pam Houston, Louise Erdrich, Sandra Cisneros, and Mary Clearman Blew, Comer shows how these and other contemporary women writers have mapped new geographical imaginations upon the cultural and social spaces of today's American West.
CONTENTS: Introduction Marvels of Nature: Canons -- Yellowstone National Park -- Geysers -- Yosemite Valley -- Garden of the Gods -- Monument Park -- Miscellaneous Marvels of Race: Cave-Dwellers -- Pueblos -- Zunis -- Moquis -- Mexicans Marvels of Enterprise: Railroads over Mountains -- Public Buildings -- Growth of Colonies -- The Pacific Slope -- The Mormon Settlement -- Railroad Kings Marvels of Mining Marvels of Stock-Raising Marvels of Agriculture Conclusion Marvels of the New West was originally published in 1887.
Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.