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Daily life for the real people in St. Petersburg, Russia during the 1990s. This book was written by an American teacher who lived there.
The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.
“Readers fascinated with the Romanovs and this tumultuous period in Russian history will be enthralled by this deliciously dark and memorable novel.” —Publishers Weekly Inspired by real characters, this transporting historical fiction debut spins the fascinating story of two princesses in the Romanov court who practiced black magic, befriended the Tsarina, and invited Rasputin into their lives—forever changing the course of Russian history. As daughters of the impoverished King of Montenegro, Militza and Stana must fulfill their duty to their father and leave their beloved home for St. Petersburg to be married into senior positions in the Romanov court. For their new alliances to the Russian nobility will help secure the future of the sisters’ native country. Immediately, Militza and Stana feel like outcasts as the aristocracy shuns them for their provincial ways and for dabbling in the occult. Undeterred, the sisters become resolved to make their mark by falling in with the lonely, depressed Tsarina Alexandra, who—as an Anglo-German—is also an outsider and is not fully accepted by members of the court. After numerous failed attempts to precipitate the birth of a son and heir, the Tsarina is desperate and decides to place her faith in the sisters’ expertise with black magic. Promising the Tsarina that they will be able to secure an heir for the Russian dynasty, Militza and Stana hold séances and experiment with rituals and spells. Gurus, clairvoyants, holy fools, and charlatans all try their luck. The closer they become to the Tsarina and the royal family, the more their status—and power—is elevated. But when the sisters invoke a spiritual shaman, who goes by the name of Rasputin, the die is cast. For they have not only irrevocably sealed their own fates—but also that of Russia itself.
This volume presents the explorations of the architects and urban designers at Rogers Partners. In its 20 years of practice designing in cities around the country, the firm has maintained an attitude of curiosity about the elements that make design. From the smallest detail to the largest impositions, their work penetrates sites and their stories to feel their inherent conditions and find inspiration in the discovery of the unseen, the peculiar, the untouchable and the immovable. The book introduces six topics that pervade this journey.
Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, St. Petersburg's dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance, and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.
A landmark in Russian literature hailed as “one of the four great masterpieces of twentieth-century prose” by Vladimir Nabokov, author of Lolita. In this incomparable novel of the seething revolutionary Russia of 1905, Andrey Biely plays ingeniously on the great themes of Russian history and literature as he tells the mesmerizing tale of Apollon Apollonovich Ableukhov, a high-ranking Tsarist official, and his dilettante son, Nikolai, an aspiring terrorist, whose first assignment is to assassinate his father. “There is nothing like a ticking time bomb to supply fictional suspense, and perhaps no other writer has ever used the device more successfully than Andrey Biely in St. Petersburg . . . Biely is a crafty storyteller who can keep a reader flipping the pages while whipping up an intellectual storm.” —Time
St. Petersburg, Florida, has become virtually synonymous with retirement and old age. The city of green benches once courted its elderly population; now, however, it seeks to rejuvenate its image, to attract the young through urban revitalization. In this humane and sensitive book, Maria Vesperi, an anthropologist and journalist, looks at the realities of being old and poor in the rapidly changing downtown of St. Petersburg. Vesperi provides a complete and carefully observed picture of the elderly: the conditions of their_ lives, representative social programs created to provide for them, and their interaction with the city around them. The life of the old in St. Petersburg, she notes, is characterized by a profound contradiction between how the elderly see themselves and how they are viewed by the community-a contradiction that speaks of the way cultural stereotypes about aging are transmitted to all older Americans. As a culture, Vesperi maintains, we view the old as an isolated segment of humanity without a living future or even an ongoing present. She seeks to understand the ways in which the old respond to the distorted image that they meet with every day, not only in their relations with individuals but in their dealings with the institutions set up specifically to care for them. Her study of St. Petersburg explores questions that are significant throughout the United States: How did our rigid cultural assumptions about old age develop, and how can we change them? Why do so many gerontologists, public officials, and social workers tacitly subscribe to that misconception? How does it inform the development and operation of public programs for the elderly? Enlivened by the voices of the old people of St. Petersburg and enriched with photographs by Ricardo Ferro, this moving book is important reading for anyone concerned with the life of the elderly in America.
Bill DeYoung "takes a prideful romp through some of the quirkiest carefree and fun-loving experiences of our boomer childhood. He gently reminds us that history has occurred, too, in our lifetime. For those new to our city or interested to learn more, it'll quickly help you discover the tremendous breadth of activities our city had generated to attract people to our peninsula and separate them from their hard-earned vacation pay." From the foreword by Chris Steinocher, CEO of the St. Petersburg, FL Area Chamber of Commerce.
An exhilarating, brutal, comedic masterpiece—an American classic that will “leave you so giddy you’ll go and kick sand in somebody’s face” (Houston Post) When My Search for Warren Harding, Robert Plunket’s glittering story of literary sleuthing and deceit, first appeared in 1983, it garnered immediate and far-reaching acclaim. Frank Conroy at the Washington Post exclaimed, “The author pulled me in so deftly, moved me up an escalating scale of sly hyperbole so cunningly, that after a hundred pages, I seemed to have turned over the keys, so to speak, of my nervous system”; Florence King at the Dallas Times Herald, “The most exciting event in American letters for a very long time: a momentous book.” More recently, though long out of print, it was canonized in The Guardian’s “1000 Novels Everyone Must Read,” ranked by the Washington Post as one of the top five books of “great American comic fiction,” and praised by Michael Leone in the Los Angeles Review of Books as “a classic picaresque novel in the tradition of Cervantes.” Set against the fading light of early-1980s Hollywood, our deeply flawed, bigoted, closeted antihero Elliot Weiner is a historian—Harvard BA, Columbia PhD—with a passion for Morris dancing and Warren Harding, “the shallowest President in history.” After Weiner receives a research grant to write a book on the tumultuous life of Harding, he gets wind of a trunkful of the 29th president’s bawdy billets-doux that is rumored to be fiercely guarded by his ancient mistress Rebekah Kinney on her declining Hollywood Hills estate. Nothing and no one can stand in the way of Weiner getting his paws on the treasure, and along the way, as the words dance across the page, a hysterical, guffaw-inducing punchline around every corner, Weiner reaches new lows of humiliation and self-delusion.