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Gabriel Okara, a prize-winning author whose literary career spans six decades, is rightly hailed as the elder statesman of Nigerian literature. The first Modernist poet of anglophone Africa, he is best known for The Fisherman's Invocation (1978), The Dreamer, His Vision (2005), and for his early experimental novel, The Voice (1964). Arranged in six sections, Gabriel Okara: Collected Poems includes the poet's earliest lyric verse along with poems written in response to Nigeria's war years; literary tributes and elegies to fellow poets, activists, and loved ones long dead; and recent dramatic and narrative poems. The introduction by Brenda Marie Osbey contextualizes Okara's work in the history of Nigerian, African, and English language literatures. Gabriel Okara: Collected Poems is at once a treasure for those long in search of a single authoritative edition and a revelation and timely introduction for readers new to the work of one of Africa's most revered poets.
Recommended by Cosmopolitan, USA Today, Shondaland, & Book Riot “It’s not often that fat women feel such thorough representation of themselves not only in poetry but in any media and not only in the beautiful moments but in the sorrowful ones, ranging throughout life. James does a brilliant job of portraying this and all her themes brilliantly; highly recommended.” —Starred review by Library Journal The raw poems inside Song of My Softening studies the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness. Poems open wide the questioning of how we express both love and pain, and how we view our bodies in society, offering themselves wholly, with sharpness and compassion.
This second volume in the Critical Approached series is an exposition of the craft of Nigerian writer, theatre director, poet, dramatist and editor, Onuora Ossie Enekwe. The professor of dramatic literature spent thirty years developing and advancing the drama and graduate curriculum of the University Nsukka and had in addition been editor of Okike. An African Journal of New Writing which was founded by Chinua Achebe.
"Nigeria - a country of contrasts. Incredible beauty. Incredible pain. Love, loss, facelessness and the struggle for identity. From this study in contrasts comes a collection of poems from established and emerging contemporary Nigerian voices. Surprising, bittersweet, lilting, angry, and mournful in turn, this anthology captures the vast poetic talent that has its roots in Nigeria's soil"--
Nation, Power and Dissidence in Third Generation Nigerian Poetry in English is a theoretical and analytical survey of the poetry that emerged in Nigeria in the 1980s. Hurt into poetry, the poets collectively raise aesthetics of resistance that dramatises the nationalist imagination bridging the gap between poetry and politics in Nigeria. The emerging generation of poetic voices raises an outcry against the repressive military regimes of the 1980s and 1990s. Ingrained in the tradition of protest literature in Africa, the third-generation poetry is presented here as part of the cultural struggles that unseat military despotism and envisage a democratic society.
In African studies, the “Echeruoan ideal” is understood as an intervention or intellectual engagement characterized by a broadness of vision as well as a depth of analysis. The essays gathered in this volume celebrate that ideal and honor Echeruo’s contribution to the African intellectual tradition. Editors Nwosu and Obiwu explore the driving forces in the literature of Africa and the African diaspora. Contributors examine such themes as migration and exile, trauma and repression, violence and rebellion, and gender and human rights. Showcasing a rich diversity of cultural and academic backgrounds, this volume inaugurates a new paradigm for further examination of African literature as world literature and for analysis of African literature through the lens of psychoanalytic semiotics. While varied in modes of inquiry, the essays are unified in their ambition to explore new theoretical directions, reinvigorating the conversation around how African literature is read and studied.
The concept of identity – be it class, gender, sexuality, national, institutional, or anything else we define ourselves by – has gone through radical change over the past half-century, and the idea of definition by binary oppositions is no longer as relevant as it once was. Spectrum is a poetry anthology that seeks to amplify marginalised voices, and to celebrate the great diversity and rich variation in the identities of people from around the world and from a huge cross-section of walks of life. Featuring poetry by: Rayne Affonso, Samah Alnuaimi, Caroline Am Bergris, Jessica Appleby, Steve Baggs, Cathy Bryant, Jane Burn, Rachel Burns, Susan Cartwright-Smith, Nwuguru Chidiebere Sullivan, Arinze Chiemenam, Abhainn Connolly, Jennifer Cousins, Martins Deep, Kat Dixon, Elle Echendu, Deborah Finding, Anita Goveas, Suman Gujral, Oz Hardwick, Roisín Harkin, Ellie Herda-Grimwood, Peter Hill, Sam Honeybone, Overcomer Ibiteye, LJ Ireton, Tim Kiely, Matt Leonard, Naomi Madlock, Jazz McCoull, Dianne McPhelim, Jenny Mitchell, Raina Muriithi, Neshma, Carolann North, Jessica Oakwood, Ewa Gerald Onyebuchi, Chiwenite Onyekwelu, Ivy Raff, Cameron Rew, Mia Jasmine Rhodes, Kerry Ryan, Daphne Sampson, Nnadi Samuel, Lana Silver, Jess Skyleson, Thea Smiley, Alyson Smith, Fadairo Tesleem, Sophie Laura Waters, Ozzy Welch, Frankie Whiting, Dave Wynne-Jones, Damon Young and Lucy Zhang.
Recognizing philosophy’s traditional influence on—and literature’s creative stimulus for—sociopolitical discourses, imaginations, and structures, African Philosophical and Literary Possibilities: Re-readingthe Canon, edited by Aretha Phiri, probes the cross-referential, interdisciplinary relationships between African literature and African philosophy. The contributors write within the broader context of renewed interest in and concerns around epistemological decolonization and to advance African scholarly transformation . This volume argues that, in their convergent ideological and imaginative attempts to articulate an African conditionality, African philosophy and literature share overlapping concerns and aspirations. In this way, this book engages and examines the intersectional canons of these disciplines in order to determine their intra-continental epistemological transformative possibilities within broader, global societal explorations of the current moment of decolonization. Where much of the scholarship on African philosophy has focused on addressing issues associated with the postcolonial task of African self-assertion in the face of or against Euro-modernist hegemony, this innovative book project shifts the focus and broadens the scope away from merely discoursing with the global North by mapping out how philosophy and literature can be viewed as mutually enriching disciplines within and for Africa.